An Essay on the Genius and Writings of Pope ...W.J. and J. Richardson, 1806 - 416 pages |
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Page 282
... ABELARD . It is no small merit in Ovid , to have invented this beautiful species of writing epistles under feigned characters . It is a high improvement on the Greek elegy ; to which its dramatic na- ture renders it greatly superior ...
... ABELARD . It is no small merit in Ovid , to have invented this beautiful species of writing epistles under feigned characters . It is a high improvement on the Greek elegy ; to which its dramatic na- ture renders it greatly superior ...
Page 295
... Abelard's and Eloisa's Letters and in a little French * history of their lives and misfortunes . † Abelard was reputed the most ; U 4 handsome , * Printed at the Hague , 1693 . † He was born at Palais , near Nantes , in Britanny , at ...
... Abelard's and Eloisa's Letters and in a little French * history of their lives and misfortunes . † Abelard was reputed the most ; U 4 handsome , * Printed at the Hague , 1693 . † He was born at Palais , near Nantes , in Britanny , at ...
Page 296
... Abelard himself boasts , that when he retired into the country , he was followed by such immense crowds of scholars , that they could get neither lodgings nor provisions sufficient for them ; ut nec locus hospitiis , nec terra ...
... Abelard himself boasts , that when he retired into the country , he was followed by such immense crowds of scholars , that they could get neither lodgings nor provisions sufficient for them ; ut nec locus hospitiis , nec terra ...
Page 297
... Abelard were not confined to theology , jurisprudence , philosophy , and the thorny paths of scholasticism ; he gave proofs of a lively genius , by many poetical per- formances ; insomuch , that he was reputed to be the author of the ...
... Abelard were not confined to theology , jurisprudence , philosophy , and the thorny paths of scholasticism ; he gave proofs of a lively genius , by many poetical per- formances ; insomuch , that he was reputed to be the author of the ...
Page 298
... Abelard's being the author of this very cele- brated piece , yet are there internal arguments suf- ficient to confute it . The mistake seems to have flowed from his having given Eloisa the name of ROSE , in one of the many sonnets he ...
... Abelard's being the author of this very cele- brated piece , yet are there internal arguments suf- ficient to confute it . The mistake seems to have flowed from his having given Eloisa the name of ROSE , in one of the many sonnets he ...
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Common terms and phrases
Abelard abounds Addison admirable Ćneid ancient appear Ariosto bard beautiful Boccace Boileau Cant canto celebrated character Chaucer circumstances composition Corneille critic Dante Domenichino Dryden Eclogue elegant Eloisa epic epic poetry epistle equal Essay Euripides excellent expressed eyes Fame fancy French genius Georgics grace Greek hath heroes Homer honour Horace Iliad imagery images imagination imitated introduced Italian Jane Shore king language lately Latin learned lines lively lover manner mentioned merit Milton mind nature numbers o'er observed opinion Ovid painted Paradise Lost particularly passage passion pathetic perhaps Petrarch piece Pindar poem poesy poet poetical poetry POPE praise prince propriety quć Quintilian Racine racter reader remarkable satire says scene sentiments solemn Sophocles speaks species Spenser spirit stanza story strokes sublime sylphs Tasso taste tender Theocritus thou thought tion tragedy translated verses Virgil Voltaire words writer written
Popular passages
Page 145 - The sound must seem an echo to the sense. Soft is the strain when Zephyr gently blows, And the smooth stream in smoother numbers flows ; But when loud surges lash the sounding shore, The hoarse, rough verse should like the torrent roar...
Page 224 - Be kind and courteous to this gentleman ; Hop in his walks, and gambol in his eyes ; Feed him with apricocks and dewberries, -. With purple grapes, green figs, and mulberries. The honey-bags steal from the humble-bees, And for night-tapers crop their waxen thighs, And light them at the fiery glow-worm's eyes...
Page 134 - Alps we try, Mount o'er the vales, and seem to tread the sky, Th' eternal snows appear already past, And the first clouds and mountains seem the last: But, those attain'd, we tremble to survey The growing labours of the lengthen'd way, Th' increasing prospect tires our wand'ring eyes.
Page 7 - Lycidas ? For neither were ye playing on the steep, Where your old Bards, the famous Druids, lie, Nor on the shaggy top of Mona high, Nor yet where Deva spreads her wisard stream : Ay me ! I fondly dream ! Had ye been there...
Page 315 - But o'er the twilight groves and dusky caves, Long-sounding aisles and intermingled graves, Black Melancholy sits, and round her throws A death-like silence, and a dread repose : Her gloomy presence saddens all the scene, Shades every flower, and darkens every green ; Deepens the murmur of the falling floods, And breathes a browner horror on the woods.
Page 220 - Repairs her smiles, awakens every grace, And calls forth all the wonders of her face ; Sees by degrees a purer blush arise, And keener lightnings quicken in her eyes. The busy sylphs surround their darling care, These set the head, and those divide the hair, Some fold the sleeve, whilst others plait the gown ; And Betty's prais'd for labours not her own. CANTO II. NOT with more glories, in th...
Page 390 - Anon out of the earth a fabric huge Rose like an exhalation, with the sound Of dulcet symphonies and voices sweet, Built like a temple, where pilasters round Were set, and Doric pillars overlaid With golden architrave ; nor did there want Cornice or frieze, with bossy sculptures graven •, The roof was fretted gold.
Page 223 - On the bat's back I do fly After summer merrily. Merrily, merrily shall I live now Under the blossom that hangs on the bough.
Page 130 - From vulgar bounds with brave disorder part, And snatch a grace beyond the reach of art, Which without passing thro' the judgment, gains The heart, and all its end at once attains.
Page 148 - Poets that lasting marble seek Must carve in Latin or in Greek, We write in sand, our language grows, And like the tide our work o'erflows.