Alain L. Locke: The Biography of a PhilosopherAlain L. Locke (1886-1954), in his famous 1925 anthology TheNew Negro, declared that “the pulse of the Negro world has begun to beat in Harlem.” Often called the father of the Harlem Renaissance, Locke had his finger directly on that pulse, promoting, influencing, and sparring with such figures as Langston Hughes, Zora Neale Hurston, Jacob Lawrence, Richmond Barthé, William Grant Still, Booker T. Washington, W. E. B. Du Bois, Ralph Bunche, and John Dewey. The long-awaited first biography of this extraordinarily gifted philosopher and writer, Alain L. Locke narrates the untold story of his profound impact on twentieth-century America’s cultural and intellectual life. Leonard Harris and Charles Molesworth trace this story through Locke’s Philadelphia upbringing, his undergraduate years at Harvard—where William James helped spark his influential engagement with pragmatism—and his tenure as the first African American Rhodes Scholar. The heart of their narrative illuminates Locke’s heady years in 1920s New York City and his forty-year career at Howard University, where he helped spearhead the adult education movement of the 1930s and wrote on topics ranging from the philosophy of value to the theory of democracy. Harris and Molesworth show that throughout this illustrious career—despite a formal manner that many observers interpreted as elitist or distant—Locke remained a warm and effective teacher and mentor, as well as a fierce champion of literature and art as means of breaking down barriers between communities. The multifaceted portrait that emerges from this engaging account effectively reclaims Locke’s rightful place in the pantheon of America’s most important minds. |
From inside the book
Results 1-5 of 51
Page 2
... modern liberal welfare state, was not something Locke felt he automatically had a right to, but it was something he owed himself, and something that made him owe others. Locke saw education as both private and a set of laws unto itself ...
... modern liberal welfare state, was not something Locke felt he automatically had a right to, but it was something he owed himself, and something that made him owe others. Locke saw education as both private and a set of laws unto itself ...
Page 3
... modern period. In an important sense a modernist, he thought and argued about such modernist issues as the relation between creativity and criticism, and the relation between tradition and the individual talent, as T. S. Eliot's famous ...
... modern period. In an important sense a modernist, he thought and argued about such modernist issues as the relation between creativity and criticism, and the relation between tradition and the individual talent, as T. S. Eliot's famous ...
Page 16
... modern historian of Philadelphia has described the city's culture as being a mixture of the patrician and the provincial, a combination that set it off from other cities of similar size such as Boston and New York: Patrician, because of ...
... modern historian of Philadelphia has described the city's culture as being a mixture of the patrician and the provincial, a combination that set it off from other cities of similar size such as Boston and New York: Patrician, because of ...
Page 28
... modern culture, considering the influence of figures such as Oliver Wendell Holmes, William James, George Santayana, and T. S. Eliot. For Locke to make his mark in such sterling company he would have to transform his outlook, but it was ...
... modern culture, considering the influence of figures such as Oliver Wendell Holmes, William James, George Santayana, and T. S. Eliot. For Locke to make his mark in such sterling company he would have to transform his outlook, but it was ...
Page 34
... modern Socrates” because of his ugly appearance. Locke not only admired Royce's library, he made a point of reading another one of his books before the meeting and told the professor how much it had done for him. In the first term, he ...
... modern Socrates” because of his ugly appearance. Locke not only admired Royce's library, he made a point of reading another one of his books before the meeting and told the professor how much it had done for him. In the first term, he ...
Contents
1 | |
5 | |
28 | |
3 Oxford and Berlin | 59 |
The Early Years | 107 |
5 Howard and Beyond | 142 |
6 The Renaissance and the New Negro | 179 |
7 After The New Negro | 218 |
Sahdji to the Bronze Booklets | 251 |
9 The Educator at Work and at Large | 285 |
10 Theorizing Democracy | 328 |
11 The Final Years | 358 |
12 Lockes Legacy | 381 |
Notes | 391 |
Index | 419 |
Other editions - View all
Alain L. Locke: The Biography of a Philosopher Leonard Harris,Charles Molesworth No preview available - 2010 |
Alain L. Locke: The Biography of a Philosopher Leonard Harris,Charles Molesworth No preview available - 2008 |
Common terms and phrases
academic African American African art Alain Locke ALPHU appeared argued argument artistic attitude Berlin Bois’s called Claude McKay College color Cosmopolitan criticism Cullen cultural decades democracy Dickerman early especially essay esthetic eventually experience expression Fauset friends friendship Harlem Renaissance Harvard Howard University Hughes Hughes’s Hurston idea intellectual interest issue Johnson journal Kallen Kellogg Kelly Miller Langston Langston Hughes later lectures letter literary literature Locke felt Locke wrote Locke’s Mary Locke Mason McKay McKay’s Moorland-Spingarn Research Center mother Negro art novel one’s Oxford Philadelphia philosophy poems poet poetry political problem published question race racial racism Rhodes Rhodes Scholarship role Sahdji Schomburg School Seme sense social story Survey Graphic talent theory thought tion told Locke took Toomer tradition value theory values Vechten views W. E. B. Du Bois Washington writing year-end reviews York