An Essay on the Genius and Writings of Pope, Volume 2 |
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Page 26
Ovid is also ancther writer of a bad taste , on whom Pope employed some of his youthful hours ; in translating the stories of Dryope and Pomona . Were it not for the useful mythological knowledge they contain , the works of Ovid ought ...
Ovid is also ancther writer of a bad taste , on whom Pope employed some of his youthful hours ; in translating the stories of Dryope and Pomona . Were it not for the useful mythological knowledge they contain , the works of Ovid ought ...
Page 27
Above all , he commends him for his unforced transitions , and for the ease with which he slides into some new circumstance , without any violation of the unity of the story ; the texture , says he , is so artful that it may be pared to ...
Above all , he commends him for his unforced transitions , and for the ease with which he slides into some new circumstance , without any violation of the unity of the story ; the texture , says he , is so artful that it may be pared to ...
Page 29
We are now advanced , through many digressions , that I would hope are not wholly impertinent , to Pope's IMITATIONS of Seven English Poets , some of which were done at fourteen or fifteen years old . His early bent to poetry has been ...
We are now advanced , through many digressions , that I would hope are not wholly impertinent , to Pope's IMITATIONS of Seven English Poets , some of which were done at fourteen or fifteen years old . His early bent to poetry has been ...
Page 30
The scene of it lay at Rhodes , and some of the neighbouring illands ; and the poem opened under the water , with a description of the court of Neptune . That couplet on the circulation of the blood , which I afterwards inserted in the ...
The scene of it lay at Rhodes , and some of the neighbouring illands ; and the poem opened under the water , with a description of the court of Neptune . That couplet on the circulation of the blood , which I afterwards inserted in the ...
Page 32
... of our young imitator with so much admiration , as not to have fuffered him to make a kind of travesty of them . • Book II . Canto 12. Stanza 75 . Tho The next stanza of Pope represents some allegorical figures , 32 ESSAY ON THE GENIUS.
... of our young imitator with so much admiration , as not to have fuffered him to make a kind of travesty of them . • Book II . Canto 12. Stanza 75 . Tho The next stanza of Pope represents some allegorical figures , 32 ESSAY ON THE GENIUS.
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admirable affected againſt alſo ancient appears beauty becauſe beſt Boileau called character Corneille death deſign Dryden elegant epiſtle equal excellent firſt force French genius give hand himſelf hiſtory Horace images imitation Italy juſt king laſt late learned letter lines lively Lord manner mean mentioned Milton mind moral moſt muſt nature never obſerved occaſion opinion original painted particularly paſſage paſſion perhaps perſon piece pleaſing pleaſure poem poet poetry Pope preſent publiſhed reader reaſon remarkable ridicule ſaid ſame ſatire ſays SCENA ſecond ſee ſeems ſenſe ſhall ſhould ſome ſpeak ſpirit ſtriking ſtyle ſubject ſuch Swift taſte theſe thing thoſe thought tranſlation true turn uſed verſe whole whoſe writer written wrote