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ANTINORI, Ridolfi, and Gazzeri, M.M., their experi- DE LUC, M., development of the relation of the va ments in electro-magnetism, 391.

ARAGO, M., attraction of iron filings by the connecting wire of the battery, 335, 336.

BARLOW, Mr., his method of communicating magnetism to needles, 410. His experiments in electro-magnetism, 405.

BATTERY, Voltaic, circuit made through water, 119. 319. Experiments on the great, of the London Institution, 386. Voltaic, best conductors for dis

charging the, 318. BERZELIUS, M., electro-magnetic experiments by, 393. Experiments to prove that oxidation is not the cause of the electricity of the Voltaic apparatus, 109.

rious parts of a Voltaic apparatus to the different effects it produces, 109. His experiments, 110. His first dissection of the pile, ib. Second dissection, 111. Third dissection, 114. His theory of the Voltaic pile, 116. Electric column, 122. DIAMOND, experiments on, 304.

EARTHS, experiments on, by Messrs. Pontir and Berzelius, and Sir H. Davy, 168.

ELECTRIC COLUMN, M. De Luc, 122. Mr. Singer's experiments on the, 123. Construction of the instrument, ib.

ELECTRICAL CEMENTS, preparation of, 200. ELECTRICAL CHIME of Mr. Forster, 124. Mr. Singer's, 125.

BERZELIUS and Pontin, M.M., experiments relative ELECTRICAL CURRENTS, M. Ampère on, 342. to the expansion of mercury, 163.

BERZELIUS, Pontin, and Sir H. Davy, experiments on earths, 168.

BICHAT, M., his galvanic experiments on frogs, 241. BINARY PILE constructed by Zamboni, 99. To restore its action, 166.

BIOT'S, M., experiments, 354.

BIOT and Savart, M.M., on determining the law by which a connecting wire acts on magnetised bodies, 345.

BOISGERAUD, M., his experiments in electro-magnetism, 341.

CARLISLE, Mr., his first experiments upon the moist
pile, 138.

CAVENDISH, Mr., conductibility of iron, 237.
CEMENTS, electrical, preparation of, 200.
CHARCOAL, combustion of, by the Voltaic battery,
214.

CHILDREN, Mr., powerful Voltaic apparatus by, 266.

His experiments, 267-280. 284--288. 290-303. CHIME, electrical of Mr. Forster, 124. Mr. Singer's, 125.

COLUMN, electric, by M. De Luc, 122. Mr. Singer's
experiments on the, 123. Effects of, upon a gold
leaf electrometer, 126. Construction of, for making
observations, 128. Precaution to be observed for
its constant and immediate action, 129.
COMBUSTION of charcoal by the Voltaic battery, 214.
CONDUCTORS, best, 148. 222. Best, for discharging
the Voltaic battery, 318.

CRIMINAL, Dr. Ure's experiments on a, 250-265.
CRUICKSHANK, Mr., Voltaic pile of, 197. Construc-
tion of his battery, 198, 199.
CURRENTS, M. Ampère on electrical, 342.

DAVY, Sir H., his experiments relating to the separa-
tion of gases from the wires proceeding from the

ELECTRICITY, its effects on frogs, discovered by Galvani, 3. Volta discovers the effect of, on different kinds of metals, 96. Professor Berzelius's experiment to prove that oxidation is not the cause of the electricity of the Voltaic apparatus, 109. Quantity wanted in the Voltaic battery to produce the electro-magnetic effect, 329.

ELECTRO-MAGNETISM, M. Oersted's first experiments in, 316.329. M. Boisgeraud's experiments in, 341. M. La Borne's experiments in, 392. Mr. Barlow's experiments in, 406.

ELECTROMETER, effects of a column upon the gold leaf, 126.

EXPERIMENTS, electro-magnetic, 320-325. 331. 333. 335. 337. 343-346. 350. 354-359. 361. 363-382. 384-386. 389. 391-404. 406. 410. Voltaic, 172-184. 186-192. 241. 267-280. 284. 288. 290-303.

