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men.

“And here Mr. Rymer's objections against these plays are to be impartially weighed, that we may see whether they are of weight enough to turn the balance against our country

“It is evident those plays, which he arraigns, have moved ,both those passions in a high degree upon the stage.

To give the glory of this away from the poet, and to place it upon the actors, seems unjust.

tc One reason is, because whatever actors they have found, the event has been the same; that is, the same passions have been always moved; which shews that there is something of force and merit in the plays themselves, conducing to the design of raising these two passions: and suppose them ever to have been excellently acted, yet action only adds grace, vigour, and more life, upon the stage; but cannot give it wholly where it is not first. But, secondly, I dare appeal to those who have never seen them acted, if they have not found these two passions moved within them: and if the general voice will carry it, Mr. Rymer's prejudice will take off his single

testimony. "This, being matter of fact, is reasonably to be established by this appeal; as, if one man says it is night, when the rest of the world conclude it to be day, there needs no farther argument against him that it is so.

“If he urge that the general taste is depraved, his arguments to prove this can at best but evince that our poets took not the best way to raise those passions: but experience proves against him, that those means, which they have used, have been successful, and have produced them.

“And one reason of that success is, in my opinion, this; that Shakspeare and Fletcher have written to the genius of the age

and nation in which they lived; for though nature, as he objects, is the same in all places, and reason too the same; yet the climate, the age, the disposition of the people, to whom a poet writes, may be so different, that what pleased the Greeks would not satisfy an English audience.

“And if they proceed upon a foundation of truer reason to please the Athenians than Shakspeare and Fletcher to please the English, it only shews that the Athenians were a more judicious people; but the poet's business is certainly to please the audience.

“Whether our English audience have been pleased hitherto

with acorns, as he calls it, or with bread, is the next question; that is, whether the means which Shakspeare and Fletcher have used, in their plays, to raise those passions beforenamed, be better applied to the ends by the Greek poets than by them. And perhaps we shall not grant him this wholly: let it be yielded that a writer is not to run down with the stream, or to please the people by their usual methods, but rather to reform their judgments, it still remains to prove that our theatre needs this total reformation.

“The faults, which he has found in their design, are rather wittily aggravated in many places than reasonably urged; and as much may be returned on the Greeks by one who were as witty as himself.

"They destroy not, if they are granted, the foundation of the fabric; only take away from the beauty of the symmetry; for example, the faults in the character of the King, in 'King and No-king,' are not, as he calls them, such as render him detestable, but only imperfections which accompany human nature, and are for the most part excused by the violence of his love; so that they destroy not our pity or concernment for him: this answer may be applied to most of his objections of that kind.

“And Rolla committing many murders, when he is answerable but for one, is too severely arraigned by him; for, it adds to our horror and detestation of the criminal; and poetic justice is not neglected neither; for we stab him in our minds for every offence which he commits; and the point, which the poet is to gain on the audience, is not so much in the death of an offender as the raising a horror of his crimes.

“That the criminal should neither be wholly guilty, nor wholly innocent, but so participating of both as to move both pity and terror, is certainly a good rule, but not perpetually to be observed; for that were to make all tragedies too much alike; which objection he foresaw, but has not fully answered.

“To conclude, therefore; if the plays of the ancients are more correctly plotted, ours are more beautifully written. And, if we can raise passions as high on worse foundations, it shews our genius in tragedy is greater; for in all other parts of it the English have manifestly excelled them.”

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The original of the following letter is preserved in the Library at Lambeth, and was kindly imparted to the public by the reverend Dr. Vyse. Copy of an original letter from John Dryden, Esq. to his

sons in Italy, from a MS. in the Lambeth Library, marked

No. 933, p. 56. (Superscribed)

" Al illustrissimo Sigre.
“Carlo Dryden Camariere
"d'Honore A.S.S.

"In Roma. "Franca per Mantoua.

