 I have given up Hyperion — there were too many Miltonic inversions in it — Miltonic verse cannot be written but in an artful, or, rather, artist's humour. I wish to give myself up to other sensations. English ought to be kept up.  The Influence of Milton on English Poetry - Page 206by Raymond Dexter Havens - 1922 - 722 pagesFull view - About this book
 | Richard Monckton Milnes (1st baron Houghton.) - 1848 - 324 pages
...in English words. I have given up " Hyperion," — there were too many Miltonic inversions hi it — Miltonic verse cannot be written but in an artful,...+ , to the false beauty, proceeding from art, and 1, 2, to the true voice of feeling. Upon my soul, 'twas imagination ; I cannot make the distinction... | |
 | John Keats - Poets, English - 1848 - 420 pages
...Miltonic inversions in it—Miltonic verse cannot be written but in an artful, or, rather, artist's humor. I wish to give myself up to other sensations. English...-(-, to the false beauty, proceeding from art, and 1, 2, to the true voice of feeling. Upon my soul, 'twas imagination ; I cannot make the distinction—every... | |
 | John Keats - Poets, English - 1848 - 414 pages
...in English words. I have given up " Hyperion," — there were too many Miltonic inversions in it — Miltonic verse cannot be written but in an artful, or, rather, artist's humor. I wish to give myself up to other sensations. English ought to be kept up. It may be interesting... | |
 | John Keats - 1855 - 416 pages
...its author. "I have given up Hyperion," he writes, " there were too many Miltonic inversions in it. Miltonic verse cannot be written but in an artful, or rather, artist's humor." In all these Poems, in their different styles, the progress in purity and grace of diction... | |
 | John Keats - 1856 - 326 pages
...its author. " I have given up Hyperion/' he writes; "there were too many Miltonic inversions in it. Miltonic verse cannot be written but in an artful, or rather, artist's humour." In all these Poems, in their different styles, the progress in purity and grace of diction was manifest.... | |
 | John Keats, Richard Monckton Milnes (Baron Houghton) - Poets, English - 1867 - 388 pages
...in English words. I have given up " Hyperion " — there were too many Miltonic inversions in it — Miltonic verse cannot be written but in an artful,...to the false beauty, proceeding from art, and one II, to the true voice of feeling, f Upon my soul, 'twas imagination ; I cannot make the distinction... | |
 | 1873 - 522 pages
...He alleges as a reason for his unfinished Hyperion, " there were too many Miltonic inversions in it. Miltonic verse cannot be written but in an artful or rather artist's humor."* This seems a curious conceit to take of the only poem which perhaps has given him lasting... | |
 | Art - 1885 - 470 pages
...Reynolds. He says, " I have given up ' Hyperion ' — there are too many Miltonic inversions in it — Miltonic verse cannot be written but in an artful...mark to the false beauty proceeding from art, and one to the true voice of feeling. Upon my soul 'twas imagination ; I cannot make the distinction — every... | |
 | John Keats - Poets, English - 1883 - 416 pages
...in English words. I have given up " Hyperion " — there were too many Miltonic inversions in it — Miltonic verse cannot be written but in an artful,...to the false beauty, proceeding from art, and one ||, to the true voice of feeling. Upon my soul, 'twas imagination ; I cannot make the distinction —... | |
 | John Keats - 1883 - 608 pages
...Reynolds, " I have given up ' Hyperion'—there were too many Miltonic inversions in it—Miltonic verse cannot be written but in an artful, or, rather,...to the false beauty, proceeding from art, and one [|, to the true voice of feeling. Upon my soul, 'twas imagination ; I cannot make the distinction—every... | |
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