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MAGNETIC virtue given to metallic bodies when the
electric current evolved from the battery is trans-
mitted through them, 348.
MAGNETISM, communicating it to steel needles by
the conducting-wire, 364. Needles made mag-
netic by the common electrical machine, 372.
How to communicate it to a steel bar, 406.
MAGNETISING a needle by placing it in a spiral con-
ducting-wire, 412.

MERCURY, Messrs. Berzelius and Pontin's experi-
ments relative to the expansion of, 163. Sir H.
Davy's experiments on the electro-magnetic rota-
tion of, 396.

METALS, Volta discovers the effect of electricity on
different, 96. Effect of the Voltaic battery on,
24.

NEEDLE, one magnetised by the Voltaic battery
placed in a spiral, 338. 412. M. Ampère's, 458.
NEEDLES, steel, communicating magnetism to, by the
conducting-wire, 364. To ascertain the polarity of,
according to Mr. Barlow's method of communi-
cating magnetisin, 410.

NERVES, Dr. Wilson Philip, on the influence of the
Voltaic battery in obviating the effects of the di-
vision of the eighth pair of, 24€.

NICHOLSON, Mr., his first experiments upon the
moist pile, 138.

OERSTED, M., his early experiments in electro-mag-
netism, 316-329.

OXIDATION, Professor Berzelius's experiment to
prove that it is not the cause of the electricity of
the Voltaic apparatus, 109.

PEPYS'S, Mr., Voltaic battery of, 202.
PFAFF, M., his memoir on galvanism, 44. His ob-
jections to Humboldt's theory, 45-55. Experi-
ments on frogs,

PHILIP, Dr. W., influence of the Voltaic battery in
obviating the effects of the division of the eighth
pair of nerves, 246.

PILE, Voltaic, 97. Zamboni's galvanic, 99. To
restore its action, 166. Voltaic, M. De Luc's ex-
periments, 109. His theory of the, 116. Voltaic,
first experiments made in England upon the moist,
performed by Messrs. Nicholson and Carlisle, 138.
Voltaic, substances employed in contact with each
other in the, 143. 195. Voltaic of Mr. Cruick-
shank, 197. Construction of, 193, 199.
PLATES, Professor Robison's arrangement of a series
of, 193. Size of, for the electrical column, 131.
POLARITY, to ascertain the, of needles, according to
Mr. Barlow's method of communicating magne.
tism, 410.

PONTIN and Berze.ius, M.M., experiments relative
to the expansion of mercury, 163. 168.
POTASSIUM, to procure amalgam of, 158.
PRECHTL, M., his experimental illustration of the
effects of a spiral wire, 465.

RABBIT, M. Valli's galvanic experiments on a, 23.
REPULSION and attraction of the two wires connect-
ing the battery, 332.

RIDOLFI, Gazzeri, and Antinori, M.M., their expe-
riments in electro-magnetism, 391.

ROBISON, Professor, arrangement of a series of
plates, 193.

ROTATION, electro-magnetic, of mercury, 396.

SAVART and Biot, M.M., on determining the law by
which a connecting-wire acts on magnetised bodies,
345.

SINGER, Mr., his first experiments, 108. On the
phenomena of the Voltaic apparatus, 119. His
conclusions on the electrical effects of the battery,
121. His experiments on the electric column,
123.

SOLUTIONS, best calculated for the Voltaic battery,
120.

SPARK, influence of the Voltaic, on gases, 216.
Striking distance of, 218-220.

SPIRALS, M.M., Arago and Ampère's experiments
with, 336.

SPIRAL WIRE, M. Prechtl's experimental illustration
of the effects of a, 465.

STELL BAR, how to magnetise, 406.
SYLVESTER, Mr., his Voltaic combination, 185.

TASTE, effects of galvanism on, by M. Lehot, 60.

URE, Dr., experiments on a criminal, 250—265.
VALLI, M., his galvanic experiments on frogs, 8-28.
On rabbits, 23.

VOLTA's experiments, 95. Effects of electricity on

different kinds of metals, 96.

VOLTAIC APPARATUS, Professor Berzelius's experi-
ment to prove that oxidation is not the cause of the
electricity of, 109.