“Sept. the 3d, our style. "Dear Sons, “Being now at Sir William Bowyer's in the country, I cannot write at large, because I find myself somewhat indisposed with a cold, and am thick of hearing, rather worse than

was in town. I am glad to find, by your letter of July 26th, your style, that you are both in health; but wonder you should think me so negligent as to forget to give you an account of the ship in which your parcel is to come. I have written to you two or three letters concerning it, which I have sent by safe hands, as I told you, and doubt not but you have them before this can arrive to you. Being out of town, I have forgotten the ship's name, which your mother will inquire, and put it into her letter, which is joined with mine. But the master's name I remember: he is called Mr. Ralph Thorp, the ship is bound to Leghorn, consigned to Mr. Peter and Mr. Thomas Ball, merchants. I am of your opinion, that by Tonson's means almost all our letters have miscarried for this last year. But, however, he has missed of his design in the dedi. cation, though he had prepared the book for it; for, in every figure of Æneas he has caused him to be drawn like King William, with a hooked nose. After my return to town, I intend to alter a play of Sir Robert Howard's, written long since, and lately put into my hands; it is called “The Conquest' of China by the Tartars.” It will cost me six weeks study, with the probable benefit of a hundred pounds. In the mean time I am writing a song for St. Cecilia's Feast, who, you know, is the patroness of music. This is troublesome, and no way beneficial; but I could not deny the stewards of the feast, who came in a body to me to desire that kindness, one

of them being Mr. Bridgeman, whose parents are your mother's friends. I hope to send you thirty guineas between Michaelmas and Christmas, of which I will give you an account when I come to town. I remember the counsel you give me in your letter; but dissembling, though lawful in some cases, is not my talent; yet, for your sake, I will struggle with the plain openness of my nature, and keep in my just resentments against that degenerate order. In the mean time, I flatter not myself with any manner of hopes, but do my duty, and suffer for God's sake; being assured, before-hand, never to be rewarded, though the times should alter. Towards the latter end of this month, September, Charles will begin to recover his perfect health, according to his nativity, which, casting it myself, I am sure is true, and all things. hitherto have happened accordingly to the very time that I predicted them: I hope at the same time to recover more health, according to my age. Remember me to poor Harry, whose prayers I earnestly desire. My Virgil succeeds in the world beyond its desert or my expectation. You know the profits might have been more; but neither my conscience nor my honour would suffer me to take them; but I never can repent of my constancy, since I am thoroughly persuaded of the justice of the cause for which I suffer. It has pleased God to raise up many friends to me amongst my enemies, though they who ought to have been my friends are negligent of me. I am called to dinner, and cannot go on with this letter, which I desire you to excuse; and am "Your most affectionate father,

"John DRYDEN." ;

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SMITH

EDMUND SMITH is one of those lucky writers who have, without much labour, attained high reputation, and who are mentioned with reverence rather for the possession than the exertion of uncommon abilities.

Of his life little is known; and that little claims no praise but what can be given to intellectual excellence seldom employed to any virtuous purpose. His character, as given by Mr. Oldisworth with all the partiality of friendship, which is said by Dr. Burton to shew "what fine things one man of parts can say of another," and which, however, comprises great part of what can be known of Mr. Smith, it is better to transcribe at once than to take by pieces. I shall subjoin such little memorials as accident has enabled me to collect.

Mr. EDMUND Smith was the only son of an eminent merchant, one Mr. Neale, by a daughter of the famous Baron Lechmere. Some misfortunes of his father, which were soon followed by his death, were the occasion of the son's being left very young in the hands of a near relation (one who married Mr. Neale's sister) whose name was Smith.

This gentleman and his lady treated him as their own child, and put him to Westminster School, under the care of Dr. Busby; whence, after the loss of his faithful and generous guardian (whose name he assumed and retained) he was removed to Christ-church, in Oxford, and there by his aunt handsomely maintained till her death; after which he continued a member of that learned and ingenious society till within five years of his own; though, some time before his leaving Christchurch, he was sent for by his mother to Worcester, and owned and acknowledged as her legitimate son; which had not been mentioned, but to wipe off the aspersions that were ignorantly cast by some on his birth. It is to be remembered, for our Author's honour, that, when at Westminster election

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