The works of Samuel Johnson, Volume 51824 |
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Page 20
... knowledge may be sometimes found buried perhaps in grossness of expression , but useful to those who know their value ; and such as , when they are expanded to perspicuity , and polished to elegance , may give lustre to works which have ...
... knowledge may be sometimes found buried perhaps in grossness of expression , but useful to those who know their value ; and such as , when they are expanded to perspicuity , and polished to elegance , may give lustre to works which have ...
Page 21
... Knowledge : The sacred tree ' midst the fair orchard grew ; The phoenix Truth did on it rest , And built his perfum'd nest , That right Porphyrian tree which did true logic shew .. Each leaf did learned notions give , And th ' apples ...
... Knowledge : The sacred tree ' midst the fair orchard grew ; The phoenix Truth did on it rest , And built his perfum'd nest , That right Porphyrian tree which did true logic shew .. Each leaf did learned notions give , And th ' apples ...
Page 22
... knowledge in some encomiastick verses : In every thing there naturally grows A Balsamum to keep it fresh and new , If ' twere not injur'd by extrinsique blows ; Your youth and beauty are this balm in you , But you , of learning and ...
... knowledge in some encomiastick verses : In every thing there naturally grows A Balsamum to keep it fresh and new , If ' twere not injur'd by extrinsique blows ; Your youth and beauty are this balm in you , But you , of learning and ...
Page 37
... knowledge ; Dryden could have supplied the knowledge , but not the gaiety . The verses to Davenant , which are vigorously begun , and happily concluded , contain some hints of criticism very justly conceived and happily ex- pressed ...
... knowledge ; Dryden could have supplied the knowledge , but not the gaiety . The verses to Davenant , which are vigorously begun , and happily concluded , contain some hints of criticism very justly conceived and happily ex- pressed ...
Page 40
... knowledge flows in upon his page , so that the reader is commonly surprised into some improvement . But , considered as the verses of a lover , no man that has ever loved will much com- mend them . They are neither courtly nor pathe ...
... knowledge flows in upon his page , so that the reader is commonly surprised into some improvement . But , considered as the verses of a lover , no man that has ever loved will much com- mend them . They are neither courtly nor pathe ...
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Absalom and Achitophel admired Æneid afterwards ancients appears beauties better blank verse cæsura called censure character Charles Charles Dryden Comus considered Cowley criticism death delight diction dramatick Dryden Duke Earl elegance English epick Euripides excellence fancy favour friends genius Heaven heroick honour Hudibras images imagination imitation Jacob Tonson John Dryden Juvenal kind King knowledge known labour Lady language Latin learning lines Lord Lord Roscommon Milton mind nature never NIHIL numbers opinion Paradise Lost Paradise Regained Parliament passions perhaps perusal Philips Pindar play pleasure poem poet poetical poetry pounds praise preface produced publick published reader reason relates remarks reputation rhyme satire says seems sentiments shew shewn sometimes Sprat style supposed thee thing thou thought tion tragedy translation truth Tyrannick Love verses versification Virgil virtue Waller words write written wrote
Popular passages
Page 72 - O could I flow like thee, and make thy stream My great example, as it is my theme! Though deep, yet clear, though gentle, yet not dull, Strong without rage, without o'er-flowing full.
Page 161 - The want of human interest is always felt. Paradise Lost is one of the books which the reader admires and lays down, and forgets to take up again. None ever wished it longer than it is. Its perusal is a duty rather than a pleasure. We read Milton for instruction, retire harassed and overburdened, and look elsewhere for recreation ; we desert our master, and seek for companions.
Page 34 - To move, but doth, if th' other do. And though it in the centre sit, Yet when the other far doth roam, It leans, and hearkens after it, And grows erect as that comes home. Such wilt thou be to me, who must Like th' other foot, obliquely run ; Thy firmness makes my circles just, And makes me end where I begun.
Page 18 - Their thoughts are often new but seldom natural; they are not obvious but neither are they just; and the reader, far from wondering that he missed them, wonders more frequently by what perverseness of industry they were ever found.
Page 59 - His spear, — to equal which, the tallest pine Hewn on Norwegian hills, to be the mast Of some great ammiral, were but a wand...
Page 147 - It is a drama in the epic style, inelegantly splendid, and tediously instructive. The Sonnets were written in different parts of Milton's life, upon different occasions. They deserve not any particular criticism; for of the best it can only be said, that they are not bad; and perhaps only the eighth and the twenty-first are truly entitled to this slender commendation.
Page 385 - From harmony, from heavenly harmony This universal frame began ; When Nature underneath a heap Of jarring atoms lay, And could not heave her head, The tuneful voice was heard from high, Arise, ye more than dead.
Page 142 - Among the flocks and copses and flowers appear the heathen deities, Jove and Phoebus, Neptune and /Eolus, with a long train of mythological imagery, such as a College easily supplies. Nothing can less display knowledge or less exercise invention than to tell how a shepherd has lost his companion and must now feed his flocks alone, without any judge of his skill in piping; and how one god asks another god what is become of Lycidas, and how neither god can tell. He who thus grieves will excite no sympathy;...
Page 200 - At the moment in which he expired, he uttered, with an energy of voice that expressed the most fervent devotion, two lines of his own version of Dies Ira : My God, my Father, and my Friend, Do not forsake me in my end.
Page 168 - The variety of pauses, so much boasted by the lovers of blank verse, changes the measures of an English poet to the periods of a declaimer ; and there are only a few skilful and happy readers of Milton, who enable their audience to perceive where the lines end or begin. Blank verse, said an ingenious critic, seems to be verse only to the eye.