VOLTAIC BATTERY, solutions best calculated for the,
120. Mr. Pepy's portable, 202. Conductors em-
ployed in the, 222. Its effect on metals, 224.
Best conductors for discharging the, 318. Effects
produced by the connecting-wire of the, 319.
Quantity of electricity wanting to produce the
electro-magnetic effect, 329. Action of the earth
upon the currents excited by the, 343.
VOLTAIC EXPERIMENTS, 172-184. 186-192. 241.
267-280. 284-288. 290-383.

VOLTAIC PILE, first experiments made upon the
moist pile in this country, performed by Messrs.
Nicholson and Carlisle, 138. Substances em-
ployed in contact with each other in the, 143.
Of Mr. Cruickshank, 197. Construction of, 198,
199.

VOLTAIC SPARK, influence of, on gases, 216.
VON BUCH, M., his experiments, 389.

WIRE, effects produced by the conducting, of the
Voltaic battery, 319. M.M. Biot and Savart, on
determining the law by which a connecting-wire
acts on magnetised bodies, 345. Effect produced
by the connecting, when bent into an helix, 346.
Communicating magnetism to steel needles by the
conducting, 364. Magnetising a needle by placing
it in a spiral conducting, 412. Examining the
effects of a spiral conducting, on a floating mag-
netised needle, 416. M. Prechtl's experimental
illustration of the effects of a, 465.

ZAMBONI, his galvanic pile, 99. To restore its ac-
tion, 166.

ELECTRUM, Gr. ŋλeктpov. Amber: or a mixed metal, according to some authors. See ELECTRE, ELECTRICITY, and below.

She of whose soul, if we may say 'twas gold,
Her body was the electrum and did hold
Many degrees of that.

Donne.

ELECTRUM, Lat. "HλEKTρov, Gr. Electrum, according to Ovid, was that resinous substance now called amber; of which there are two kinds, the white and the yellow. Sometimes its color approaches to a hyacinthine red. Also, according to Pliny (lib. xxx. cap. 4), a mixture of gold and silver, of which the fifth part was silver, According to other ancient writers, they ha three varieties of substances called electrum, that were used in the arts; namely, glass, a compound metal, and succinum. In the Homeric poems electrum is often mentioned, which seems to have been succinum, the yellow or white amber. According to Eustathius the ancients used sometimes to call gold by this name, probably from its brilliancy, the word crop signifying the sun. Pliny thinks that the alloy is the same that Homer mentions in the fourth book of the Odyssey, in describing the palace of Menelaus, which he says was ornamented with gold, electrum (λérρov), silver, and ivory. The scholiast upon Aristophanes, supposes that the electrum of Homer was glass, but there is nothing in any of his works to warrant such a supposition, for glass is not designated by any character. It is more probable that electrum was yellow amber, which has a resplendent sunny brilliancy according with its Greek name; and Herodotus mentions that succinum or amber was known to the ancients. Pliny says, all gold is naturally alloyed by silver in various proportions; some containing a tenth, some a ninth, and some an eighth part. Wherever the silver amounts to a fifth of the mass, the compound is called electrum; this alloy may also be prepared artificially, by adding to gold the requisite proportion of silver. But if this latter exceeds a fifth of the whole, the mass ceases to be malleable. The nature of electrum is to reflect a richer lustre by lamp-light than pure silver does. That which is native has also the additional property of detecting poisons, iridescent rings passing rapidly over the surface of the cup, accompanied by a noise like that of hot metal plunged in water.

Electrum was not only used for ornamental plate, but was occasionally employed for coin, at least for medals. Thus Lampridius, in his life of Alexander Severus, says that that prince caused medals to be struck in honor of Alexander the Great, both of electrumn and gold. (Electreos aliquantos, sed plurimos tamen aureos.) The Romans themselves appear to have preferred the white lustre of silver to the yellow radiance of gold, &c. probably this taste together with the imperfection of the art of assaying, as practised by them, aided also by an idle superstitious notion of the efficacy of electrum in detecting poison, contributed to give to this alloy a temporary celebrity. Modern taste, however, prefers the native lustre of the noble metals in all their purity to any alloy of them with each other, nor is it probable, that the Roman electrum will ever again be met with at VOL. VIII.

the mint or on the sideboard. There are many coins of this alloy of the kings of Bosphorus, some small ones of Syracuse, and many Celtic and of ancient Gaul.

