AMERICA, COMMERCE, AND FREEDOM. How blest a life a sailor leads, From clime to clime still ranging; And cheer with hopes to meet again Those friends we've left behind us. To America, commerce, and freedom! And when arrived in sight of land, Or safe in port rejoicing, Our ship we moor, our sails we hand, Whilst out the boat is hoisting. Our friends delighted greet us; When the full-flowing bowl has enlivened the soul, And each bonny lass will drink off a glass Our cargo sold, the chink we share, Who wants, we freely give it. And when 't is gone, to sea for more- Then drink round, my boys, 't is the first of our joys KISS THE BRIM, AND BID IT PASS. WHEN Columbia's shores, receding, Break th' expanse of sea and sky; Ah, then to Friendship fill the glass, When, the social board surrounding, Often will our bosoms tremble Fervent shall our prayers arise When in India's sultry climate, From her bowers to thine own? Oft shall sigh for dear Columbia, When the gentle eastern breezes Fill the homebound vessel's sails, Oh, propitious be the gales! Rapture shall each heart expand; To Friendship, then, we'll fill the glass, THANKSGIVING. AUTUMN, receding, throws aside Advances in the lowering sky. Now the hospitable board Groans beneath the rich repast— Grateful to the eye or taste; Bounteous Heaven bids be ours. Let us give thanks: Yes, yes, be sure, On the hearth high flames the fire, On Fancy's gay and rapid flight; As the moments light advance, Raise the song, or lead the dance. Come, sportive Love, and sacred Friendship come, In vain the year its annual tribute pours, [hours. MARGARETTA V. FAUGERES. MARGARETTA V. BLEECKER was a daugh- | devotion of her attention to this kind of liter ature; and in the third number of the New York Weekly Magazine, for the same year, is an extract from a MS. comedy by her, but this appears never to have been printed. ter of Mrs. Anne Eliza Bleecker, of whose life and writings a notice has been given in the preceding pages. She was born at Tomhanick in 1771, and was about twelve years of age when her mother died. Her education, which had thus far been conducted with care and judgment, was continued under the best teachers of New York, where she made her appearance in society, soon after the close of the Revolution, as a highly accomplished girl, of the best connexions, and a liberal fortune. Her home was thronged with suitors, but, with a perversity which is often paralleled, she preferred the least deserving, one Dr. Peter Faugeres, an adventurer who shone in drawing rooms in the flimsy and worn-out costume of French infidelity, and him, in opposition to the wishes of her father, she married. Mr. Bleecker died in 1795, and Faugeres squandered the estate, and treated his wife in a scandalous manner, until 1798, when she was relieved of his presence by the yellow fever. It seems, from some allusions in her poems to the wretch Thomas Paine, as well as from her admiration of Faugeres, that she had a deeper sympathy with the vulgar skepticism of the time than was possible for a woman who united much capacity with virtue; but observation of its tendencies had perhaps led her to reflection, and she now came to believe that an inquiring and trusting spirit is quite as profound as one that doubts and despises. She became a teacher in an academy at New Brunswick, but her constitution was broken and her mind enfeebled by her misfortunes, and she died, in the twenty-ninth year of her age, in Brooklyn, on the ninth of January, 1801. Belisarius was evidently suggested by the fine romance of Marmontel, but Mrs. Faugeres combines the tradition of the putting out of the eyes of the great Byzantine, with that of Theophanes and Malala, that after a short imprisonment he was restored to his honors. Though unsuited to the stage, this tragedy has considerable merit, and is much superior to the earlier compositions of the author. The style is generally dignified and correct, and free from the extravagant declamation into which the subject would have seduced a writer of less taste and judgment. We have but a glimpse of the private intrigues that are revealed in the secret history by Procopius. Some time after the marriage of Belisarius to Antonina, they are referred to in conversation between Arsaces, a Bulgarian noble, and Julia, the niece of Justinian, of whom Belisarius had been a lover: Mrs. Faugeres in 1793 edited the posthumous works of her mother, to which she appended several of her own compositions, in prose and verse. In 1795 she published Belisarius, a tragedy, in five acts, which is spoken of in the preface as her "first dramatie performance," as if she contemplated the *Ante, p. 28: Arsaces. My darling Julia, drop these vain regrets, For Belisarius is no longer thine: Is he not wedded? Julia. Too sure he is, and therefore I will weep, For he was mine, and naught but wicked craft E'er rent him from my bosom. Oh, my love! Oh, my betrothed love! how are we severed! Cursed be the monsters of iniquity Who thus have burst the tenderest bonds asunder Affection ever knew! Thou art betrayed: Dungeons, and poverty, and shame, are thine And everlasting blindness; while I, deserted, Roam round the world..... In the second act Belisarius appears, according to the narrative of Tzetzes, in the char *Of Belisarius there were probably printed only enough copies for subscribers, and it is now among the rarest of American books. While making a collection of nearly eight hundred volumes of poetry and verses written in this country, I never saw it; and Dunlap, who was a very industrious collector of plays, alludes