Alain L. Locke: The Biography of a PhilosopherAlain L. Locke (1886-1954), in his famous 1925 anthology TheNew Negro, declared that “the pulse of the Negro world has begun to beat in Harlem.” Often called the father of the Harlem Renaissance, Locke had his finger directly on that pulse, promoting, influencing, and sparring with such figures as Langston Hughes, Zora Neale Hurston, Jacob Lawrence, Richmond Barthé, William Grant Still, Booker T. Washington, W. E. B. Du Bois, Ralph Bunche, and John Dewey. The long-awaited first biography of this extraordinarily gifted philosopher and writer, Alain L. Locke narrates the untold story of his profound impact on twentieth-century America’s cultural and intellectual life. Leonard Harris and Charles Molesworth trace this story through Locke’s Philadelphia upbringing, his undergraduate years at Harvard—where William James helped spark his influential engagement with pragmatism—and his tenure as the first African American Rhodes Scholar. The heart of their narrative illuminates Locke’s heady years in 1920s New York City and his forty-year career at Howard University, where he helped spearhead the adult education movement of the 1930s and wrote on topics ranging from the philosophy of value to the theory of democracy. Harris and Molesworth show that throughout this illustrious career—despite a formal manner that many observers interpreted as elitist or distant—Locke remained a warm and effective teacher and mentor, as well as a fierce champion of literature and art as means of breaking down barriers between communities. The multifaceted portrait that emerges from this engaging account effectively reclaims Locke’s rightful place in the pantheon of America’s most important minds. |
From inside the book
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Page 15
... Locke from her commitment to Adler's Ethical Culture—can be seen as contributing to many aspects of Locke's career and character: his teacherliness, his trust in critical standards to account for esthetic effects, his willingness to ...
... Locke from her commitment to Adler's Ethical Culture—can be seen as contributing to many aspects of Locke's career and character: his teacherliness, his trust in critical standards to account for esthetic effects, his willingness to ...
Page 19
... Locke comes to this view only in the course of a long reflection about such identities. Clearly his own membership in ... Locke's academic excellence carried him into a class where the average age of the other students was two years ...
... Locke comes to this view only in the course of a long reflection about such identities. Clearly his own membership in ... Locke's academic excellence carried him into a class where the average age of the other students was two years ...
Page 21
... Locke's name appeared in The Mirror during the four years that he attended Central was in the April 1902 issue, just months before his graduation. In this issue Locke displayed what is probably his first published work, a three-page ...
... Locke's name appeared in The Mirror during the four years that he attended Central was in the April 1902 issue, just months before his graduation. In this issue Locke displayed what is probably his first published work, a three-page ...
Page 23
... Locke's compositional skills, for they are always literate and well organized, with a coherent point of view, even though some may have been composed extemporaneously. They also shed light on Locke's opinions and temperament at this ...
... Locke's compositional skills, for they are always literate and well organized, with a coherent point of view, even though some may have been composed extemporaneously. They also shed light on Locke's opinions and temperament at this ...
Page 24
... Locke's view of himself. There is also a review of Josiah Royce's The World and the Individual, the two volumes of which had appeared in 1900–1901; Locke would soon be a pupil of this post-Kantian idealist, and Royce would help enhance ...
... Locke's view of himself. There is also a review of Josiah Royce's The World and the Individual, the two volumes of which had appeared in 1900–1901; Locke would soon be a pupil of this post-Kantian idealist, and Royce would help enhance ...
Contents
1 | |
5 | |
28 | |
3 Oxford and Berlin | 59 |
The Early Years | 107 |
5 Howard and Beyond | 142 |
6 The Renaissance and the New Negro | 179 |
7 After The New Negro | 218 |
Sahdji to the Bronze Booklets | 251 |
9 The Educator at Work and at Large | 285 |
10 Theorizing Democracy | 328 |
11 The Final Years | 358 |
12 Lockes Legacy | 381 |
Notes | 391 |
Index | 419 |
Other editions - View all
Alain L. Locke: The Biography of a Philosopher Leonard Harris,Charles Molesworth No preview available - 2010 |
Alain L. Locke: The Biography of a Philosopher Leonard Harris,Charles Molesworth No preview available - 2008 |
Common terms and phrases
academic African American African art Alain Locke ALPHU appeared argued argument artistic attitude Berlin Bois’s called Claude McKay College color Cosmopolitan criticism Cullen cultural decades democracy Dickerman early especially essay esthetic eventually experience expression Fauset friends friendship Harlem Renaissance Harvard Howard University Hughes Hughes’s Hurston idea intellectual interest issue Johnson journal Kallen Kellogg Kelly Miller Langston Langston Hughes later lectures letter literary literature Locke felt Locke wrote Locke’s Mary Locke Mason McKay McKay’s Moorland-Spingarn Research Center mother Negro art novel one’s Oxford Philadelphia philosophy poems poet poetry political problem published question race racial racism Rhodes Rhodes Scholarship role Sahdji Schomburg School Seme sense social story Survey Graphic talent theory thought tion told Locke took Toomer tradition value theory values Vechten views W. E. B. Du Bois Washington writing year-end reviews York