Lives of the English Poets |
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Page 122
After the scheme and fabrick of the poem, must be considered its component
parts, the sentiments and the diction. The sentiments, as expressive of manners,
or appropriated to characters, are, for the greater part unexcept- ionably just.
After the scheme and fabrick of the poem, must be considered its component
parts, the sentiments and the diction. The sentiments, as expressive of manners,
or appropriated to characters, are, for the greater part unexcept- ionably just.
Page 147
sound and words, he can be only understood to wish that Butler had undertaken
a different work. The measure is quick, spritely, and colloquial, suitable to the
vulgarity of the words and the levity of the sentiments. But such numbers and
such ...
sound and words, he can be only understood to wish that Butler had undertaken
a different work. The measure is quick, spritely, and colloquial, suitable to the
vulgarity of the words and the levity of the sentiments. But such numbers and
such ...
Page 308
... delineation of characters, variety and vigour of sentiment, happy turns of
language, and pleasing harmony of numbers; ... poem of mere sentiments easily
becomes tedious; though all the parts are forcible, and every line kindles new
rapture, ...
... delineation of characters, variety and vigour of sentiment, happy turns of
language, and pleasing harmony of numbers; ... poem of mere sentiments easily
becomes tedious; though all the parts are forcible, and every line kindles new
rapture, ...
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Absalom and Achitophel Addison admiration afterwards ancient appears beauties better blank verse Cato censure character Charles Dryden compositions considered Cowley criticism death delight diction diligence dramatick Dryden duke Earl elegance endeavoured English English poetry excellence fancy favour friends genius heroick honour Hudibras images imagination imitation Jacob Tonson John Dryden judgement Juvenal kind King known labour Lady language Latin learning lines lived lord Lord Conway Lord Roscommon Milton mind nature never nihil numbers observed opinion Paradise Lost passions performance perhaps Philips Pindar play pleasure poem poet poetical poetry Pope pounds praise produced publick published reader reason relates remarks reputation rhyme satire says seems Sempronius sentiments shew shewn sometimes Sprat supposed Syphax thing thou thought tion told tragedy translation Tyrannick Love verses versification Virgil virtue Waller Whig words write written wrote