ELECTUARY, n. s. Fr. and Belg. electuaire; Ital. elettuario; Span. and Port. letuario; Lat. electuarium; all from. Gr. EKλEKTNOLOV, EKλEYW, eligo, to choose-Minsheu. But Vossius and Gesner prefer ελyμa, from ɛλuxɛv, to lick; as the etymology. A form of medicine made of conserves and powders, in the consistence of honey. The modern pharmacopoeias treat of these articles as confections.

We meet with divers electuaries, which have no ingredient, except sugar, common to any two of them. Boyle.

consistence is too thin, ferment: and when too thick, Electuaries made up with honey or syrup, when the candy. By both which the ingredients will be altered

or impaired.

Quincy.

ELEEMOSYNA ARATRI, ELEEMOSYNA CARUCARUM, or pro aratris, in our ancient customs, a penny which king Ethelred ordered to be paid for every plough in England towards the support of the poor. It is sometimes also called eleemosyna regis, because first appointed by the king.

ELEEMOSYNARIUS, in old records, the almoner, or officer who received the eleemosynary rents and gifts, and distributed them to charitable uses. See ALMONER.

ELEEMOS'YNARY, n. s. & adj. Gr. ελeμowŋ; ab ɛλɛog, compassion. One who lives upon alms: as an adjective it means given in charity or living upon it.

It is little better than an absurdity, that the cause should be an eleemosynary for its subsistence to its effects, as a nature posterior to and dependent on itself. Glanville's Scepsis.

In the year 1430, it appears that the eleemosynary boys, or choristers, of that monastery acted a play. Warton. History of English Poetry. ELEGANCE, n. s. ELEGANCY, EL'EGANT, adj.

ELEGANTLY, adv.

Fr. elegance; Ital. eleganza; Lat. elegantia, elegans, ab eligere, to choose. The beauty of propriety, not of greatness, says Dr. Johnson. Rather that which is selected or chosen because it pleases: hence applied particularly to objects of taste. Milton uses the adjective for accurate in discernment, or nice in taste.

St. Augustine, out of a kind of elegancy in writing, makes some difference. Raleigh's History. They describe her in part finely and elegantly, and Bacon. in part gravely and sententiously.

Lovers are anxious to trick themselves out; to be spruce in their apparel; to have their locks neatly combed and curiously curled; to adorn their shoes with elegant ties; to be point device in all their Burton.

accoutrements.

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The elegant arts owe their choicest beauties to a taste for the contemplation of nature. Percival.

If we can direct the lights we derive from such exalted speculations upon the humbler field of the imagination, whilst we investigate the springs, and trace the courses of our passions, we may not only communicate to the taste a sort of philosophical solidity, but we may reflect back on the severer sciences some of the graces and elegances of taste, without which the greatest proficiency in those sciences will always have the appearance of something illiberal.

This cap to my cousin I owe;

She gave it, and gave me beside,

Wreathed into an elegant bow,

The riband with which it is tied.
And that vice,

Though well perfumed and elegantly dressed,
Like an unburied carcass tricked with flowers,
Is but a garnished nuisance, fitter far
For cleanly riddance, than for fair attire.

Burke.

Cowper.

His infant muse, though artless, was not mute :

Of elegance as yet he took no care;

For this of time and culture is the fruit;
And Edwin gained at last this fruit so rare;
As in some future verse I purpose to declare.

Id.

Beattie.

ELEGIT, in law, a writ of execution, which lies for a person who has recovered debt or damages; or upon a recognizance in any court, against a defendant who is not able to satisfy the same in his goods. EL'EGY, n. s. Fr. elegie; Ital. Span. ELEGIAC, adj. and Lat. elegia, of Gr. Xeyos, ELEGIAST, n. s. complaint or grief. A plaintive or funeral poem. An elegiast, or elegist, is a writer of such poems.

