Fashioning Femininity and English Renaissance Drama

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University of Chicago Press, Aug 13, 1991 - Drama - 182 pages
By examining representations of women on stage and in the many printed materials aimed at them, Karen Newman shows how female subjectivity—both the construction of the gendered subject and the ideology of women's subjection to men—was fashioned in Elizabethan and Jacobean England. Her emphasis is not on "women" so much as on the category of "femininity" as deployed in the late sixteenth and early seventeenth centuries.

Through the critical lens of poststructuralism, Newman reads anatomies, conduct and domesticity handbooks, sermons, homilies, ballads, and court cases to delineate the ideologies of femininity they represented and produced. Arguing that drama, as spectacle, provides a peculiarly useful locus for analyzing the management of femininity, Newman considers the culture of early modern London to reveal how female subjectivity was fashioned and staged in the plays of Shakespeare, Jonson, and others.
 

Contents

Marriage in Early Modern England
13
THREE Renaissance Family Politics and Shakespeares Taming of the Shrew
33
Sorciographics
51
Femininity and the Monstrous in Othello
71
le tiers exclu and Shakespeares Henry V
95
Sartorial Extravagance in Early Modern London
109
Femininity and Commodification in Jonson s Epicoene
129
Epilogue
145
Notes
147
Index
177
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About the author (1991)

Karen Newman is professor of comparative literature and English at Brown University.

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