2 RUTH THE MOABITESS. HE story of Ruth is a beautiful idyl of domestic life, opening to us in the barbarous period of the Judges. In reading some of the latter chapters of that book, one might almost think that the system of Moses had proved a failure, and that the nation was lapsing back into the savage state of the heathen world around them; just as, in reading the history of the raids and feuds of the Middle Ages, one might consider Christianity a failure. But in both cases there were nooks and dells embosomed in the wild roughness of unsettled society, where good and honest hearts put forth blossoms of immortal sweetness and perfume. This history of Ruth unveils to us pictures of the best people and the best sort of life that were formed by the laws and institutes of Moses, life pastoral, simple, sincere, reverential, and benevolent. The story is on this wise: A famine took place in the land of Judah, and a man named Elimelech went with his wife and two sons to sojourn in the land of Moab. The sons took each of them a wife of the daughters of Moab, and they dwelt there about ten years. After that, the man and both the sons died, and the mother, with her two widowed young daughters, prepared to return to her kindred. Here the scene of the little drama opens. The mother, Naomi, comes to our view, a kind-hearted, commonplace woman, without any strong religious faith or possibility of heroic exaltation, just one of those women who see the hard, literal side of a trial, ungilded by any faith or hope. We can fancy her discouraged and mournful air, and hear the melancholy croak in her voice as she talks to her daughters, when they profess their devotion to her, and their purpose to share her fortunes and go with her to the land of Israel. "Turn again, my daughters; why will ye go with me? Are there yet any more sons in my womb, that they may be your husbands? Turn again, my daughters, go your way, for I am too old to have an husband. If I should say that I have hope to-night that I should have an husband, and bear sons, would ye tarry for them till they were grown? Would ye stay from having husbands? Nay, my daughters, it grieveth me for your sake that the hand of the Lord hath gone out against me." This pre-eminently literal view of the situation seemed to strike one of the daughters as not to be gainsaid; for we read: "And they lifted up their voices and wept again, and Orpah kissed her mother-in-law, but Ruth clave unto her." All the world through, from that time to this, have been these two classes of friends. The one weep, and kiss, and leave us to our fate, and go to seek their own fortunes. There are plenty of that sort every day. But the other are one with us for life or death. The literal-minded, sorrowful old woman has no thought of inspiring such devotion. Orpah, in her mind, has done the sensible and only thing in leaving her, and she says to Ruth: "Behold, thy sister has returned unto her people and unto her gods; return thou after thy sister-in-law." We see in this verse how devoid of religious faith is the mother. In a matter-of-course tone she speaks of Orpah having gone back to her gods, and recommends Ruth to do the like. And now the fair, sweet Ruth breaks forth in an unconscious poetry of affection, which has been consecrated as the language of true love ever since: "Entreat me not to leave thee, or to return from following after thee; for whither thou goest I will go, and where thou lodgest I will lodge: thy people shall be my people, and thy God my God. Where thou diest I will die, and there will I be buried: the Lord do so to me, and more also, if aught but death part thee and me." Troth-plight of fondest lovers, marriage-vows straitest and most devoted, can have no love-language beyond this; it is the very crystallized and diamond essence of constancy and |