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WEST.

GILBERT WEST is one of the writers of whom I regret my inability to give a sufficient account; the intelligence which my inquirers have obtained is general and scanty.

He was the son of the Rev. Dr. West; perhaps him who published "Pindar" at Oxford about the beginning of this century. His mother was sister to Sir Richard Temple, afterwards Lord Cobham. His father, purposing to educate him for the church, sent him first to Eton, and afterwards to Oxford; but he was seduced to a more airy mode of life, by a commission in a troop of horse, procured him by his uncle.

He continued some time in the army; though it is reasonable to suppose that he never sunk into a mere soldier, nor ever lost the love, or much neglected the pursuit, of learning; and afterwards, finding himself more inclined to civil employment, he laid down his commission, and engaged in business under the Lord Townshend, then secretary of state, with whom he attended the King to Hanover.

His adherence to Lord Townshend ended in nothing but a nomination (May 1729) to be clerk-extraordinary of the privycouncil, which produced no immediate profit; for it only placed him in a state of expectation and right of succession, and it was very long before a vacancy admitted him to profit.

Soon afterwards he married, and settled himself in a very pleasant house at Wickham, in Kent, where he devoted himself to learning and to piety. Of his learning the late Collection exhibits evidence, which would have been yet fuller, if the dissertations which accompany his version of Pindar had not been improperly omitted. Of his piety the influence has extended far by his "Observations on the Resurrection," published in 1747, for which the university of Oxford created him a doctor of laws by diploma (March 30, 1748) and would doubtless have reached yet further, had he lived to complete what he had for some time meditated, the evidences of the truth of the "New Testament." Perhaps it may not be without effect to tell, that he read the prayers of the public liturgy every morning to his family, and that on Sunday evening he called his servants into the parlour, and read to them first a sermon and then prayers. Crashaw is now not the only maker of verses to whom may be given the two venerable names of poet and saint.

He was very often visited by Lyttelton and Pitt, who, when they were weary of faction and debates, used at Wickham to find books and quiet, a decent table, and literary conversation. There is at Wickham a walk made by Pitt; and, what is of far more importance, at Wickham Lyttelton received that conviction which produced his "Dissertation on St. Paul."

These two illustrious friends had for a while listened to the blandishments of infidelity; and when West's book was published, it was bought by some who did not know his change of opinion, in expectation of new objections against Christianity; and as infidels do not want malignity, they revenged the disappointment by calling him a methodist.

Mr. West's income was not large; and his friends endeavoured, but without success, to obtain an augmentation. It is reported, that the education of the young prince was offered to him, but that he required a more extensive power of superintendance than it was thought proper to allow him.

In time, however, his revenue was improved; he lived to have one of the lucrative clerkships of the privy council (1752;) and Mr. Pitt at last had it in his power to make him treasurer of Chelsea Hospital.

He was now sufficiently rich; but wealth came too late to be long enjoyed; nor could it secure him from the calamities of life; he lost (1755) his only son; and the year after (March 26) a stroke of the palsy brought to the grave one of the few poets to whom the grave might be without its terrors.

Of his translations I have only compared the first Olympic ode with the original, and found my expectation surpassed, both by its elegance and its exactness. He does not confine himself to his author's train of stanzas, for he saw that the difference of the languages required a different mode of versification. The first strophe is eminently happy; in the second he has a little strayed from Pindar's meaning, who says, "if thou, my soul, wishest to speak of games, look not in the desert sky for a planet hotter than the sun; nor shall we tell of nobler games than those of Olympia." He is sometimes too paraphrastical. Pindar bestows upon Hiero an epithet, which, in one word, signifies delighting in horses; a word which, in the translation, generates these lines:

Hiero's royal brows, whose care
Tends the courser's noble breed,
Pleas'd to nurse the pregnant mare,
Pleas'd to train the youthful steed.

Pindar says of Pelops, that "he came alone in the dark to the White Sea;" and West,

Near the billow-beaten side

Of the foam-besilver'd main,
Darkling, and alone, he stood:

which however is less exuberant than the former passage.

A work of this kind must, in a minute examination, discover many imperfections; but West's version, so far as I have considered it, appears to be the product of great labour and great abilities.

His Institution of the Garter (1742) is written with sufficient knowledge of the manners that prevailed in the age to which it is referred, and with great elegance of diction; but, for want of a process of events, neither knowledge nor elegance preserve the reader from weariness.

