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line it has, which was borrowed from Dryden. The concluding verses are these: :,
This said, no more remain'd. Th'etherial host
He launch'd the world to float in ambient air. Of his irregular poems, that to Mrs. Arabella Hunt seems to be the best: his ode for St. Cecilia's Day, however, has some lines which Pope had in his mind when he wrote his own.
His imitations of Horace are feebly paraphrastical, and the additions which he makes are of little value. He sometimes retains what were more properly omitted, as when he talks of vervain and gums to propitiate Venus.
Of his translations, the satire of Juvenal was written very early, and may therefore be forgiven, though it have not the massiness and vigour of the original. In all his versions strength and sprightliness are wanting : his Hymn to Venus, from Homer, is perhaps the best. His lines are weakened with expletives, and his rhymes are frequently imperfect. .
His petty poems are seldom worth the cost of criticism; sometimes the thoughts are false, and sometimes common, In his verses on lady Gethin, the latter part is an imitation of Dryden's Ode on Mrs. Killigrew; and Doris, that has been so lavishly flattered by Steele, has indeed some lively stanzas, but the expression might be mended; and the most striking part of the character had been already shewn in Love for Love. His Art of Pleasing is founded on a vulgar, but perhaps impracticable principle, and the staleness of the sense is not concealed by any novelty of illustration or elegance of diction.
This tissue of poetry, from which he seems to have hoped a lasting name, is totally neglected, and known only as it is appended to his plays.
While comedy or while tragedy is regarded, his plays are likely to be read; but, except what relates to the
stage, I know not that he has ever written a stanza that is sung, or a couplet that is quoted. The general character of his Miscellanies is, that they shew little wit, and little virtue.
Yet to him it must be confessed, that we are indebted for the correction of a national errour, and for the cure of our Pindarick madness. He first taught the English writers that Pindar's odes were regular; and though he certainly had not the fire requisite for the higher species of lyrick poetry, he has shewn us, that enthusiasm has its rules, and that in mere confusion there is neither grace nor greatness.
BLACKMORE. · SIR RICHARD BLACKMORE is one of those men whose writings have attracted much notice, but of whose life and manners very little has been communicated, and whose lot it has been to be much oftener mentioned by enemies than by friends.
He was the son of Robert Blackmore, of Corsham, in Wiltshire, styled by Wood Gentleman, and supposed to have been an attorney. Having been for some time educated in a country school, he was sent at thirteen to Westminster; and in 1668 was educated at Edmund Hall, in Oxford, where he took the degree of M. A. June 3, 1676, and resided thirteen years; a much longer time than it is usual to spend at the university; and which he seems to have passed with very little attention to the business of the place; for in his poems the ancient names of nations and places, which he often introduces, are pronounced by chance. He afterwards travelled: at Padua he was made doctor of physick; and, after having wandered about a year and half on the Continent, returned home.
In some part of his life, it is not known when, his indigence compelled him to teach a school; an humiliation
with which, though it certainly lasted but a little while, his enemies did not forget to reproach him, when he became conspicuous enough to excite malevolence; and let it be remembered for his honour, that to have been once a school master is the only reproach which all the perspicacity of malice, animated by wit, has ever fixed upon his private life.
When he first engaged in the study of physick, he inquired, as he says, of Dr. Sydenham, what authours he should read, and was directed by Sydenham to Don Quixote; “which,” said he, “is a very good book; I read it still.” The perverseness of mankind makes it often mischievous. in men of eminence to give way to merriment; the idle and the illiterate will long shelter themselves under this foolish apophthegm.
Whether he rested satisfied with this direction, or sought for better, he commenced physician, and obtained high eminence and extensive practice. He became Fellow of the College of Physicians, April 12, 1687, being one of the thirty, which, by the new charter of king James, were added to the former Fellows. His residence was in Cheapside,* and his friends were chiefly in the city. In the early part of Blackmore's time, a citizen was a term of reproach; and his place of abode was another topick to which his adversaries had recourse, in the penury of scandal.
