Romantic Reassessment, Volumes 96-98Institut für Englische Sprache und Literatur, Universität Salzburg., 1983 - English literature |
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Page 88
... reading children on the title - page of Songs of Innocence , or like that of the reading female on the title - page of America . An even more striking resemblance , however , is with Blake's famous image of Newton . ( 1795 ) ( Figure 9 ) ...
... reading children on the title - page of Songs of Innocence , or like that of the reading female on the title - page of America . An even more striking resemblance , however , is with Blake's famous image of Newton . ( 1795 ) ( Figure 9 ) ...
Page 90
... reader " of fish - or - people as texts . Her gleeful revelation of the lovers - warriors - elders as guilt - ridden , convention - bound masqueraders is Selima's de - constructive reading of the creatures . We may even suppose ...
... reader " of fish - or - people as texts . Her gleeful revelation of the lovers - warriors - elders as guilt - ridden , convention - bound masqueraders is Selima's de - constructive reading of the creatures . We may even suppose ...
Page 93
... reading displaces reading in Blake's conversion of this poem of empire into a work of imagination . But only after Blake has redeemed Gray's poem with the lesson of his designs may readers seek to identify with the now - revised work in ...
... reading displaces reading in Blake's conversion of this poem of empire into a work of imagination . But only after Blake has redeemed Gray's poem with the lesson of his designs may readers seek to identify with the now - revised work in ...
Contents
RECONCILIATIONS IN COLERIDGES POLITICS | 95 |
THE STRUCTURE OF KEATSS I STOOD TIPTOE UPON | 111 |
THE LAST PARAGRAPH OF BARTLEBY Gerald Hoag | 161 |
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Agnes allusion appears associated beauty become begins Blake Byron calls Castle Christ Christian close contemplative continues contrast critical dark death describes divine dream eine Endymion eternal Eve of St experience expression eyes fall feel figures final gives hand happiness human Hyperion idea imagery imagination immortality John Keats Keats's kind knowledge letter light lines living London look lovers Madeline Manfred Mary Magdalene meaning Menschen mind mortal mystery myth nature never nicht Nightingale once opening pain painting perhaps philosophical phrase picture play poem poet poetic poetry Press probably Psyche reading reality reason recalls refers religious represents says seems sense shows sich sleep soul spirit stanza stillness story suggests symbols theme things thought tion truth turn University vision writes York