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sucked under the whirlpool they said, "You see that, after all, his inflated dress was of no avail !" Fame of a higher kind does not escape from similar confusions. On the death of George Eliot French readers of English novels lamented that they would have nothing more from the pen that wrote John Halifax, and a cultivated Frenchman expressed his regret for the author of Adam Bede and Uncle Tom's Cabin.1

Men who have trained themselves in habits of accurate observation often have a difficulty in realising the confused mental condition of those who simply receive impressions without comparison and classification. A fine field for confused tourists is architecture. They go to France and Italy, they talk about what they have seen, and leave you in bewilderment until you make the discovery that they have substituted one building for another, or, better still, mixed two different edifices inextricably together. Foreigners of this class are quite unable to establish any distinction between the Houses of Parlia ment and Westminster Abbey because both have towers, and they are not clear about the difference between the British Museum and the National Gallery, because there are columns in the fronts of both.2 English tourists will

1 A French critic recently observed that his countrymen knew little of the tragedy of Macbeth except the familiar line "To be or not to be, that is the question!"

2 I never make a statement of this kind without remembering instances, even when it does not seem worth while to mention them particularly. It is not of much use to quote what one has heard in conversation, but here are two instances in print. Reclus, the French geographer, in La Terre à Vol d'Oiseau, gives a woodcut of the Houses of Parliament and calls it "L'Abbaye de Westminster." The same error has even occurred in a French art periodical.

stay some time in Paris and afterwards not be able to distinguish between photographs of the Louvre and the Hôtel de Ville. We need not be surprised that people who have never studied architecture at all should not be sure whether St. Paul's is a Gothic building or not, but the wonder is that they seem to retain no impressions received merely by the eye. One would think that the eye alone, without knowledge, would be enough to establish a distinction between one building and another altogether different from it; yet it is not so.

I cannot close this chapter without some allusion to a crafty employment of words only too well understood already by those who influence the popular mind. There is such a natural tendency to confusion in all ordinary human beings that if you repeatedly present to them two totally distinct things at the same time, they will, before long, associate them so closely as to consider them inseparable by their very nature. This is the reason why

all those branches of education that train the mind in analysis are so valuable. To be able to distinguish between accidental connections of things or characteristics and necessary connections is one of the best powers that education bestows upon us. By far the greater number of erroneous popular notions are due simply to the inability to make this distinction which belongs to all undisciplined minds. Calumnies, that have great influence over such minds, must lose their power as the habit of analysis enables people to separate ideas which the uncultivated mingle together.

Insufficient analysis leads to a very common sort of confusion between the defectiveness of a part only and a defect pervading the whole. An invention (as often

happens) does not visibly succeed on the first trial, and then the whole of the common public will at once declare the invention to be bad, when, in reality, it may be a good invention with a local defect, easily remediable. Suppose that a yacht misses stays, the common sort of criticism would be to say that she was a bad boat, when, in fact, her hull and everything else might be thoroughly well made, and the defect be due only to a miscalculation in the placing of her canvas. I have myself seen a small steel boat sink at her anchorage, and a crowd laugh at her as badly contrived, when her only defect was the unobserved starting of a rivet. The boat was fished up, the rivet replaced, and she leaked and sank no more. When Stephenson's locomotive did not go because its wheels slid on the rails, the vulgar spectators were delighted with the supposed failure of a benefactor of the human species, and set up a noise of jubilant derision. The invention, they had decided, was of no good, and they sang their own foolish gaudeamus igitur. Stephenson at once perceived that the only defect was want of weight, and he immediately proceeded to remedy it by loading the machine with ballast. So it is in thousands of cases. trained in analysis, condemns the whole as a failure, when the defect lies in some small part which the specialist, trained in analysis, seeks for and discovers.

The common mind, un

I have not touched upon the confusions due to the decline of the intellectual powers. In that case the reason is to be sought for in the condition of the brain, and there is, I believe, no remedy. In healthy people, enjoying the complete vigour of their faculties, confusions are simply the result of carelessness and indolence, and

With senile confusions

are proper subjects for sarcasm. the case is very different. To treat them with hard, sharp, decided correction, as is so often done by people of vigorous intellect, is a most cruel abuse of power. Yet it is difficult to say what ought to be done when an old person falls into manifest errors of this kind. Simple acquiescence is in this case a pardonable abandonment of truth, but there are situations in which it is not possible. Then you find yourself compelled to show where the confusion lies. You do it as gently as may be, but you fail to convince, and awaken that tenacious, unyielding opposition which is a characteristic of decline in its earlier stages. All that can be said is, that when once it has become evident that confusions are not careless but senile, they ought to be passed over if possible, and if not, then treated with the very utmost delicacy and gentleness.

ESSAY XXI.

THE NOBLE BOHEMIANISM.

AMONGST the common injustices of the world there have been few more complete than its reprobation of the state of mind and manner of life that have been called Bohemianism, and so closely is that reprobation attached to the word that I would gladly have substituted some other term for the better Bohemianism had the English language provided me with one. It may, however, be a gain to justice itself that we should be compelled to use the same expression, qualified only by an adjective, for two states of existence that are the good and the bad conditions of the same, as it will tend to make us more charitable to those whom we must always blame, and yet may blame with a more or less perfect understanding of the causes that led them into error.

The lower forms of Bohemianism are associated with several kinds of vice, and are therefore justly disliked by people who know the value of a well-regulated life, and, when at the worst, regarded by them with feelings of positive abhorrence. The vices connected with these forms of Bohemianism are idleness, irregularity, extravagance, drunkenness, and immorality; and besides these vices the worst Bohemianism is associated with many repulsive faults that may not be exactly vices, and yet

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