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THE transactions comprized in this history take up about nine years. The action commences with the account of Hotspur's being defeated and killed [1403]; and closes with the death of King Henry IV. and the coronation of King Henry V. [1412-13.] THEOBALD.

This play was entered at Stationers' Hall, August 23, 1600.

STEEVENS. The Second Part of King Henry IV. I suppose to have been written in 1598. See An Attempt to ascertain the Order of Shakspeare's Plays, vol. ii. MALONE.

Mr Upton thinks these two plays improperly called The First and Second Parts of Henry the Fourth. The first play ends, he says, with the peaceful settlement of Henry in the kingdom by the defeat of the rebels. This is hardly true; for the rebels are not yet finally suppressed. The second, he tells us, shows Henry the Fifth in the various lights of a good-natured rake, till, on his father's death, he assumes a more manly character. This is true; but this representation gives us no idea of a dramatick action. These two plays will appear to every reader, who shall peruse them without ambition of critical discoveries, to be so connected, that the second is merely a sequel to the first; to be two only because they are too long to be one. JOHNSON.

Of this play there are two quartos, in Mr. Malone's Collection, both printed in the same year, 1600; but it is doubtful whether they are different editions, or only the one a corrected impression of the other, from some omissions having passed in the first. See them more particularly described in the list of quartos, vol. ii. Mr. Steevens in a subsequent note, speaks of a third, but I have never seen it. I have referred to that which Mr. Malone supposed to be the first by the letter A. to the other, by letter B. BOSWELL.


KING HENRY the Fourth:

HENRY, Prince of Wales, afterwards
King Henry V ;

THOMAS, Duke of Clarence;


wards (2 Henry V.) Duke of his Sons. Bedford ;


wards (2 Henry V.) Duke of





of the King's Party.


Lord Chief Justice of the King's Bench.

A Gentleman attending on the Chief Justice.


SCROOP; Archbishop of York;



Enemies to

the King.

TRAVERS and MORTON, Domesticks of Northum


FALSTAFF, Baradlph, Pistol, and PAGE.
POINS and PETO, Attendants on Prince Henry.
SHALLOW and SILENCE, Country Justices.

DAVY, Servant to Shallow.


FANG and SNARE, Sheriff's Officers.

Rumour. A Porter.

A Dancer, Speaker of the Epilogue.

Hostess QUICKLY. Doll Tear-sheet.

Lords and other Attendants; Officers, Soldiers,
Messenger, Drawers, Beadles, Grooms, &c.
SCENE, England.

1 See note under the Personæ Dramatis of the First Part of this play. STEEVENS.


Warkworth. Before Northumberland's Castle.

Enter RUMOUR2, painted full of Tongues". RUM. Open your ears; For which of you will stop

The vent of hearing, when loud Rumour speaks?

2 Enter RUMOUR,] This speech of Rumour is not inelegant or unpoetical, but it is wholly useless, since we are told nothing which the first scene does not clearly and naturally discover. The only end of such prologues is to inform the audience of some facts previous to the action, of which they can have no knowledge from the persons of the drama. JOHNSON.


RUMOUR, painted full of TONGUES.] This the author probable drew from Holinshed's Description of a Pageant, exhibited in the court of Henry VIII. with uncommon cost and magnificence: "Then entered a person called Report, apparelled in crimson sattin, full of toongs, or chronicles." Vol. iii. p. 805. This however might be the common way of representing this personage in masques, which were frequent in his own times. T. WARTON. had long ago ex

Stephen Hawes, in his Pastime of Pleasure, hibited her (Rumour) in the same manner : "A goodly lady, envyroned about

"With tongues of fire."

And so had Sir Thomas More, in one of his Pageants :


Fame I am called, merveyle you nothing

"Thoughe with tonges I am compassed all rounde." Not to mention her elaborate portrait by Chaucer, in The Booke of Fame; and by John Higgins, one of the assistants in The Mirror for Magistrates, in his Legend of King Albanacte.


In a masque presented on St. Stephen's night, 1614, by Thomas Campion, Rumour comes on in a skin-coat full of winged togues.

I from the orient to the drooping west,
Making the wind my post-horse, still unfold
The acts commenced on this ball of earth:
Upon my tongues continual slanders ride;
The which in every language I pronounce,
Stuffing the ears of men with false reports.
I speak of peace, while covert enmity,
Under the smile of safety, wounds the world:
And who but Rumour, who but only I,

Make fearful musters, and prepar'd defence;
Whilst the big year, swoln with some other grief,
Is thought with child by the stern tyrant war,
And no such matter? Rumour is a pipe 5
Blown by surmises, jealousies, conjectures;

Rumour is likewise a character in Sir Clyomon, Knight of the likewise a ch Golden Shield, &c. 1599.

So also, in The whole magnificent Entertainment given to King James, and the Queen his Wife, &c. &c. 15th March, 1608, by Thomas Decker, 4to. 1604: "Directly under her in a cart by under her in a Cronbe herselfe, Fame stood upright: a woman in a thickly set with open eyes and tongues, a payre of large golden winges at her backe, a trumpet in her hand, a mantle of sundry cullours traversing her body: all these ensignes displaying but the propertie of her swiftnesse and aptnesse to disperse Rumoure." STEEVENS.


painted full of tongues." This direction, which is only to be found in the first edition in quarto of 1600, explains a passage in what follows, otherwise obscure. POPE.


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the DROOPING West,] A passage in Macbeth will best explain the force of this epithet:

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So Good things of day begin to droop and drowse, 150g 10 And night's black agents to their preys do rouse."om MALONE.

RUMOUR is a pipe-] Here the poet imagines himself describing Rumour, and forgets that Rumour is the speaker. I JOHNSON Surely this is a mistake. Rumour is giving her own description, but says of herself vers 72.


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what need I thus

My well known body to anatomize quid mi magÅ Among my household ? ad bicil at 9d2 3 And then proceeds to tell why she was come. BoswELL,

And of so easy and so plain a stop,
That the blunt monster with uncounted heads,
The still-discordant wavering multitude,
Can play upon it. But what need I thus
My well-known body to anatomize

Among my household? Why is Rumour here?
I run before king Harry's victory;

Who, in a bloody field by Shrewsbury,

Hath beaten down young Hotspur, and his troops,
Quenching the flame of bold rebellion

Even with the rebels' blood. But what mean I
To speak so true at first ? my office is
To noise abroad,-that Harry Monmouth fell
Under the wrath of noble Hotspur's sword;
And that the king before the Douglas' rage
Stoop'd his anointed head as low as death.
This have I rumour'd through the peasant towns
Between that royal field of Shrewsbury
And this worm-eaten hold of ragged stone',
Where Hotspur's father, old Northumberland,
Lies crafty-sick: the posts come tiring on,"


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6 ➡so easy and so plain a STOP,] The stops are the holes in a flute or pipe. So, in Hamlet : Govern these ventages with your finger and thumb:-Look you, these are the stops." Again: "You would seem to know my stops." STEEVENS.

7 And this worm-eaten HOLD of ragged stone,] The old copies read worm-eaten hole." MALONE.

Northumberland had retired and fortified himself in his castle, a place of strength in those times, though the building might be impaired by its antiquity; and, therefore, I believe our poet


"And this worm-eaten hold of ragged stone." THEobald. Theobald is certainly right. So, in The Wars of Cyrus, &c. 1594:

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Besieg'd his fortress with his men at arms,

"Where only I and that Libanio stay'd


By whom I live. For when the hold was lost," &c.

Again, in King Henry VI. Part III.:

"She is hard by with twenty thousand men,

"And therefore fortify your hold, my lord." STEEVENS.A

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