great disaster will class it as archaic and outgrown ; as a matter of fact, it is one of the really fundamental stories of the season. The OUTLOOK has already summarized its simple plot: a young girl taken from a pinched and crowded home full of love and devotion into an atmosphere of luxury, idleness, overfeeding, over-drinking, over-dressing, and nervous endeavor to be free by escaping from the care of children, the responsibility of the home, and going back to the old familiar ties which, since society began to be civilized, have bound men and women alike to duty, honor, and unselfishness, and to the searching and redeeming education of work and service and self-denial, which have been rejected and cast aside as outworn whenever society has reverted to the barbarism of physical ease and spiritual poverty. The author of "Mother" has not written from a place of shelter; she has made her own way and has learned in the school of life those primary lessons which, like the old-fashioned drill in reading, writing and arithmetic, train the mind for the freedom that comes through strength. She has been a bookkeeper, librarian, settlement worker, and reporter, as well as a wife and mother; and has therefore seen life from many sides. She has kept a clear sense of values, a sane view of the supreme things, a resolute grip on the fundamental realities. The rush for freedom has not taken her off her feet; nor has the moral confusion through which society is passing, on its road to that real freedom which is based on self-denial, subordination of self, and a clear, joyful acceptance of duty, blinded her. "Mother" is a story of a girl who was saved from the shipwreck of mistaking luxury for happiness and escape from duty for freedom; in pleasureloving America, with its increasing class of women of leisure, such a story, in a quiet way, has a real service to render. And so has Mrs. Riggs's " Mother Carey's Chickens " a story of real boys and girls with a real mother, who faces a great crisis in the life of her little family with saving good sense and with the courage that is half the battle. There is no high tragedy in the retreat of a fatherless family into the country, no dramatic staging of the fight with poverty; there are loyal affection, clear perception of real values, plenty of humor, and that wholesomeness of tone and spirit which breed health, courage, and character. These two unpretentious stories are good examples of the kind of reading which serves as an anti-toxin at a time when many demoralizing, relaxing, enervating stories are in the hands of young girls who know nothing about life, and are in danger of losing their footing on those fundamental principles sometimes covered with foam and spume, but never moved from their indestructible bases. In a time in which there is a wide and inspiring movement toward real freedom there are many who are in danger of falling victims to a false idea of freedom, only to find when it is too late that, instead of escaping from bondage to reality into a beautiful idealism, they have flung themselves against immutable laws, and the drama of emancipation has turned into cheap farce or pitiful tragedy. If a record could be kept of the "affinities" and "soul unions" reported by the newspapers and of their results five years later, the tinsel romance would turn to tawdry melodrama. MATERNAL GRIEF BY WILLIAM WORDSWORTH Departed Child! I could forget thee once A shadow, never, never to be displaced The Child she mourned had overstepped the pale To all the Little-ones on sinful earth Not unvouchsafed—a light that warmed and cheered Those several qualities of heart and mind Which, in her own blest nature, rooted deep, Daily before the Mother's watchful eye, Have you espied upon a dewy lawn That Nature prompts them to display, their looks, Such union, in the lovely Girl maintained Now first acquainted with distress and grief, Shrunk from his Mother's presence, shunned with fear In his known haunts of joy where'er he might, And stilled his tremulous lip. Thus they were calmed In walks whose boundary is the lost One's grave, For such, by pitying Angels and by Spirits Which, soothed and sweetened by the grace of Heaven |