The Writings of John Burroughs: The breath of lifeHoughton, Mifflin and Company, 1895 - Natural history |
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... follow out these lessons of the earth and air , " and behold their appli- cation to higher matters . It is not an artificially graded path strewn with roses that invites us in this part , but let me hope something better , a rugged ...
... follow out these lessons of the earth and air , " and behold their appli- cation to higher matters . It is not an artificially graded path strewn with roses that invites us in this part , but let me hope something better , a rugged ...
Page 13
... follow him and the ear to separate his notes . The lark's song is not especially melodious , but lithesome , sibilant , and unceasing . Its type is the grass , where the bird makes its home , abounding , multitudinous , the notes nearly ...
... follow him and the ear to separate his notes . The lark's song is not especially melodious , but lithesome , sibilant , and unceasing . Its type is the grass , where the bird makes its home , abounding , multitudinous , the notes nearly ...
Page 21
... Follow , follow , follow , follow , o'er the hill and in the hollow ! Merrily , merrily , there they hie ; now they rise and now they fly ; They cross and turn , and in and out , and down in the middle , and wheel about , - With a ...
... Follow , follow , follow , follow , o'er the hill and in the hollow ! Merrily , merrily , there they hie ; now they rise and now they fly ; They cross and turn , and in and out , and down in the middle , and wheel about , - With a ...
Page 63
... follow their noses , it is said . I have won- dered why the Greek did not follow his nose in ar- chitecture , did not copy those arches that spring from it as from a pier , and support his brow , — but always and everywhere used the ...
... follow their noses , it is said . I have won- dered why the Greek did not follow his nose in ar- chitecture , did not copy those arches that spring from it as from a pier , and support his brow , — but always and everywhere used the ...
Page 67
... follow . The world the boy lives in is separate and dis- tinct from the world the man lives in . It is a world inhabited only by boys . No events are im- portant or of any moment save those affecting boys . How they ignore the presence ...
... follow . The world the boy lives in is separate and dis- tinct from the world the man lives in . It is a world inhabited only by boys . No events are im- portant or of any moment save those affecting boys . How they ignore the presence ...
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April artist barn swallow beauty behold bird blood bobolink breath character charm color creature cuckoo earth Emerson emotional fact feeling fields genius hear heard heart herd hermit thrush human intellectual kind lark larvæ Leaves of Grass light literary literature living look loon loud master mate melody mind mockingbird morning mountain nature nest never night nightingale Pe-wee perhaps personality plumage poems poet poetic poetry purple finch reader robin sandpiper season seems Shakespeare sing snow song song sparrow songster soul sound sparrow species spirit spring stand strong summer swallows sweet Tennyson thee things Thoreau thou thought thrush tion titmouse traits trees true utter vesper sparrow voice Walt Whitman whole wild Wilson Flagg wings winter wonder wood thrush woods
Popular passages
Page 15 - Leave to the nightingale her shady wood ; A privacy of glorious light is thine; Whence thou dost pour upon the world a flood Of harmony, with instinct more divine; Type of the wise who soar, but never roam; True to the kindred points of Heaven and Home...
Page 22 - Thrice welcome, darling of the spring! Even yet thou art to me No bird, but an invisible thing, A voice, a mystery; The same whom in my school-boy days I listened to; that cry Which made me look a thousand ways, In bush and tree and sky. To seek thee did I often rove Through woods and on the green; And thou wert still a hope, a love; Still longed for, never seen. And I can listen to thee yet; Can lie upon the plain And listen, till I do beget That golden time again.
Page 110 - I HEARD a thousand blended notes, While in a grove I sate reclined, In that sweet mood when pleasant thoughts Bring sad thoughts to the mind. To her fair works did nature link The human soul that through me ran ; And much it grieved my heart to think What man has made of man.
Page 22 - The same whom in my school-boy days I listened to; that Cry Which made me look a thousand ways In bush, and tree, and sky. To seek thee did I often rove Through woods and on the green; And thou wert still a hope, a love; Still longed for, never seen. And I can listen to thee yet; Can lie upon the plain And listen, till I do beget That golden time again. O blessed Bird! the earth we pace Again appears to be An unsubstantial, faery place; That is fit home for Thee...
Page 14 - What thou art we know not; What is most like thee? From rainbow clouds there flow not Drops so bright to see As from thy presence showers a rain of melody.
Page 37 - And the thought of death close-walking the other side of me, And I in the middle as with companions, and as holding the hands of companions, I fled forth to the hiding receiving night that talks not, Down to the shores of the water, the path by the swamp in the dimness, To the solemn shadowy cedars and ghostly pines so still...
Page 23 - Sweet bird ! thy bower is ever green, Thy sky is ever clear ; Thou hast no sorrow in thy song, No winter in thy year...
Page 221 - Or, crown'd with attributes of woe Like glories, move his course, and show That life is not as idle ore, But iron dug from central gloom, And heated hot with burning fears, And dipt in baths of hissing tears, And batter'd with the shocks of doom To shape and use. Arise and fly The reeling Faun, the sensual feast; Move upward, working out the beast, And let the ape and tiger die.
Page 221 - They say The solid earth whereon we tread In tracts of fluent heat began, And grew to seeming-random forms, The seeming prey of cyclic storms, Till at the last arose the man...
Page 6 - Less Philomel will deign a song In her sweetest saddest plight, Smoothing the rugged brow of Night, While Cynthia checks her dragon yoke Gently o'er the accustomed oak; Sweet bird, that shunn'st the noise of folly, Most musical, most melancholy!