Lives of the English Poets: Smith-SavageClarendon Press, 1905 - English poetry |
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Page
... DRYDEN I 331 SAVAGE II 321 DUKE II 24 SHEFFIELD II 167 DYER III 343 SHENSTONE III 348 FENTON II 257 SMITH , EDMUND II GARTH II 57 SOMERVILE II 317 GAY • II 267 SPRAT II · 32 GRANVILLE II 286 STEPNEY I 309 GRAY III 421 SWIFT III I ...
... DRYDEN I 331 SAVAGE II 321 DUKE II 24 SHEFFIELD II 167 DYER III 343 SHENSTONE III 348 FENTON II 257 SMITH , EDMUND II GARTH II 57 SOMERVILE II 317 GAY • II 267 SPRAT II · 32 GRANVILLE II 286 STEPNEY I 309 GRAY III 421 SWIFT III I ...
Page 1
... hero of Swift's ballad Duke upon Duke , Works , xiii . 297 . Hearne describes him as a man of parts , but a most vile stinking whigg . ' Remains , i . 187 . 5 Ante , DRYDEN , 4 . 6 mother to Worcester , and owned and acknowledged as.
... hero of Swift's ballad Duke upon Duke , Works , xiii . 297 . Hearne describes him as a man of parts , but a most vile stinking whigg . ' Remains , i . 187 . 5 Ante , DRYDEN , 4 . 6 mother to Worcester , and owned and acknowledged as.
Page 11
... DRYDEN , 4. Four years after Busby's death W. Wogan , ' at about the age of twenty , ' being captain of the school , was employed to copy the MS . of Clarendon's History , and stayed a year extra- ordinary at the School for this pur ...
... DRYDEN , 4. Four years after Busby's death W. Wogan , ' at about the age of twenty , ' being captain of the school , was employed to copy the MS . of Clarendon's History , and stayed a year extra- ordinary at the School for this pur ...
Page 16
... DRYDEN , 28. Hume says of eloquence that being merely cal- culated for the public and for men of the world , it cannot , with any pre- tence of reason , appeal from the people to more refined judges ; but must submit to the public ...
... DRYDEN , 28. Hume says of eloquence that being merely cal- culated for the public and for men of the world , it cannot , with any pre- tence of reason , appeal from the people to more refined judges ; but must submit to the public ...
Page 24
... DRYDEN , 140 . It is an attack on the first Earl of Clarendon , the Earl of Shaftesbury , and the Duke of Buckingham , and a laudation of the Duke of York . Eng . Poets , xxv . 133 . 8 Fifteen Sermons preach'd on Several Occasions ...
... DRYDEN , 140 . It is an attack on the first Earl of Clarendon , the Earl of Shaftesbury , and the Duke of Buckingham , and a laudation of the Duke of York . Eng . Poets , xxv . 133 . 8 Fifteen Sermons preach'd on Several Occasions ...
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Common terms and phrases
Aaron Hill acted Addison afterwards Ante appeared Appendix Beggar's Opera Biog Bishop Blackmore Boswell's Johnson Brit called Cato censure character Cibber College comedy Congreve Corres Court criticism Cunningham's Lives death describes Dict Dram Dryden Duke Dunciad Earl edition elegant Elwin and Courthope endeavoured English Essays favour Fenton friends Garth genius Gent Halifax Hist honour Horace Horace Walpole Hughes imitation Jane Shore John King Lady Letters lines London Lord MILTON Misc nature never Opera Oxford Parl Parnell perhaps play poem poetical poetry Poets Pope Pope's Works Elwin praise Preface Prince Prior publick published Queen quoted Richard Savage Rowe Savage Savage's says shew Smith Spectator Spence's Anec Steele supposed Swift wrote Syphax Tatler thought Tickell tion told tragedy Tyrconnel verses viii Walpole Whig writes written xxxiii
Popular passages
Page 150 - Whoever wishes to attain an English style, familiar but not coarse, and elegant but not ostentatious, must give his days and nights to the volumes of Addison.
Page 276 - We were all, at the first night of it, in great uncertainty of the event ; till we were very much encouraged by overhearing the Duke of Argyle, who sat in the next box to us, say, ' It will do — it must do ! I see it in the eyes of them.
Page 34 - ... a true account and declaration of the horrid conspiracy against the late king...
Page 146 - Addison is now despised by some who perhaps would never have seen his defects but by the lights which he afforded them.
Page 149 - His prose is the model of the middle style; on grave subjects not formal, on light occasions not grovelling; pure without scrupulosity, and exact without apparent elaboration; always equable, and always easy, without glowing words or pointed sentences. Addison never deviates from his track to snatch a grace; he seeks no ambitious ornaments, and tries no hazardous innovations. His page is always luminous, but never blazes in unexpected splendour.
Page 230 - Whistling through hollows of this vaulted aisle. We'll listen— Leon. Hark! Aim No, all is hush'd, and still as death — 'tis dreadful ! How reverend is the face of this tall pile, Whose ancient pillars rear their marble heads, To bear aloft its arch'd and ponderous roof, By its own weight made stedfast and immovable, Looking tranquillity. It strikes an awe And terror on my aching sight ; the tombs And monumental caves of death look cold, And shoot a dullness to my trembling heart.
Page 434 - Savage did not exempt him; or if those who in confidence of superior capacities or attainments disregard the common maxims of life, shall be reminded that nothing will supply the want of prudence; and that negligence and irregularity, long continued, will make knowledge useless, wit ridiculous, and genius contemptible.
Page 117 - Lord Warwick was a young man of very irregular life, and perhaps of loose opinions. Addison, for whom he did not want respect, had very diligently endeavoured to reclaim him ; but his arguments and expostulations had no effect. One experiment, however, remained to be tried: when he found his life near its end, he directed the young Lord to be called; and when he desired, with great tenderness, to hear his last injunctions, told him, I have sent for you that you may see how a Christian can die.
Page 253 - The incessant attacks of his enemies, whether serious or merry, are never discovered to have disturbed his quiet, or to have lessened his confidence in himself.
Page 249 - Blackmore led him to gratify, and he produced (1721) a new Version of the Psalms of David, fitted to the Tunes used in Churches...