to it in his History of the American Theatre, as a work which had eluded his research. It is not in any of our public librarieswhich, indeed, are among the last places to be examined for American literature-and the only copy I have seen-the one now before me-is from the curious collection of Henry A. Brady, Esq. acter of a beggar, and in wandering through Gelimer, at daybreak, in a garden. Enter Amala, his wife. Gelimer. Yes, my Amala, 'tis a lovely morn, In the following scene the degraded chiefs Bel. When I first heard it my full heart beat slow, That most striking virtue of Belisarius, which appeared to Gibbon "above or below the character of a man," is happily illustrated, though by incidents that would seem very extraordinary were the historians upon this point less explicit and particular. The Prince of Bulgaria endeavors to enlist the blind old general against the Byzantines, and causes his proposals to be accompanied with a flourish of martial instruments, to renew in him -the memory of past scenes, When his proud steed, champing his golden bit, Sully the glories of a long life's toil, -Music, such as lulls my wayward cares, Prince. If thou wert ever thus averse to war, Bel. To purchase peace, not to extend dominion. Peace was the crown of conquest. The heroine of the piece is the empress Theodosia, who in the third act inquires of her creature Barsames the result of his last efforts to detect a conspiracy: Theodosia. Did you see Phædrus? Barsames. Yes: but he did not know me. Theo. I'll go myself, this moment, and give orders After the publication of Belisarius, Mrs. Faugeres was an occasional contributor to the New York Monthly Magazine, and some other periodicals. She appears to have been a favorite among her literary acquaintances, and is frequently referred to in their published poems in terms of sympathy and admiration. THE HUDSON. FROM A POEM PUBLISHED IN 1793. NILE's beauteous waves and Tiber's swelling tide From some enraptured bard have gained a name: Through many a blooming wild and woodland green Tall waving elms its clovery borders shade, Dripping rich odors, mark the beard-grain bland, The copse of hazel, and the tufted bank, Low sunk between the Alleganian hills, A peaceful runnel gurgles clear and slow, VERSES ADDRESSED TO THE MEMBERS OF THE CINCINNATI COME, round Freedom's sacred shrine, Late a despot's cruel hand "Hail the day which made us free!" Bend your eyes toward that shore ELIZA TOWNSEND. ELIZA TOWNSEND, descended from a stock that for two centuries has occupied a distinguished and honorable position in American society, was the first native poet of her sex whose writings commanded the applause of judicious critics;- the first whose poems evinced any real inspiration, or rose from the merely mechanical into the domain of art. The late Mr. Nicholas Biddle, whose judgment in literature was frequently illustrated by the most admirable criticisms, once mentioned to me that a prize ode which Miss Townsend wrote for the Port Folio while he himself was editor of that miscellany, soon after the death of Dennie, was in his opinion the finest poem of its kind which at that time had been written in this country, and many of her other pieces received the best approval of the period, but, as she kept her authorship a secret, without securing for her any personal reputation. She was born in Boston, and her youth was passed in the troubled times which succeeded the Revolution, when our own country was distracted by the strifes of parties, and Europe was convulsed with the tumultuous overthrows of governments whose subjects had caught from us the spirit of liberty. She sympathized with the feelings which were popular in New England, in regard both to our own and to foreign affairs, as is shown by her Occasional Ode, written in June, 1809, in which Napoleon is denounced with a vehemence and power which remind us of the celebrated ode of Southey, written nearly five years afterward, during the negotiations of 1814. This poem was first printed in the seventh volume of the Monthly Anthology, and though it bears the marks of hasty composition, in some minute defects, it is altogether a fine performance. The splendid genius of Napoleon was not yet revealed in all its magnificence even to those who were the immediate instruments of his will, but to all mankind his name was a word of division, and in this country those whose opinions were fruits of anything else than passion were commonly led by a conservative spirit to distrust the man and to credit the worst Among the pieces which she published Miss Townsend has not written, at least been no collection of the poems with which, for the public, in many years, and there has in the earlier part of this century, she enFolio, The Unitarian Miscellany, and other riched The Monthly Anthology, The Port periodicals which were then supported by the contributions of the youthful Adams, Allston, Buckminster, Webster, Ticknor, Greenwood, Edward Channing, Alexander Everett, and others of whose early hopes the fulfilment is collection would undoubtedly be well rewritten in our intellectual history. Such a ceived. There is a religious and poetical dignity, with all the evidences of a fine and richlycultivated understanding, in most of the poems of Miss Townsend, which entitle her to be ranked among the distinguished liter ary women who were her contemporaries, and in advance of all who in her own coun> try preceded her. with her sister, also maiden, in the old famShe is still living, in a secluded manner, ily mansion in Boston. They are the last of their race. |