 | William Shakespeare - 1811 - 436 pages
...age shifts Into the lean and slipper'd pantaloon ; With spectacles on nose, and pouch on side ; II is youthful hose well sav'd, a world too wide For his...whistles in his sound : Last scene of all. That ends this strange eventful history, Is secoud childishness, and mere oblivion; Sans teeth, sans eyes, aans taste,... | |
 | William Shakespeare - 1813 - 362 pages
...formal cut, Full of wise saws and modern instances, And so he plays his part : The sixth age shifts Into the lean and slipper'd pantaloon ; With spectacles...Sans teeth, sans eyes, sans taste, sans every thing. Re-enter ORLAND.O with ADAM. Duke S. Welcome : Set down your venerable burden, And let him feed. Orl.... | |
 | William Shakespeare - 1810 - 418 pages
...are synonymous, it is ne cessary to be observed that one of the ancient senses of sudden, is violent. Into the lean and slipper'd pantaloon ;« With spectacles...; . Sans teeth, sans eyes, sans taste, sans every thingj Re-enter ORLANDO, w/VA ADAM. Duke S. Welcome : Set down your venerable burden, And let him feed.... | |
 | William Shakespeare - 1810 - 436 pages
...on nose, and pouch on side ; His youthful hose, well sav'd, a world too wide For his shrunk shanks ; and his big manly voice, Turning again toward childish...Sans teeth, sans eyes, sans taste, sans every thing. As you like it, act 2, sc. 7His images are indeed every where so lively, that the thing he would represent... | |
 | William Richardson - Characters and characteristics in literature - 1812 - 468 pages
...formal cut, Full of wise saws and modern instances, And so he plays his part : — The sixth age shifts Into the lean and slipper'd pantaloon ; With spectacles...shrunk shank ; and his big manly voice, Turning again towaid childish treble, pipes And whistles in his sound: — Last scene of all, That ends this strange... | |
 | William Shakespeare - 1813 - 424 pages
...and slipper' d pantaloon;] There is a greater sc. vii. AS YOU LIKE IT. 75 With spectacles on nose,6 and pouch on side ; His youthful hose well sav'd,...Sans teeth, sans eyes, sans taste, sans every thing. beauty than appears at first sight in this image. He is here comparing human life to a stage play of... | |
 | Robert Deverell - 1813 - 634 pages
...on nose, and pouch on side ; His youthful hose well sav'd, a world too wide For his shrunk shanks, and his big manly voice, Turning again toward childish...Sans teeth, sans eyes, sans taste, sans every thing. As almost every word of this passage has an obvious application to the moon, it has not been necessary... | |
 | Robert Deverell - Hieroglyphics - 1813 - 354 pages
...on nose, and pouch on side ; His youthful hose well sav'd, a world too wide For his shrunk shanks, and his big manly voice, Turning again toward childish...Sans teeth, sans eyes, sans taste, sans every thing. As almost every word of this passage has an obvious application to the moon, it has not been necessary... | |
 | William Scott - Elocution - 1814 - 424 pages
...formal cut j Full of wise saws and modern instances : And so he plays his part. The sixth age shifts Into the lean and slipper'd pantaloon ; With spectacles...whistles in his sound. Last scene of all, That ends this strange eventful history, Is second Childishness, and mere Oblivion ; Sans teeth, sans eye*, sans taste,... | |
 | William Shakespeare - 1817 - 350 pages
...formal cut, Full of wise saws and modern instances ; And so he plays his part. The sixth age shifts Into the lean and slipper'd pantaloon ; With spectacles...Sans teeth, sans eyes, sans taste, sans every thing. jls you like it, act 2, SC. 7. His images are indeed every where so lively, that the thing he would... | |
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With eyes severe, and beard of formal cut, Full of wise saws and modern instances * ; And so he plays his part. The sixth age shifts Into the lean and slipper'd pantaloon, With spectacles on nose, and pouch on side ; His youthful hose, well sav'd, a world... 
