He said, she says : an RSVP to the male text

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Appropriating the Golem, possessing the Dybbuk: female retellings of Jewish tales

The reclamation on the feminine divine:"walking in my body like a queen" in Lee Smith's Fair and tender ladies

The red cow effect: The metamorphosis of hallowing the hollow and hollowing the hallow

Signifyin(g) sex: Gloria Naylor's Bailey's cafe and western religious tradition

Taking America as a lover: contemporary women "engage" the American

Lolita talks back: giving voice to the object

I will not wear that coat: cross-dressing in the works of Dorothy Allison

Instructions for survival or plans for disaster? Young adult novels with mythological themes

Galatea: rewritten and rewriting

(Dis)obedient daughters: (dis)inheriting the kingdom of Lear

Mingling and unmingling opposites: bending genre and gender in Ann-Marie MacDonald's Goodnight Desdemona (Good morning Juliet)

"On which [we] looked up at her": Henry James's and Jane Campion's portrait(s) of a lady

He said che, She says no: apocalyptic discourse and awakening from the Cuban fantacy in Chely Lima's Confesiones nocturnas

Purloining The scarlet letter: Bharati Mukherjee and the apocryphal imagination

To speak with the voices of others: Kathy Acker and avant-garde