An Essay on the Genius and Writings of Pope, Volume 1 |
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Page 69
... best Latin odes . In the pieces here commended , the figures are ftrong , and the transitions bold , and there is a just mixture of fentiment and imagery ; and particularly , they are animated with a noble spirit of liberty . I must ...
... best Latin odes . In the pieces here commended , the figures are ftrong , and the transitions bold , and there is a just mixture of fentiment and imagery ; and particularly , they are animated with a noble spirit of liberty . I must ...
Page 81
... best part of that book , as they were defigned and engraved by artists of note . At twelve , he retired with his father into Windfor - Foreft ; and it was there he first perused the writings of Waller , of Spenfer , and of Dryden ...
... best part of that book , as they were defigned and engraved by artists of note . At twelve , he retired with his father into Windfor - Foreft ; and it was there he first perused the writings of Waller , of Spenfer , and of Dryden ...
Page 91
... best thoughts ; " Per- " eant qui ante nos , noftra dixerunt * . " MENAGE makes thefe obfervations on ac- cafion of a paffage in the Poetics of Vida , Anti - Baillet , tom , ii . pag . 207 . intend- intended to justify borrowing the ...
... best thoughts ; " Per- " eant qui ante nos , noftra dixerunt * . " MENAGE makes thefe obfervations on ac- cafion of a paffage in the Poetics of Vida , Anti - Baillet , tom , ii . pag . 207 . intend- intended to justify borrowing the ...
Page 103
... best Greek and Roman , particularly the latter , but the most celebrated of the French and Italian claffics . Du Bos fixes the period of time , at which , generally fpeaking , the poets and the painters have arrived at as high a pitch ...
... best Greek and Roman , particularly the latter , but the most celebrated of the French and Italian claffics . Du Bos fixes the period of time , at which , generally fpeaking , the poets and the painters have arrived at as high a pitch ...
Page 104
... best poet would be able to write but very indifferent comedies . Congreve however was but nineteen when he wrote his Old Bachelor . Raphäel was about thirty years old when he displayed the beauty and fublimity of his genius in the ...
... best poet would be able to write but very indifferent comedies . Congreve however was but nineteen when he wrote his Old Bachelor . Raphäel was about thirty years old when he displayed the beauty and fublimity of his genius in the ...
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Common terms and phrases
Abelard Addiſon alfo almoſt alſo ancient beautiful becauſe beſt Boileau Cant character circumftance cloſe compofition Corneille criticiſm defcribed defcription defign Domenichino Dryden Eclogue Effay elegance Eloifa epic poetry epiftle Euripides excellent expreffed expreffion exquifite faid fame fatire fays fecond feems fentiments fhall firft firſt folemn fome fpeak fpecies fpirit ftanza ftory ftrokes ftyle fubject fublime fuch fufficient fylphs genius greateſt himſelf hiſtory Homer Iliad images imagination inferted inftance itſelf Jane Shore juft juſt laft laſt loft Milton moft moſt mufic muſt numbers o'er obfervations occafion Ovid paffage paffion painted pathetic perfon Petrarch pieces Pindar pleaſed pleaſure poefy poem poet poetical poetry POPE praiſes preſent profe publiſhed Quintilian Racine racter raiſed reaſon reprefented ſay ſcene ſeem ſhall ſhe ſhould ſome Sophocles ſpeak ſtory ſuch taſte thefe themſelves Theocritus theſe thofe thoſe tion tragedy tranflated uſed verfe verſes Virgil Voltaire whofe whoſe writing
Popular passages
Page 40 - Pollute with sinful blame, The saintly veil of maiden white to throw; Confounded, that her Maker's eyes Should look so near upon her foul deformities.
Page 259 - For others good, or melt at others woe. What can atone (oh ever-injur'd shade !) Thy fate unpity'd, and thy rites unpaid ? No friend's complaint, no kind domestic tear Pleas'd thy pale ghost, or grac'd thy mournful bier : By foreign hands thy dying eyes were clos'd, By foreign hands thy decent limbs compos'd, By foreign hands thy humble grave adorn'd, By strangers honour'd, and by strangers mourn'd! What tho' no friends in sable weeds appear.
Page 322 - How oft, when press'd to marriage, have I said, Curse on all laws but those which love has made! Love, free as air, at sight of human ties, Spreads his light wings, and in a moment flies...
Page 157 - Where a new world leaps out at his command, And ready nature waits upon his hand ; When the ripe colours soften and unite, And sweetly melt into just shade and light ; When mellowing years their full perfection give( And each bold figure just begins to live, The treacherous colours the fair art betray, And all the bright creation fades away...
Page 233 - Where the bee sucks, there suck I; In a cowslip's bell I lie: There I couch when owls do cry. On the bat's back I do fly, After summer, merrily : Merrily, merrily, shall I live now, Under the blossom that hangs on the bough.
Page 7 - Clos'd o'er the head of your lov'd Lycidas? For neither were ye playing on the steep, Where your old bards the famous Druids lie, Nor on the shaggy top of Mona high, Nor yet where Deva spreads her wizard stream.
Page 38 - The oracles are dumb; No voice or hideous hum Runs through the arched roof in words deceiving. Apollo from his shrine Can no more divine, With hollow shriek the steep of Delphos leaving: No nightly trance or breathed spell Inspires the pale-eyed priest from the prophetic cell.
Page 137 - ... faces to make one excellent. Such personages, I think, would please nobody but the painter that made them ; not but I think a painter may make a better face than ever was ; but he must do it by a kind of felicity, (as a musician that maketh an excellent air in music,) and not by rule.
Page 202 - What woful stuff this madrigal would be In some starved hackney sonneteer or me ! But let a lord once own the happy lines, How the wit brightens ! how the style refines ! Before his sacred name flies every fault, And each exalted stanza teems with thought.
Page 164 - Durfey's Tales. With him most authors steal their works, or buy ; Garth did not write his own Dispensary. Name a new play, and he's the poet's friend ; Nay, show'd his faults — but when would poets mend? No place so sacred from such fops is barr'd, Nor is Paul's church more safe than Paul's churchyard: Nay, fly to altars ; there they'll talk you dead ; For fools rush in where angels fear to tread.