The Influence of Milton on English Poetry, Volume 1 |
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... THE BURLESQUE XIV . TRANSLATIONS OF THE CLASSICS XV . TECHNICAL TREATISES IN VERSE XVI . PHILOSOPHICAL AND RELIGIOUS POETRY PHILOSOPHICAL RELIGIOUS 236 276 276 315 323 359 382 382 402 PART III THE SHORTER POEMS XVII . LATE VOGUE OF xi.
... THE BURLESQUE XIV . TRANSLATIONS OF THE CLASSICS XV . TECHNICAL TREATISES IN VERSE XVI . PHILOSOPHICAL AND RELIGIOUS POETRY PHILOSOPHICAL RELIGIOUS 236 276 276 315 323 359 382 382 402 PART III THE SHORTER POEMS XVII . LATE VOGUE OF xi.
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Raymond Dexter Havens. PART III THE SHORTER POEMS XVII . LATE VOGUE OF THE SHORTER POEMS . XVIII . THE INFLUENCE OF L'ALLEGRO AND IL PENSEROSO XIX . MILTON AND THE SONNET , WITH A HISTORY OF THE SONNET IN THE EIGHTEENTH AND EARLY ...
Raymond Dexter Havens. PART III THE SHORTER POEMS XVII . LATE VOGUE OF THE SHORTER POEMS . XVIII . THE INFLUENCE OF L'ALLEGRO AND IL PENSEROSO XIX . MILTON AND THE SONNET , WITH A HISTORY OF THE SONNET IN THE EIGHTEENTH AND EARLY ...
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... vogue of the poems was not due entirely to the reading of Milton ; for Comus , with abridged text , additional songs and dances , and attractive new music , came to be one of the most persistently popular musical entertainments of the ...
... vogue of the poems was not due entirely to the reading of Milton ; for Comus , with abridged text , additional songs and dances , and attractive new music , came to be one of the most persistently popular musical entertainments of the ...
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... vogue as a novelty , ' and so late as 1764 Goldsmith wrote in the dedication to The Traveller that his poem had " neither abuse , party , nor blank verse to support it . " On the other hand , William Mason was " well aware , that by ...
... vogue as a novelty , ' and so late as 1764 Goldsmith wrote in the dedication to The Traveller that his poem had " neither abuse , party , nor blank verse to support it . " On the other hand , William Mason was " well aware , that by ...
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... vogue of Paradise Lost.1 Criticize its verse as they might , if people continued to read and to like the poem they were bound in time to feel the beauty of its freer , more varied measures , as well as the prosodical poverty of their ...
... vogue of Paradise Lost.1 Criticize its verse as they might , if people continued to read and to like the poem they were bound in time to feel the beauty of its freer , more varied measures , as well as the prosodical poverty of their ...
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Common terms and phrases
adjectives admired Aeneid Allegro ANON appeared bard beauty blank verse borrowings Coleridge Comus couplet Cowper Crit Critical death Della Cruscans descriptive edition eighteenth century Elizabethan English Poets epic Essay expression Gray Grongar Hill heaven heroic heroic couplet Hill Homer Hymn Hyperion Iliad imitation influence inversions James John Joseph Warton Keats language later Latin letter lines Lycidas lyric meter Milton Miltonic blank verse minor poems Miscellany Monody Muse nature Night Thoughts o'er octosyllabics Odyssey Oxford P. L. ii P. L. vii Paradise Lost passages Penseroso phrases pieces Poetical poetry Pope Pope's popular praise preface prose prosody published quatorzains quoted readers references rime Satan Seasons seems seen song sonnets Southey Spenser stanza sweet thee things Thomas Thomas Warton Thomson thou tion translation unrimed viii Virgil Warton William words Wordsworth writers written wrote