Shakespeare and Historical Formalism

Introduction, Stephen Cohen; Part 1 Historicizing Form; Chapter 1 The Materiality of Shakespearean Form, Douglas Bruster; Chapter 2 Shakespeare, Geography, and the Work of Genre on the Early Modern Stage, Jean E. Howard; Chapter 3 “I would I were at home”: Representations of Dwelling Places and Havens in Cymbeline, Heather Dubrow; Chapter 4 Storm versus Story: Form and Affective Power in Shakespeare’s Romances, Christopher Cobb; Part 2 Re-Forming History; Chapter 5 Crossing from Scaffold to Stage: Execution Processions and Generic Conventions in The Comedy of Errors and Measure for Measure, Marissa Greenberg; Chapter 6 Partial Views: Literary Allusion, Teleological Form, and Contingent Readings in Hamlet, Nicholas Moschovakis; Chapter 7 Formalism and the Problem of History: Sonnets, Sequence, and the Relativity of Linear Time, R.L. Kesler; Chapter 8 Teaching Shakespeare and the Uses of Historical Formalism, Mary Janell Metzger;