Lear from Study to Stage: Essays in CriticismThe late William Ringler, Jr. and James Ogden examine the theatrical tradition from Shakespeare's time to the nineteenth century. The history of literary criticism to Bradley and beyond is sketched in the introduction, and recent criticism is described in more detail by Richard Levin. Carol Rutter's essay on the women characters in the play is inspired partly by feminist criticism and partly by recent productions. The productions of the last thirty years are covered by theater critic Benedict Nightingale, and the major film versions by Anthony Davies and Stephen Phillips. Finally, Stuart Sillars presents a "visual history," an account of artistic responses that suggests further possibilities for both research and teaching. |
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Contents
31 | |
45 | |
Two Lears? By Shakespeare? | 57 |
A Case for Conflation | 79 |
Textual Revision and the Fool in King Lear | 109 |
Some Remarks on King Lear | 123 |
Lears Blasted Heath | 135 |
King Lear Defamiliarized | 146 |
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action actors Albany appears argued audience authority become beginning body Brook's called cause changes character claim comes Cordelia critics daughters dead death directed Division earlier early Edgar edition editors effect essay evidence eyes face fact father feel figure final Folio Fool Fool's force give Gloucester Goneril hand heart heath human idea important included interpretation John Kent kind King Lear kingdom later Lear's less lines London look meaning mock nature never noted opening original painting passages performance perhaps play play's political present Press printed problem production Quarto question reading recent reference Regan represent revision role scene seems seen sense Shake Shakespeare shows sisters speak speech stage storm suggest textual theater theatrical tion tragedy turns University voice women
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Page 27 - The weight of this sad time we must obey ; Speak what we feel, not what we ought to say. The oldest hath borne most : we, that are young, Shall never see so much, nor live so long.
Page 24 - I'll kneel down, And ask of thee forgiveness; so we'll live, // And pray, and sing, and tell old tales, and laugh At gilded butterflies, and hear poor rogues Talk of court news; and we'll talk with them too, Who loses and who wins; who's in, who's out; And take...
References to this book
Inside the Royal Shakespeare Company: Creativity and the Institution Colin Chambers No preview available - 2004 |