Blackmore, therefore, was made a poet not by necessity but inclination, and wrote not for a livelihood but for fame; or, if he may tell his own motives, for a nobler purpose, to engage poetry in the cause of virtue. . , I believe it is peculiar to him, that his first publick work was an heroick poem. He was not known as a maker of verses till he published in 1695) Prince Arthur, in ten books, written, as he relates, “by such catches and starts, and in such occasional uncertain hours as his profession afforded, and for the greatest part in coffee-houses, or in passing up and down the streets.” For the latter
At Sadlers' Halt.
part of this apology he was accused of writing “to the rumbling of his chariot-wheels:" He had read, he says, “but little poetry throughout his whole life; and for fifteen years before, had not written an hundred verses, except one copy of Latin verses in praise of a friend's
He thinks, and with some reason, that from such a performance perfection cannot be expected; but he finds another reason for the severity of his censurers, which he expresses in language such as Cheapside easily furnished. "I am not free of the Poet's Company, having never kissed the governor's hands: mine is therefore not so much as a permission-poem, but a downright interloper. Those gentlemen who carry on their poetical trade in a jointstock, would certainly do what they could to sink and ruin an unlicensed adventurer, notwithstanding I disturbed none of their factories, nor imported any goods they had ever dealt in.” He had lived in the city till he had learned its note.
That Prince Arthur found many readers is certain; for in two years it had three editions; a very uncommon instance of favourable reception, at a time when literary curiosity was yet confined to particular classes of the nation. Such success naturally raised animosity; and Dennis attacked it by a formal criticism, more tedious and disgusting than the work he condemns. To this censure may be opposed the approbation of Locke and the admiration of Molineux, which are found in their printed letters. Molineux is particularly delighted with the song of Mopus, which is therefore subjoined to this narrative.
It is remarked by Pope, that what “raises the hero, often sinks the man.” Of Blackmore it may be said, that, as the poet sinks, the man rises; the animadversions of Dennis, insolent and contemptuous as they were, raised in him no implacable resentment: he and his critick were afterwards friends; and in one of his latter works he praises
• The book he alludes to was Nova Hypotheseos ad explicanda felrium intermittentium symptoata, &c. Authore Gulielmo Cole, M. D. 1693.
Dennis as “equal to Boileau in poetry, and superiour to him in critical abilities.”
He seems to have been more delighted with praise than pained by censure, and, instead of slackening, quickened his career. Having in two years produced ten books of Prince Arthur, in two years more (1697) he sent into the world King Arthur in twelve. The provocation was now doubled, and the resentment of wits and criticks may be supposed to have increased in proportion. He found, however, advantages more than equivalent to all their outrages; he was this year made one of the physicians in ordinary to king William, and advanced by him to the honour of knighthood, with the present of a gold chain and a medal.
The malignity of the wits attributed his knighthood to his new poem; but king William was not very studious of poetry; and Blackmore perhaps had other merit: for he says in his dedication to Alfred, that "he had a greater part in the succession of the house of Hanover, than erer he had boasted.”
What Blackmore could contribute to the succession, or what he imagined himself to have contributed, cannot now be known. That he had been of considerable use, I doubt not but he believed, for I hold him to have been very honest; but he might easily make a false estimate of his own importance: those whom their virtue restrains from deceiving others, are often disposed by their vanity to deceive themselves. Whether he promoted the succession or not, he at least approved it, and adhered invariably to his principles and party through his whole life.
His ardour of poetry still continued; and not long after (1700) he published A Paraphrase on the Book of Job, and other parts of the Scripture. This performance Dryden, who pursued him with great malignity, lived long enough to ridicule in a prologue.
The wits easily confederated against him, as Dryden, whose favour they almost all courted, was his professed adversary. He had besides given them reason for resent