Pen pictures, and how to draw them |
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Page 13
... background , or a foreground , or figures , or animals — anything , in fact . They know where to find what they want , and many of them do not scruple to help themselves . Anyone who keeps his eye on the illustrated periodicals of ...
... background , or a foreground , or figures , or animals — anything , in fact . They know where to find what they want , and many of them do not scruple to help themselves . Anyone who keeps his eye on the illustrated periodicals of ...
Page 24
... background . Trees , houses , figures , furniture , etc. , should then be drawn in roughly as regards form , but with the utmost care as regards their relative depth of tone to the sky or background . By the aid of the finger , or paper ...
... background . Trees , houses , figures , furniture , etc. , should then be drawn in roughly as regards form , but with the utmost care as regards their relative depth of tone to the sky or background . By the aid of the finger , or paper ...
Page 26
... background ) , middle distance , and foreground . The foreground is the part nearest to the eye , and the middle distance is the portion between the foreground and the distance . If you are look- ing at anything in Nature , such as ...
... background ) , middle distance , and foreground . The foreground is the part nearest to the eye , and the middle distance is the portion between the foreground and the distance . If you are look- ing at anything in Nature , such as ...
Page 27
... background . You may also have figures or objects on a black background . ( Ex . 11 , 16 and 19. ) According as you vary the size and importance of these three planes , you can get an endless variety in a composition . Supposing a ...
... background . You may also have figures or objects on a black background . ( Ex . 11 , 16 and 19. ) According as you vary the size and importance of these three planes , you can get an endless variety in a composition . Supposing a ...
Page 38
... background would be first looked after . A mere conventional background consists of strokes going different ways , or there may be no background , or there may be a mechanical tint put in by the engraver . The modelling of the sketch ...
... background would be first looked after . A mere conventional background consists of strokes going different ways , or there may be no background , or there may be a mechanical tint put in by the engraver . The modelling of the sketch ...
Other editions - View all
Pen Pictures and how to Draw Them: A Practical Handbook on the Various ... Eric Meade No preview available - 2018 |
Pen Pictures and How to Draw Them: A Practical Handbook on the Various ... Meade Eric No preview available - 2013 |
Common terms and phrases
Anatomy AQUARIA background beginner black and white block Boats BOOK Breeding called camera caricature caricaturist chalk Chinese white cloth gilt COLOURED PLATES Containing Full copy crayon decorative designs Diagrams DISEASES distance Dogs draughtsman drawn effect etching excellent Fancy Fancy Pigeons foreground Fully Illustrated gradations grey Guide half-tone horizontal line HUGH DALZIEL Illustrated with Coloured Indian ink Instructions light and shade London Management masses matter method Nature numerous object obtained original drawing ornamental painter painting paper Pedigrees pen artist pen-and-ink artists pen-and-ink drawing pencil perspective photograph picture point of sight post 18 Practical Manual price 18 printed process engraving produce Rabbits represent reproduced rough Royal Academicians Royal Botanic Gardens rules Sailing scumbles Second Edition shadow Show Record sketch sort South Kensington student style tint tones Toy Dogs trees usually Varieties VENTRILOQUISM wash drawing wood engraving Yacht zinc
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