| Samuel Johnson, Arthur Murphy - English literature - 1820 - 466 pages
...stations leap, And music's power obey. From harmony, from heavenly harmony, This universal frame began : From harmony to harmony Through all the compass of...in itself, that it can owe little to poetry ; and 1 could wish the antithesis of music untuning had found some other place. As from the power of sacred... | |
| Alexander Jamieson - English language - 1820 - 388 pages
...2. From harmony, from hearenly harmony, This universal frame hegan ; From harmony to harmony, Thro' all the compass of the notes it ran, The diapason closing full in mant. Analysis. This is of the same signature with the former i there is not even a glimpse of meamng... | |
| Samuel Johnson - English poetry - 1821 - 502 pages
....1oMy.',b R iLO'tj'O ;; i -.'' ;. 'i,".:'... . : ',., (j 'n..ujT (lne conclusion is likewise striking; put it includes an image so awful in itself, that it can...little to poetry; and I could wish the antithesis ofmusick untuning had found some other place. " ,Yium lo "(As from the power of sacred lays • .•... | |
| John Dryden, Walter Scott - 1821 - 504 pages
...stations leap, And Music's power obey. From harmony, from heavenly harmony, This universal frame began ; From harmony to harmony Through all the compass of...the notes it ran, The diapason* closing full in man. II. What passion cannot music raise and quell ? When Jubal struck the chorded shell, His listening... | |
| Classical poetry - 1822 - 314 pages
...stations leap, And Music's power obey. From harmony, from heavenly harmony, This universal frame began : From harmony to harmony, Through all the compass of...the notes it ran, The diapason closing full in Man. What passion cannot Music raise and quell! When Jubal struck the corded shell, His listening brethren... | |
| Charles Burton - 1823 - 234 pages
...stations leap, And Music's power obey. From harmony, from heavenly harmony, This universal frame began : From harmony to harmony Through all the compass of...the notes it ran, The diapason closing full in man. What passion cannot Music raise and quell ? When Jubal struck the chorded shell, His listening brethren... | |
| Samuel Johnson - 1824 - 484 pages
...stations leap, And musick's power obey. From harmony, from heavenly harmony, This universal frame began : From harmony to harmony Through all the compass of...little to poetry; and I could wish the antithesis ofmusick untuning had found some other place. As from the power of sacred lays The spheres began to... | |
| Saturday night - 1824 - 968 pages
...there are passages which would have dignified any other poet. The first stanza is vigorous and elegant; the conclusion is likewise striking, but it includes...awful in itself, that it can owe little to poetry. " Of his skill in elegy, he has given a specimen in his Eleonora. This piece is not without its faults... | |
| George Lewis Smyth - 1826 - 1042 pages
...stations leap, And Music's power obey. From harmony, from heavenly harmony, This universal frame began : From harmony to harmony Through all the compass of...the notes it ran, The diapason closing full in Man. n. What passion cannot music raise and quell ! When Jubal struck the chorded shell, His list'ning brethren... | |
| John Mason Good - Natural history - 1826 - 536 pages
...stations leap, And Music's power obey. ' From harmony, from heav'nly harmony, This universal frame began ; From harmony to harmony Through all the compass of...the notes it ran, The diapason closing full in man. What Pythagoras thus called numbers Plato denominated ideas, a term which has, hence, descended to... | |
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