Romantic Reassessment, Volumes 96-98Institut für Englische Sprache und Literatur, Universität Salzburg., 1983 - English literature |
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Page 91
... contrast he draws between the experienced view of the first design and the innocent view of the second , by which the rigidly drawn figures of the first resolve into the playful creatures of the peaceable kingdom that follows . This ...
... contrast he draws between the experienced view of the first design and the innocent view of the second , by which the rigidly drawn figures of the first resolve into the playful creatures of the peaceable kingdom that follows . This ...
Page 54
... contrast between " the songs of spring " and the softer music of the season in the ode ' To Autumn . ' In this recurring contrast in these poems there is a deliberate pattern of symbolic imagery of two kinds of music , one spiritual and ...
... contrast between " the songs of spring " and the softer music of the season in the ode ' To Autumn . ' In this recurring contrast in these poems there is a deliberate pattern of symbolic imagery of two kinds of music , one spiritual and ...
Page 139
... contrast between such gigantic strength on the one hand , and the gentleness of Endymion described as " might half slumb'ring on its own right arm , " and the Moon on the other , as symbols of bad and good poetry . Like Psyche Endymion ...
... contrast between such gigantic strength on the one hand , and the gentleness of Endymion described as " might half slumb'ring on its own right arm , " and the Moon on the other , as symbols of bad and good poetry . Like Psyche Endymion ...
Contents
RECONCILIATIONS IN COLERIDGES POLITICS | 95 |
THE STRUCTURE OF KEATSS I STOOD TIPTOE UPON | 111 |
THE LAST PARAGRAPH OF BARTLEBY Gerald Hoag | 161 |
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Agnes allusion appears associated beauty become begins Blake Byron calls Castle Christ Christian close contemplative continues contrast critical dark death describes divine dream eine Endymion eternal Eve of St experience expression eyes fall feel figures final gives hand happiness human Hyperion idea imagery imagination immortality John Keats Keats's kind knowledge letter light lines living London look lovers Madeline Manfred Mary Magdalene meaning Menschen mind mortal mystery myth nature never nicht Nightingale once opening pain painting perhaps philosophical phrase picture play poem poet poetic poetry Press probably Psyche reading reality reason recalls refers religious represents says seems sense shows sich sleep soul spirit stanza stillness story suggests symbols theme things thought tion truth turn University vision writes York