His Imitations of Spenser are very successfully performed, both with respect to the metre, the language, and the fiction; and being engaged at once by the excellence of the sentiments, and the artifice of the copy, the mind has two amusements together. But such compositions are not to be reckoned among the great_achievements of intellect, because their effect is local and temporary, they appeal not to reason or passion, but to memory, and presuppose an accidental or artificial state of mind. An imitation of Spenser is nothing to a reader, however acute, by whom Spenser has never been perused. Works of this kind may deserve praise, as proofs of great industry, and great nicety of observation: but the highest praise, the praise of genius, they cannot claim. The

noblest beauties of art are those of which the effect is coextended with rational nature, or at least with the whole circle of polished life; what is less than this can be only pretty, the plaything of fashion, and the amusement of a day.

THERE is in the "Adventurer" a paper of verses given to one of the authors as Mr. West's, and supposed to have been written by him. It should not be concealed, however, that it is printed with Mr. Jago's name in Dodsley's Collection, and is mentioned as his in a letter of Shenstone's. Perhaps West gave it without naming the author; and Hawkesworth, receiving it from him, thought it his; for his he thought it, as he told me, and as he tells the public.

COLLINS.

WILLIAM COLLINS was born at Chichester, on the twentyfifth day of December, about 1720. His father was a hatter of good reputation. He was in 1733, as Dr. Warburton has kindly informed me, admitted scholar of Winchester College, where he was educated by Dr. Burton. His English exercises were better than his Latin.

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He first courted the notice of the public by some verses to "A Lady weeping,' published in "The Gentleman's Magazine.'

In 1740, he stood first in the list of the scholars to be received in succession at New College, but unhappily there was no vacancy. This was the original misfortune of his life. He became a commoner of Queen's College, probably with a scanty maintenance: but was, in about half a year, elected a demy of Magdalen College, where he continued till he had taken a bachelor's degree, and then suddenly left the university; for what reason I know not that he told.

He now (about 1744) came to London a literary adventurer, with many projects in his head, and very little money in his pockets. He designed many works; but his great fault was irresolution; or the frequent calls of immediate necessity broke his scheme, and suffered him to pursue no settled purpose. A man doubtful of his dinner, or trembling at a creditor, is not much disposed to abstracted meditation, or remote inquiries. He published proposals for a history of the Revival of Learning; and I have heard him speak with great kindness of Leo the Tenth, and with keen resentment of his tasteless successor. But probably not a page of his history was ever written. He planned several tragedies, but he only planned them. He wrote now and then odes and other poems and did something, however little.

About this time I fell into his company. His appearance was decent and manly; his knowledge considerable, his views extensive, his conversation elegant, and his disposition cheer

ful. By degrees I gained his confidence; and one day was admitted to him when he was immured by a bailiff, that was prowling in the street. On this occasion recourse was had to the booksellers, who, on the credit of a translation of Aristotle's Poetics, which he engaged to write with a large commentary, advanced as much money as enabled him to escape into the country. He shewed me the guineas safe in his hand. Soon afterwards his uncle, Mr. Martin, a lieutenantcolonel, left him about two thousand pounds; a sum which Collins could scarcely think exhaustible, and which he did not live to exhaust. The guineas were then repaid, and the translation neglected.

But man is not born for happiness. Collins, who, while he studied to live, felt no evil but poverty, no sooner lived to study, than his life was assailed by more dreadful calamities, disease and insanity.

Having formerly written his character, while perhaps it was yet more distinctly impressed upon my memory, I shall insert it here.

"Mr. Collins was a man of extensive literature, and of vigorous faculties. He was acquainted not only with the learned tongues, but with the Italian, French, and Spanish languages. He had employed his mind chiefly upon works of fiction, and subjects of fancy; and, by indulging some peculiar habits of thought, was eminently delighted with those flights of imagination which pass the bounds of nature, and to which the mind is reconciled only by a passive acquiescence in popular traditions. He loved fairies, genii, giants, and monsters; he delighted to rove through the meanders of enchantment, to gaze on the magnificence of golden palaces, to repose by the water-falls of Elysian gardens.

"This was however the character rather of his inclination than his genius; the grandeur of wildness, and the novelty of extravagance, were always desired by him, but not always attained. Yet, as diligence is never wholly lost, if his efforts sometimes caused harshness and obscurity, they likewise produced in happier moments sublimity and splendour. This idea which he had formed of excellence led him to oriental fictions and allegorical imagery, and perhaps, while he was intent upon description, he did not sufficiently cultivate sentiment. His poems are the productions of a mind not deficient in fire, nor unfurnished with knowledge either of books or life,

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