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admired Aeschylus Allegro ANON appeared beauty beginning blank verse borrowings called century close composed Comus contains couplets Cowper Critical death descriptive diction earlier early edition eighteenth century Elizabethan English epic Essay example expression four give Hill Homer hundred imitation important influence interest John kind language later least less letter lines Lycidas marked Milton mind nature never Night octosyllabics original Paradise Lost passages Penseroso perhaps persons phrases pieces poem poet Poetical poetry Pope popular praise preface printed probably productions prose published quoted readers references Review rime Seasons seems seen similar song sonnets style suggested things Thomas Thomson thou thought tion translation turn unrimed vogue volume Warton Wordsworth writers written wrote young
Page 185 - But worthier still of note Are those fraternal Four of Borrowdale, Joined in one solemn and capacious grove; Huge trunks! and each particular trunk a growth Of intertwisted fibres serpentine Up-coiling, and inveterately convolved; Nor uniformed with Phantasy, and looks That threaten the profane...
Page 178 - Lastly, whatsoever in religion is holy and sublime, in virtue amiable or grave, whatsoever hath passion or admiration in all the changes of that which is called fortune from without, or the wily subtleties and refluxes of man's thoughts from within ; all these things with a solid and treatable smoothness to paint out and describe.
Page 204 - She was a Goddess of the infant world ; By her in stature the tall Amazon Had stood a pigmy's height: she would have ta'en Achilles by the hair and bent his neck ; Or with a finger stay'd Ixion's wheel.
Page 206 - I have given up Hyperion — there were too many Miltonic inversions in it — Miltonic verse cannot be written but in an artful, or, rather, artist's humour. I wish to give myself up to other sensations. English ought to be kept up.
Page 84 - Phlegra with the heroic race were join'd That fought at Thebes and Ilium, on each side Mix'd with auxiliar gods ; and what resounds In fable or romance of Uther's son Begirt with British and Armoric knights ; And all who since, baptized or infidel, Jousted in Aspramont, or Montalban, Damasco, or Marocco, or Trebisond, Or whom Biserta sent from Afric shore, When Charlemain with all his peerage fell By Fontarabia.
Page 192 - The appearance, instantaneously disclosed, Was of a mighty city — boldly say A wilderness of building, sinking far And self-withdrawn into a wondrous depth, Far sinking into splendor — without end ! Fabric it seemed of diamond and of gold, With alabaster domes, and silver spires, And blazing terrace upon terrace, high Uplifted ; here, serene pavilions bright, In avenues disposed ; there, towers begirt With...
Page 588 - Twilight gray had in her sober livery all things clad : Silence accompanied ; for Beast and Bird, they to their grassy couch, these to their nests, were slunk, — all but the wakeful nightingale; she, all night long, her amorous descant sung; Silence was pleased. Now...
Page 230 - His wandering step Obedient to high thoughts, has visited The awful ruins of the days of old : Athens, and Tyre, and Balbec, and the waste Where stood Jerusalem, the fallen towers Of Babylon, the eternal pyramids, Memphis and Thebes, and whatsoe'er of strange Sculptured on alabaster obelisk, Or jasper tomb, or mutilated sphynx, Dark Ethiopia in her desert hills Conceals.
Page 597 - With antique pillars massy proof, And storied windows richly dight, Casting a dim religious light: There let the pealing organ blow, To the full-voiced choir below, In service high, and anthems clear, As may with sweetness through mine ear, Dissolve me into ecstasies, And bring all Heaven before mine eyes.