FRANCES H. GREEN. FRANCES HARRIET WHIPPLE, now Mrs. GREEN, was born in Smithfield, Rhode Island, and is descended from two of the oldest and most honorable families of that state. While she was very young, her father, Mr. George Whipple, lost by various misfortunes his estate, and she was therefore left to her own resources for support and for the cultivation of her fine understanding, of which some of the earliest fruits were poems printed in the gazettes from 1830 to 1835. Her first volume was Memoirs of Eleanor Elbridge, a colored woman, of which there were sold more than thirty thousand copies. In 1841 she published The Mechanic, a book addressed to the operatives of the country, which was much commended in Mr. Brownson's Boston Quarterly Review. In 1844 she gave to the public Might and Right, a history of the attempted revolution in Rhode Island, known as the Dorr Insurrection. During a part of the year 1842 she conducted The Wampanoag, a journal designed for the elevation of the laboring portion of the community, and she has since been a large contributor to what are called "reform periodicals," particularly The Nineteenth Century, a quarterly miscellany, and The Univercœlum and Spiritual Philosopher, a paper "devoted to philosophico-theology, and an exposition and inculcation of the principles of Nature, in their application to individual and social life." In the autumn of 1848 she became editress of The Young People's Journal of Science, Literature, and Art, a monthly magazine of an attractive character, printed in New York. are Yamoyden, by Sands and Eastburn, Mogg Megone, by Whittier, the Legend of the Andirondach Mountains, by Hoffman, Yonondio, by Hosmer, Nemahmin, by Louis L. Noble, and Mrs. Green's Nanuntenoo, with which, -though it is not yet published-may be classed Mr. Street's admirable romance ofFrontenac. In Nanuntenoo are shown descriptive powers scarcely inferior to those of Bryant and Carlos Wilcox, who have been most successful in painting the grand, beautiful, and peculiar scenery of New England. The rhythm is harmonious, and the style generally elegant and poetically ornate. In the delineations of Indian character and adventure, we see fruits of an intelligent study of the colonial annals, and a nice apprehension of the influences of external nature in psychological development. It is a production that will gratify attention by the richness of its fancy, the justness of its reflection, and its dramatic interest. One of the best known of Mrs. Green's poems is The Dwarf's Story, a gloomy but passionate and powerful composition, which appeared in The Rhode Island Book, in 1841. The longest and most carefully finished is Nanuntenoo, a Legend of the Narragansetts, in six cantos, of which the first, second and third were published in Philadelphia in 1848. This is a work of decided and various merit. We have few good poems upon aboriginal superstition, tradition, or history. The best The minor poems of Mrs. Green are numerous, and they are marked by idiosyncracies which prove them fruits of a genuine inspiration. Her Songs of the Winds, and sketches of Indian life, from both of which series specimens are given in the following pages, are frequently characterized by a masculine energy of expression, and a minute observation of nature. Though occasionally diffuse, and illustrated by epithets or images that will not be approved, perhaps, by the most fastidious tastes, they have meaning in them, and the reader is not often permitted to forget the presence of the power and delicacy of the poetical faculty. Mrs. Green has perhaps entered more largely than any of her country women into discussions of religion, philosophy, and politics. Her views are frequently original and ingenious, and they are nearly always stated with clearness and maintained with force of logic and felicity of illustration. A consideration of them would be more appropriate in a reviewal of her prose-writings. Their peculiarities are not disclosed in her poems, of which the only law is the sense of beauty. NEW ENGLAND SUMMER IN THE AN- FROM THE FIRST CANTO OF "NANUNTENO0." No wind breathed through the forest, that could stir Of naiads, ere they take their noontide rest. The wild bee, hovering on voluptuous wing, The rich vermilion of the tanager, Or summer red-bird, flashed amid the green, In black and orange, by his pendent nest, To cheer his brooding mate with whispered songs; Of rudimental music, breathing low, Had been dissolved, and mingled with the air. The very site where villages and towns, The monarch man, and shared his common lot- A NARRAGANSETT SACHEM, FROM THE SAME. A FOOTFALL broke the silence, as along SASSACUS." THE orient sun was coming proudly up, And looking o'er the Atlantic gloriously; Old Ocean's bosom felt the living rays; A rich smile flashed up from his hoary cheek, Subduing pride with beauty, as he turned, In each clear wave, a mirror to the sky; And Earth was beautiful, as when, of erst, In the young freshness of her vestal morn, She wore the dew-gems in her bridal crown, And met, and won, the exulting lord of Day. The beauty-loving Mystic wound along Through the green meadows, as if led by Taste, That knew and sought the purest emerald, And had the art of finding fairest flowers; While his young brother, Thames, enrobed in light, Lingered with sparkling eddies round the shore. The sea-bird's snowy wing was tinged with gold, And scarcely wafted on the ambient air, As, lightly poised, she hung above the deep, And looked beneath its crystal. With a scream Of wild delight at all the wealth she saw, Down like a flake of living snow she plunged; Then, momently upgleaming, like a burst Of winged light from the waters, shaking off The liquid pearls from all her downy plumes, She soared in triumph to her wave-girt nest. The spirit of the morning over all Went with a quickening presence, fair and free, Till every beetling crag, and sterile rock, And swamp, and wilderness, and desert ground, Were instinct with her glory. Moss and fern, And clinging vine, and all unnumbered trees, That make the woods a paradise, were stirred By whispering zephyrs, and shook off the dew; While fragrance rose, like incense, to the skies. The soft May wind was breathing through the wood, Calling the sluggish buds to light and lifeAs, stealing softly through the silken bonds, It freed the infant leaf, and gently held Its trembling greenness in his lambent arms. The eagle from his cloud-wreathed eyry sprang, Soaring aloft, as he had grown in love, Aspiring to the lovely Morning-Star, That lately vanished mid the kindling depths Of saffron-azure; and the smaller birds Plumed the bright wing with sweetest carolings, Instinctive breath of joy, and love, and praise. Behold yon smouldering ruin! Lo, yon height! No sound of hostile legions marred the scene; Trumpet and war-cry, sword and battle-axe, With all their horrid din, were far away, And gentle Peace sat, queenlike-Was it so? "The resist On a morning of May, 1637, the English, under Major John Mason, attacked the fort of Mystic, one of the strong. holds of Sassacus. The Indians, believing the enemy afar, had sung and danced till midnight; and the depth of their morning slumbers made them an easy prey. ance," says Thatcher, was manly and desperate, but the work of destruction was completed in little more than an hour." And again, "Seventy wigwams were burnt, and five or six hundred Pequots killed. Parent and child alike, the sanop and squaw, the gray-haired man and the babe, were buried in one promiscuous ruin." Sassacus, flushed with conquest, with his followers returned just in time to witness the expiring flames. After this, the fortunes of the sachem rapidly declined; and when his own hatchets were turned against him, he fled with Mononotto to the Mohawks, by whom he was treacherously murdered. A muttering curse—a groan but half respired- But hark! the tramp of warriors! They come ! Great Sassacus draws nigh. The panther-skin Parts from his bosom, and the tomahawk Is flung off, with the quiver and the bow. No word he utters; for the marble lip May give to sound no passage; but his eye Looks forth in horror: all its liquid fires Shoot out a crystal gleam, like iciclesAnd not a single nerve is stirring now In the still features, frozen with their pride, But, 'neath the brawny folding of his arms, The seamed and scarry chest is heaving up, Like a disturbed volcano. All he loved |