The Fundamentals of Speech, a Behavioristic Study of the Underlying Principes of Speaking and Reading, a Text Book of Delivery |
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Page 8
... attitude of body and its effect on the voice ; emotional and intellectual disposition of body and voice . IV . Action ( a ) General bodily attitude ( in common with Voice ) . ( b ) Posture . ( c ) Movement . ( d ) Gesture : hands , arms ...
... attitude of body and its effect on the voice ; emotional and intellectual disposition of body and voice . IV . Action ( a ) General bodily attitude ( in common with Voice ) . ( b ) Posture . ( c ) Movement . ( d ) Gesture : hands , arms ...
Page 9
... attitude , and to control the mechanism of the Voice - how to become master of Action and Speaking . It covers , being a critical and analytical study de- signed primarily for those who must relearn and make over their speaking methods ...
... attitude , and to control the mechanism of the Voice - how to become master of Action and Speaking . It covers , being a critical and analytical study de- signed primarily for those who must relearn and make over their speaking methods ...
Page 43
... attitudes . Strictly conceived , interpretation in- volves no demonstration of gesture , posture , or action ; its results are produced by the voice alone . At its best it sounds very much like alert conversation ; but it can also bear ...
... attitudes . Strictly conceived , interpretation in- volves no demonstration of gesture , posture , or action ; its results are produced by the voice alone . At its best it sounds very much like alert conversation ; but it can also bear ...
Page 44
... attitude only , for in that capacity he can be his proper self ; but as impersonator he must change character , must shift from his own personality to that of somebody else . His explicit purpose is to make himself appear , talk , and ...
... attitude only , for in that capacity he can be his proper self ; but as impersonator he must change character , must shift from his own personality to that of somebody else . His explicit purpose is to make himself appear , talk , and ...
Page 53
... attitude made manifest ? ( g ) From what you know of the occasion , what would you say the situation required in the way of balance between communication and display ? ( h ) Was the speaker at ease in the method he chose ? If not , how ...
... attitude made manifest ? ( g ) From what you know of the occasion , what would you say the situation required in the way of balance between communication and display ? ( h ) Was the speaker at ease in the method he chose ? If not , how ...
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Common terms and phrases
acting alert Annabel Lee Argonne Forest arms attitude audi audience awkward bodily action body and voice breathing changes child communication conversation coördination Daniel O'Connell defects diaphragm effect elements emotional exercise expression eyes face Faneuil Hall feel foot Force gesture give grace habits hand head hear hearers heart ideas imitation impersonation inflection intellectual intense interpretation keep kind lack learning legs listener Lochinvar Logical Content look Lord Macbeth Mark Twain matter Memorized mental mind movement muscles never observe occasion one's Orotund passage person phrases pitch platform Pont-à-Mousson possible posture public address public speaking relaxed resonance sentences speaker speaking and reading speech speech-training stage fright stand success syllables talk tell thing thinking thou thought throat tion tone uttered vaudeville vital vocal vowel WENDELL PHILLIPS whole words
Popular passages
Page 207 - For sufferance is the badge of all our tribe: You call me misbeliever, cut-throat, dog, And spit upon my Jewish gaberdine, And all for use of that which is mine own. Well then, it now appears, you need my help; Go to, then; you come to me, and you say, Shylock, we would have moneys...
Page 229 - She was a Phantom of delight When first she gleamed upon my sight: A lovely Apparition, sent To be a moment's ornament; Her eyes as stars of twilight fair; Like Twilight's, too, her dusky hair; But all things else about her drawn From May-time and the cheerful Dawn; A dancing Shape, an Image gay, To haunt, to startle, and way-lay.
Page 196 - A wind blew out of a cloud, chilling My beautiful Annabel Lee; So that her highborn kinsmen came And bore her away from me.
Page 257 - We have given our hearts away, a sordid boon! This Sea that bares her bosom to the moon; The winds that will be howling at all hours, And are up-gathered now like sleeping flowers; For this, for everything, we are out of tune; It moves us not. — Great God! I'd rather be A Pagan suckled in a creed outworn; So might I, standing on this pleasant lea, Have glimpses that would make me less forlorn; Have sight of Proteus rising from the sea; Or hear old Triton blow his wreathed horn.
Page 254 - She should have died hereafter ; There would have been a time for such a word. To-morrow, and to-morrow, and to-morrow, Creeps in this petty pace from day to day To the last syllable of recorded time, And all our yesterdays have lighted fools The way to dusty death.
Page 197 - But, soft! what light through yonder window breaks! It is the east, and Juliet is the sun ! — Arise, fair sun, and kill the envious moon, Who is already sick and pale with grief, That thou her maid art far more fair than she...
Page 244 - Be not too tame, neither, but let your own discretion be your tutor; suit the action to the word, the word to the action; with this special observance, that you o'erstep not the modesty of nature: for anything so overdone is from the purpose of playing, whose end, both at the first and now, was and is, to hold, as 'twere, the mirror up to nature; to show virtue her own feature, scorn her own image, and the very age and body of the time his form and pressure.
Page 253 - How sweet the moonlight sleeps upon this bank ! Here will we sit, and let the sounds of music Creep in our ears : soft stillness and the night Become the touches of sweet harmony.
Page 255 - Thou minds me o' the happy days When my fause Luve was true. Thou'll break my heart, thou bonnie bird That sings beside thy mate; For sae I sat, and sae I sang, And wist na o' my fate. Aft hae I roved by bonnie Doon To see the woodbine twine, And ilka bird sang o' its love; And sae did I o
Page 314 - A foolish consistency is the hobgoblin of little minds, adored by little statesmen and philosophers and divines. With consistency a great soul has simply nothing to do.