Lives of the English Poets |
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Page 263
In 1 68 1, Dryden became yet more conspicuous by uniting politicks with poetry,
in the memorable satire called Absalom and Achitophel, written against the
faction which, by lord Shaftesbury's incitement, set the duke of Monmouth at its
head.
In 1 68 1, Dryden became yet more conspicuous by uniting politicks with poetry,
in the memorable satire called Absalom and Achitophel, written against the
faction which, by lord Shaftesbury's incitement, set the duke of Monmouth at its
head.
Page 309
In the second part, written by Tate, there is a long insertion, which, for poignancy
of satire, exceeds any part of the former. Personal resentment, though no
laudable motive to satire, can add great force to general principles. Self-love is a
busy ...
In the second part, written by Tate, there is a long insertion, which, for poignancy
of satire, exceeds any part of the former. Personal resentment, though no
laudable motive to satire, can add great force to general principles. Self-love is a
busy ...
Page 317
It is therefore perhaps possible to give a better representation of that great satirist,
even in those parts which Dryden himself has translated, some passages
excepted, which will never be excelled. With Juvenal was published Persius, ...
It is therefore perhaps possible to give a better representation of that great satirist,
even in those parts which Dryden himself has translated, some passages
excepted, which will never be excelled. With Juvenal was published Persius, ...
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Absalom and Achitophel Addison admiration afterwards ancient appears beauties better blank verse Cato censure character Charles Dryden compositions considered Cowley criticism death delight diction diligence dramatick Dryden duke Earl elegance endeavoured English English poetry excellence fancy favour friends genius heroick honour Hudibras images imagination imitation Jacob Tonson John Dryden judgement Juvenal kind King known labour Lady language Latin learning lines lived lord Lord Conway Lord Roscommon Milton mind nature never nihil numbers observed opinion Paradise Lost passions performance perhaps Philips Pindar play pleasure poem poet poetical poetry Pope pounds praise produced publick published reader reason relates remarks reputation rhyme satire says seems Sempronius sentiments shew shewn sometimes Sprat supposed Syphax thing thou thought tion told tragedy translation Tyrannick Love verses versification Virgil virtue Waller Whig words write written wrote