Pen pictures, and how to draw them |
From inside the book
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Page 18
... proportion to the reality . This is purely a commercial matter ; you can observe it in the case of most of the photographs of their premises which business- -men attach to their catalogues and wrapping - papers . A pen - and - ink ...
... proportion to the reality . This is purely a commercial matter ; you can observe it in the case of most of the photographs of their premises which business- -men attach to their catalogues and wrapping - papers . A pen - and - ink ...
Page 28
... proportions to the foreground , because the distance shrinks . Ex . 11 . Or you may half close the eyes , so that the objects are seen through the lashes , which is somewhat analogous to looking at them through the wrong end of a pair ...
... proportions to the foreground , because the distance shrinks . Ex . 11 . Or you may half close the eyes , so that the objects are seen through the lashes , which is somewhat analogous to looking at them through the wrong end of a pair ...
Page 32
... proportion of sky , and if too high or out of sight puts you in the position of making a bird's - eye view ; if placed too near the base line , unless the scene be mountainous , the proportion of sky will be too great . The Vertical ...
... proportion of sky , and if too high or out of sight puts you in the position of making a bird's - eye view ; if placed too near the base line , unless the scene be mountainous , the proportion of sky will be too great . The Vertical ...
Page 38
... proportion relatively to the other projecting masses or details in the same drawing . The distance and position of objects affect both their dis- tinctness and apparent form . Thus , the further away any object is , its illuminated ...
... proportion relatively to the other projecting masses or details in the same drawing . The distance and position of objects affect both their dis- tinctness and apparent form . Thus , the further away any object is , its illuminated ...
Page 45
... proportions of the classical figure were laid down in a purely artificial way by Vitruvius ( Ex . 18 ) . Here the length of the whole figure is divided into eight parts . One goes to the head , three to the body as far as the fork and ...
... proportions of the classical figure were laid down in a purely artificial way by Vitruvius ( Ex . 18 ) . Here the length of the whole figure is divided into eight parts . One goes to the head , three to the body as far as the fork and ...
Other editions - View all
Pen Pictures and how to Draw Them: A Practical Handbook on the Various ... Eric Meade No preview available - 2018 |
Pen Pictures and How to Draw Them: A Practical Handbook on the Various ... Meade Eric No preview available - 2013 |
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Anatomy AQUARIA background beginner black and white block Boats BOOK Breeding called camera caricature caricaturist chalk Chinese white cloth gilt COLOURED PLATES Containing Full copy crayon decorative designs Diagrams DISEASES distance Dogs draughtsman drawn effect etching excellent Fancy Fancy Pigeons foreground Fully Illustrated gradations grey Guide half-tone horizontal line HUGH DALZIEL Illustrated with Coloured Indian ink Instructions light and shade London Management masses matter method Nature numerous object obtained original drawing ornamental painter painting paper Pedigrees pen artist pen-and-ink artists pen-and-ink drawing pencil perspective photograph picture point of sight post 18 Practical Manual price 18 printed process engraving produce Rabbits represent reproduced rough Royal Academicians Royal Botanic Gardens rules Sailing scumbles Second Edition shadow Show Record sketch sort South Kensington student style tint tones Toy Dogs trees usually Varieties VENTRILOQUISM wash drawing wood engraving Yacht zinc
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