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WHEN, at the age of sixty-eight, Johnson was writing these “Lives of the English Poets,” he had caused omissions to be made from the poems of Rochester, and was asked whether he would allow the printers to give all the verse of Prior. Boswell quoted a censure by Lord Hailes of “those impure tales which will be the eternal opprobrium of their ingenious author." Johnson replied, “Sir, Lord Hailes has forgot. There is nothing in Prior that will excite to lewdness ;” and when Boswell further urged, he put his questionings aside, and added, “No, sir, Prior is a lady's book. No lady is ashamed to have it standing in her library." Johnson distinguished strongly, as every wise man does, between offence against convention, and offence against morality.
In Congreve's plays he recognised the wit but condemned the morals, and in the case of Blackmore the regard for the religious purpose of Blackmore's poem on
“ The Creation ” gave to Johnson, as to Addison, an undue sense of its literary value.
With his “ Life of Pope," which occupies more than two-thirds of this volume, Johnson took especial pains. “He wrote it,” says Boswell, con amore,' both from the early possession which that writer had taken of his mind, and from the pleasure which he must have felt in for ever silencing all attempts to lessen his poetical fame.
I remember once to have heard Johnson say, 'Sir, a thousand years may elapse before there shall appear another man with a power of versification equal to that of Pope.'”
Pope's laurel, since Johnson's days, has flourished, without showing a dead bough, for all the frosts of hostile critic zm.
LIVES OF THE ENGLISH POETS.
MATTHEW PRIOR is one of those that have burst out from an obscure original to great eminence. He was born July 21, 1664, according to some, at Wimborne, in Dorsetshire, of I know not what parents; others say that he was the son of a joiner of London : he was perhaps willing enough to leave his birth unsettled, in hope, like Don Quixote, that the historian of his actions might find him some illustrious alliance. He is supposed to have fallen, by his father's death, into the hands of his uncle, a vintner near Charing Cross, who sent him for some time to Dr. Busby, at Westminster ; but, not intending to give him any education beyond that of the school, took him, when he was well advanced in literature, to his own house, where the Earl of Dorset, celebrated for patronage of genius, found him by chance, as Burnet relates, reading Horace, and was so well pleased with his proficiency, that he undertook the care and cost of his academical education. He entered his name in St. John's College, at Cambridge, in 1682, in his eighteenth year; and it may!
y be reasonably supposed that he was distinguished among his contemporaries. He became a Bachelor, as is usual, in four years, and two years afterwards wrote the poem on the Deity, which stands first in his volume.
It is the established practice of that College to send every year to the Earl of Exeter some poems upon sacred notice ;
subjects, in acknowledgment of a benefaction enjoyed by them from the bounty of his ancestor. On this occasion were those verses written, which, though nothing is said of their success, seem to have recommended him to some
for his praise of the countess's music, and his lines on the famous picture of Seneca, afford reason for imagining that he was more or less conversant with that family.
The same year he published “ The City Mouse and Country Mouse,” to ridicule Dryden's “ Hind and Panther," in conjunction with Mr. Montague. There is a story of great pain suffered, and of tears shed, on this occasion by Dryden, who thought it hard that “ old man should be so treated by those to whom he had always been civil.” By tales like these is the envy raised by superior abilities every day gratified. When they are attacked every one hopes to see them humbled ; what is hoped is readily believed, and what is believed is confidently told. Dryden had been more accustomed to hostilities than that such enemies should break his quiet; and, if we can suppose him vexed, it would be hard to deny him sense enough to conceal his uneasiness.
“ The City Mouse and Country Mouse” procured its authors more solid advantages than the pleasure of fretting Dryden, for they were both speedily preferred. Montague, indeed, obtained the first notice with some degree of discontent, as it seems, in Prior, who probably knew that his own part of the performance was the best. He had not, however, much reason to complain, for he came to London and obtained such notice that (in 1691) he was sent to the Congress at the Hague as secretary to the embassy. In this assembly of princes and nobles, to which Europe has perhaps scarcely seen anything equal, was formed the grand alliance against Louis, which at last did not produce effects proportionate to the magnificence of the transaction.