Tamil Cinema: The Cultural Politics of India's other Film Industry

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Selvaraj Velayutham
Routledge, Apr 3, 2008 - Language Arts & Disciplines - 224 pages

Hitherto, the academic study of Indian cinema has focused primarily on Bollywood, despite the fact that the Tamil film industry, based in southern India, has overtaken Bollywood in terms of annual output. This book examines critically the cultural and cinematic representations in Tamil cinema. It outlines its history and distinctive characteristics, and proceeds to consider a number of important themes such as gender, religion, class, caste, fandom, cinematic genre, the politics of identity and diaspora. Throughout, the book cogently links the analysis to wider social, political and cultural phenomena in Tamil and Indian society. Overall, it is an exciting and original contribution to an under-studied field, also facilitating a fresh consideration of the existing body of scholarship on Indian cinema.

 

Contents

List of figures xi
cinema 1
from a passive subject to a pleasurable object 29
cinema
the stars and the DMK 59
changing images of MGR 77
the evolving art of banner
writers response to cinema in Tamil Nadu 111
popular Tamil film and the remaking of rural
ethnonationalism in Tamil cinema 154
The diaspora and the global circulation of Tamil cinema 172

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About the author (2008)

Selvaraj Velayutham works in the Department of Sociology at Macquarie University, Sydney, Australia. His research interests include migration, transnationalism, and Tamil cinema and cultural studies. He has published works on South Indian diaspora, home and belonging, and living with diversity.