Romantic Reassessment, Volumes 96-98Institut für Englische Sprache und Literatur, Universität Salzburg., 1983 - English literature |
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Page 140
... Apollo , toward whom he shows himself subservient in the first instance even to self - sacrifice , and in the second an observant and venerating student . Whether Apollo himself is the restraining , censuring agent , the monitoring ...
... Apollo , toward whom he shows himself subservient in the first instance even to self - sacrifice , and in the second an observant and venerating student . Whether Apollo himself is the restraining , censuring agent , the monitoring ...
Page 157
... Apollo , it is inevitable that he should be thinking : of the relation between the fallen angels in Paradise Lost ... Apollo and Christ , Keats presents a synthesis of the two in his version of Apollo . Rejecting Milton's ideas of good ...
... Apollo , it is inevitable that he should be thinking : of the relation between the fallen angels in Paradise Lost ... Apollo and Christ , Keats presents a synthesis of the two in his version of Apollo . Rejecting Milton's ideas of good ...
Page 159
... Apollo is closely modelled on that of Christ . The paradox of death and resurrection is expressed in the lines ... Apollo's shriek is like the loud cry of Christ before his death ( III.133-35 ) . Woodhouse copies the poem on 20 April ...
... Apollo is closely modelled on that of Christ . The paradox of death and resurrection is expressed in the lines ... Apollo's shriek is like the loud cry of Christ before his death ( III.133-35 ) . Woodhouse copies the poem on 20 April ...
Contents
RECONCILIATIONS IN COLERIDGES POLITICS | 95 |
THE STRUCTURE OF KEATSS I STOOD TIPTOE UPON | 111 |
THE LAST PARAGRAPH OF BARTLEBY Gerald Hoag | 161 |
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Agnes allusion appears associated beauty become begins Blake Byron calls Castle Christ Christian close contemplative continues contrast critical dark death describes divine dream eine Endymion eternal Eve of St experience expression eyes fall feel figures final gives hand happiness human Hyperion idea imagery imagination immortality John Keats Keats's kind knowledge letter light lines living London look lovers Madeline Manfred Mary Magdalene meaning Menschen mind mortal mystery myth nature never nicht Nightingale once opening pain painting perhaps philosophical phrase picture play poem poet poetic poetry Press probably Psyche reading reality reason recalls refers religious represents says seems sense shows sich sleep soul spirit stanza stillness story suggests symbols theme things thought tion truth turn University vision writes York