The Hidden Law: The Poetry of W.H. AudenIn this study - the fruit of a lifelong critical and imaginative engagement with W H. Auden's works - Anthony Hecht identifies and traces consistent habits of thought and belief within the poet's extensive and varied writings and through his celebrated conversions and repudiations, literary and otherwise. Hecht acknowledges that Auden's poems "both invite the intrusive scrutiny of the cryptographer and deny him access". Yet the readings he offers of poems from every phase of Auden's career, along with dramatic works and critical essays, manage to explicate and illuminate Auden's rich (and often cryptic) allusiveness without murdering to dissect. Among the themes that connect Auden's works are his deep interest in the workings of language; his notion of the ultimate frivolity of art; his interest in the nature of heroism; his understanding of the relation of public to private life; the development of his religious thought; and what Auden called the "hidden law" that governs human existence - a strict and retaliatory force, something like poetic justice, that gives form to our best literature and shapes our personal fates. Hecht identifies these preoccupations in Auden's work - and shows how they cut across the many genres in which he wrote - without losing sight of each poem's individual history and context. As one of Auden's most distinguished poetic heirs, Anthony Hecht is uniquely qualified to illuminate both the reading and the writing of these essential works of twentieth-century literature. |
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Page 75
... fact and published as independent poems , there is one more : a Chorus decidedly superior to all the other Choruses , and noticeably independent of its dramatic context . Auden gave it the title " The Cultural Presupposition " when he ...
... fact and published as independent poems , there is one more : a Chorus decidedly superior to all the other Choruses , and noticeably independent of its dramatic context . Auden gave it the title " The Cultural Presupposition " when he ...
Page 99
... fact invited to provide our own catalogue of confirmation - though we would immediately realize that Auden's Old Masters could not include , say , Rubens , or even Rembrandt . The second part begins with " In Breughel's Icarus , for ...
... fact invited to provide our own catalogue of confirmation - though we would immediately realize that Auden's Old Masters could not include , say , Rubens , or even Rembrandt . The second part begins with " In Breughel's Icarus , for ...
Page 397
... fact about a premonition of Laura's premature death ; and in the Italian sonnet Caesar is assimilated to God , the protector and preserver of the white deer , which , in the dazzle and obscurity of sunset , suddenly disappears . I wish ...
... fact about a premonition of Laura's premature death ; and in the Italian sonnet Caesar is assimilated to God , the protector and preserver of the white deer , which , in the dazzle and obscurity of sunset , suddenly disappears . I wish ...
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Common terms and phrases
acknowledged addressed admired Alan Ansen appears Auden's poem begins Byron called celebrated Chester Kallman Christian claim composed course death described doctrine dream early Edward Mendelson essay expressed eyes fact father feel final stanza Freud heart hero Hidden Law homosexual human identified innocent John the Red kind landscape language least Letter lines living Lord Byron lyric means mind Moby-Dick moral mother never night passage perhaps play poem's poet poetry political prayer present reader recall religious remind represent rhyme romantic second stanza secular seems sense serious sexual social society song sonnet sort soul speaks spirit stanza suggests symbolic T. E. Lawrence T. S. Eliot things thought tion trimeter turn verse vision voice W. B. Yeats W. H. Auden words writing wrote Yeats Yeats's