A Multisensory Philosophy of PerceptionMost of the time people perceive using multiple senses. Out walking, we see colors and motion, hear chatter and footsteps, smell petrichor after rain, feel a breeze or the brush of a shoulder. We use our senses together to navigate and learn about the world. In spite of this, scientists and philosophers alike have merely focused on one sense at a time. Nearly every theory of perception is unisensory. This book instead offers a revisionist multisensory philosophy of perception. Casey O'Callaghan considers how our senses work together, in contrast with how they work separately and independently, and how one sense can impact another, leading to surprising perceptual illusions. The joint use of multiple senses, he argues, enables novel forms of perception and experience, such as multisensory rhythms, motions, and flavors that enrich aesthetic experiences of music, dance, and gustatory pleasure. |
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action appearances argues associated audition capacity to detect capacity to perceive causal Chapter claim co-consciousness conscious perceptual episode consciously perceiving coordinated crossmodal illusions cues deployed detect and differentiate differentially sensitive discern distinct senses empirical psychology epistemic evidence extraperceptual cognition feature binding feature instances flavor given sense haptic hearing information-gathering activity instantiated involves irreducibly multisensory McGurk effect multi multiple senses multisensory capacities multisensory episode multisensory perceptual capacities multisensory phenomena novel intermodal feature olfaction perceiving subject perception's perceptual awareness perceptual consciousness perceptual experience perceptual phenomenality perceptual processes phenomenal character phenomenal consciousness phenomenal difference phenomenal features phenomenology philosophical philosophy of perception proper sensibles qualia rational psychology recalibration relevant reliability relies requires respective senses response sense modality sense-specific sensory interactions sensory manner sensory modalities sensory systems sound spatial speech perception stem stimulation subpersonal suffice superadditive synesthesia tactual temporal things and features tual typical human subjects unimodal unisensory experience ventriloquism vision visual Zmigrod