He hangs odes upon hawthorns, and elegies upon brambles, all forsooth deifying the name of Rosalind. Shakspeare.

So on Meander's banks, when death is nigh, The mournful swan sings her own elegy. Dryden. Let elegiac lay the woe relate,

Soft as the breath of distant flutes. Gays Trivia. ELEGY is derived from the Greek λeyɛa; but who was the inventor of elegiac poetry is not known. Horace acknowledges himself ignorant of it. Among the Latins, the principal writers of elegiac verse were Propertius, Ovid, and Tibullus; the latter of whom is esteemed by Quintilian the best elegiac poet; but the former is preferred by the younger Pliny. Among the Greeks, Callimachus, Parthenius, and Euphorion, were the principal writers of elegy. See POETRY.

EL'EMENT, n. s. & v. a."
ELEMENTAL, adj.
ELEMENTAR'ITY, N. S.
ELEMENTARY, adj.

According to Vossius from old Lat. eleo, (oleo), cresco, to increase; because all things are supposed to proceed from certain elements. A first, or constituent principle: hence an ingredient or constituent part; and that which is proper, or agreeable, to a person or thing. The verb, derived from the noun, is used by our old writers for to compound with elements, to constitute. Sometimes the element,' when used alone, signifies the air. Elementarity is simplicity of nature; the state of being uncompounded: elementary, having but a single or simple principle; initial; made of, or belonging to, the elements.

We, when we were children, were in bondage under Gal. iv. 3. the elements of the world. The heavens and the earth will pass away, and the elements melt with fervent heat.

Petor.

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Contending with the fretful elements,

Bids the wind blow the earth into the sea, Or swell the curled waters.

Id. King Lear.

Who set the body and the limbs Of this great sport together as you guess? -One sure that promises no element In such a business. Id. Henry VIII. We are simple men; we do not know she works by charms, by spells, and such daubry as is beyond our element. Shakspeare.

A prince should watch that his reason may not be so subdued by his nature, as not to be so much a man of peace as to be a jest in an army; nor so much a man of war, as to be out of his element in his council,

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Saville.

Here be four of you, able to make a good world;

you

are as differing as the four elements. Not all, as if some perished by this, But so as all in you contracted is: As of this all, though many parts decay, The pure, which elemented them, shall stay.

Have not all souls thought,

For many ages, that our body's wrought

Bacon.

Donne.

Id.

Of air, and fire, and other elements? And now they think of new ingredients. Sure it is but an elementary fire that goes out; that which is celestial continues.

Milton.

Bp. Hall. Contemplations. Our torments may, in length of time, Become our elements. Leeches are by some accounted poison, not properly, that is by temperamental contrariety, occult form, or so much as elemental repugnancy; but, inwardly taken, Ital. elemento; they fasten upon the veins, and occasion an effusion Lat. elementum. of blood. Browne.

Fr. element; Span. Port. and

Waller.

A very large class of creatures in the earth, far above the condition of elementarity. Browne's Vulgar Errours. He from his flaming ship his children sent, To perish in a milder element. A man may rationally retain doubts concerning the number of those ingredients of bodies, which some call elements, and others principles. Boyle. Whether any one such body be met with, in those

said to be elemented bodies, I now question.

Id.

There is nothing more pernicious to a youth, in the elements of painting, than an ignorant master.

Dryden.

If dusky spots are varied on his brow,
And streaked with red, a troubled colour show;
That sullen mixture shall at once declare
Winds, rain, and storms, and elemental war.

Dryden's Virgil.

All rain water contains in it a copious sediment of terrestrial matter, and is not a simple elementary Ray.

water.

They shew that they are out of their element, and that logick is none of their talent. Baker on Learning.

The elementary salts of animals are not the same as they appear by distillation. Arbuthnot on Aliments, Soft yielding minds to water glide away, and sip with nymphs their elemental tea.

Pope.

Simple substances are either spirits, which have no manner of composition, or the first principles of bodies, usually called elements, of which other bodies are compounded. Watts.

First the fine forms her dulcet voice requires, Which bathe or bask in elemental fires.

Darwin.

enquire into the origin of this apparent diversity,
and he will find that those bodies which seem
the most different from each other are at bottom

nearly the same. Thus the blood, chyle, milk,
urine, &c., as well as the various solid parts of
animals, are all composed of one particular sub-
stance. The same simplicity appears in the ori-
ginal composition of the nourishment of vegeta-
bles, notwithstanding the variety among them
with respect to hardness, softness, elasticity,
taste, odor, and medical qualities. They chiefly
depend, for these, upon water and the light of
the sun.
Reflections of this kind suggested an
idea of several principal elements of which all
other bodies are composed, which by their va-
rious combinations furnished all the variety of
natural bodies. Democritus, Aristotle, and other
great philosophers of antiquity, fixed the number
to four, which have retained the name of elements
ever since. These are, fire, air, earth, and water;
each of which they imagined was naturally dis-
posed to hold its own place in the universe.
Thus, the earth, as heaviest, naturally tended
towards the centre, and occupied the lower parts;
the water, as approaching next to it in gravity,
was spread chiefly on the outside of the earth;
the air, being more subtile and rare, occupied
the middle place; while the fire, being still more
subtile and active, receded to the greatest dis-
tance of all, and was supposed to compose the
planets and stars. This system was extended to
all the productions of nature. The older che-

Peace! heaven-descended maid, whose powerful mists, with Paracelsus at their head, pretend

voice

From ancient darkness called the morn;
Of jarring elements composed the noise,
When Chaos, from his old dominion torn,
With all his bellowing throng,

Beattie.

Far, far was hurled the void abyss along.
ELEMENTS, in astronomy, are those principles
deduced from astronomical observations and
calculations, and those fundamental numbers
which are employed in the construction of tables
of the planetary motions. Thus, the elements
of the theory of the sun, or rather of the earth,
are his mean motion and eccentricity, and the
motion of the aphelia. The elements of the
theory of the moon are its mean motion; that
of its node and apogee, its eccentricity, the
inclination of its orbit to the plane of the eclip-
tic, &c

ELEMENTS, in physics, the first principles of which all bodies in the system of nature are composed These are supposed to be few in number, unchangeable, and by their combinations to produce that extensive variety of objects to be met with in the works of nature. There seems to be in reality some foundation for this doctrine; for there are some principles evidently exempted from every change or decay, but which can be mixed or changed into different forms of matter. A person who surveys the works of nature in an inattentive manner, is apt to form a contrary opinion, when he considers the numerous tribes of fossils, plants, and animals, with the wonderful variety that appears among them in almost every instance. He is thence induced to conclude, that nature employs a vast variety of materials in producing such prodigious diversity. But let him

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to speak of four elementary bodies, salt, sul-
phur, earth, and mercury: but when we at-
tempt to form an idea of what they mean, we
find it very confused; and that their expressions
concerning them are enveloped in so much
obscurity, that they cannot be comprehended.
Some have attempted to prove that the elements,
whatever they are, must necessarily be invisible
or imperceptible by any of our senses.
An en-
quiry into their number or properties, therefore,
must be attended with very little success; and
all the knowledge we can have upon the subject
must be drawn from a view of their combina-
tions, and reasoning analogically from the trans-
mutations we observe to take place in nature.
We find that all the different kinds of air are
composed of that invisible and subtile fluid
named heat, united in a certain way with some
other substance: by which union the compound
acquires the properties of gravitation, expansion,
rarefaction, &c.; for pure heat, unless when
united with some terrestrial substance, neither
gravitates nor expands. This is evident from
the phenomena of the burning glass, where the
light concentrated in the focus will neither heat
the air nor water, unless it meets with something
with which it can form a permanent union.
Heat, therefore, is justly to be considered as
one of the original elements, being always cap-
able of uniting with bodies, and of being ex-
tricated from them unchanged, while the same
bodies are by their union with it changed into
various forms; water, for instance, into vapo
or ice, both of which return into their origin
state by the abstraction or addition of heat in a
certain degree. Hence some have concluded that

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