Orl. With no less religion, than if thou wert indeed my Rosalind: So, adieu.

Ros. Well, time is the old justice that examines all such offenders, and let time try: Adieu!

[Exit Orlando.

Cel. You have simply misus'd our sex in your love-prate: we must have your doublet and hose plucked over your head, and show the world what the bird hath done to her own nest.

Ros. O coz, coz, coz, my pretty little coz, that thou didst know how many fathom deep I am in love! But it cannot be sounded; my affection hath an unknown bottom, like the bay of Portugal.

Cel. Or rather bottomless; that as fast as you pour affection in, it runs out.

Rós. No, that same wicked bastard of Venus, that was begot of thought, conceived of spleen, and born of madness; that blind rascally boy, that abuses every one's eyes, because his own are out, let him be judge, how deep I am in love:-I'll .tell thee, Aliena, I cannot be out of the sight of Orlando: I'll go find a shadow, and sigh till he

come.、

Cel. And I'll sleep.

[Exeunt.

SCENE II-Another part of the Forest. Enter
Jaques and Lords, in the habit of Foresters.

Jag. Which is he that killed the deer?
1 Lord. Sir, it was I.

Jaq. Let's present him to the duke, like a Roman conqueror; and it would do well to set the deer's horns upon his head, for a branch of victory: -Have you no song, forester, for this purpose? 2 Lord. Yes, sir.

Jag. Sing it; 'tis no matter how it be in tune, so it make noise enough.

(1) Melancholy.

SONG.

1. What shall he have, that kill'd the deer? 2. His leather skin, and horns to wear.

1. Then sing him home:

Take thou no scorn, to wear the horn;
It was a crest ere thou wast born;

1. Thy father's father wore it;
2. And thy father bore it:

All. The horn, the horn, the lusty horn,
Is not a thing to laugh to scorn.

The rest shall bear this burden.

[Exeunt.

SCENE III.-The Forest. Enter Rosalind and Celia.

Ros. How say you now? Is it not past two o'clock and here much Orlando!

Cel. I warrant you, with pure love, and troubled brain, he hath ta'en his bow and arrows, and is gone forth-to sleep: Look, who comes here.

Enter Silvius.

Sil. My errand is to you, fair youth;My gentle Phebe bid me give you this:

[Giving a letter. I know not the contents; but, as guess, By the stern brow, and waspish action Which she did use as she was writing of it, It bears an angry tenor: pardon me,

I am but as a guiltless messenger.

Ros. Patience herself would startle at this letter, And play the swaggerer; bear this, bear all : She says, I am not fair; that I lack manners; She calls me proud; and, that she could not love me Were man as rare as phoenix; Od's my will! Her love is not the hare that I do hunt: Why writes she so to me?-Well, shepherd, w This is a letter of your own device.

Sil. No, I protest, I know not the contents; Phebe did write it.

Ros.

Come, come, you are a tool, And turn'd into the extremity of love.

I saw her hand: she has a leathern hand,
A freestone-colour'd hand; I verily did think
That her old gloves were on, but 'twas her hands;
She has a huswife's hand: but that's no matter:
she never did invent this letter;

I

say,

This is a man's invention, and his hand.

Sil. Sure, it is hers.

Ros. Why, 'tis a boisterous and cruel style, A style for challengers; why, she defies me, Like Turk to Christian woman's gentle brain Could not drop forth such giant rude invention, Such Ethiop words, blacker in their effect Than in their countenance :-Will you hear the letter?

Sil. So please you, for I never heard it yet; Yet heard too much of Phebe's cruelty.

Ros. She Phebes me: Mark how the tyrant writes.

Art thou god to shepherd turn'd,

[Reads.

That a maiden's heart hath burn'd?—

Can a woman rail thus ?

Sil. Call you this railing?

Ros. Why, thy godhead laid apart,

Warr'st thou with a woman's heart?

Did you ever hear such railing?

While the eye of man did woo me,
That could do no vengeancel to me.--

Meaning me a beast.-

If the scorn of your bright eyne2
Have power to raise such love in mine,

Alack, in me what strange effect
Would they work in mild aspéct?
Whiles you chid me, I did love;
How then might your prayers move?
He, that brings this love to thee,
Little knows this love in me:
And by him seal up thy mind;
Whether that thy youth and kind1
Will the faithful offer take
Of me, and all that I can make;
Or else by him my love deny,
And then I'll study how to die.

Sil. Call you this chiding?
Cel. Alas, poor shepherd!

Ros. Do you pity him? no, he deserves no pity. -Wilt thou love such a woman?-What, to make thee an instrument, and play false strains upon thee! not to be endured!-Well, go your way to her (for I see, love hath made thee a tame snake,) and say this to her :-That if she love me, I charge her to love thee: if she will not, I will never have her, unless thou entreat for her.-If you be a true lover, hence, and not a word; for here comes more company. [Exit Silvius.

Enter Oliver.

Oli. Good-morrow, fair ones: Pray you, if you know

Where, in the purlieus2 of this forest, stands
A sheepcote, fenc'd about with olive-trees?

Cel. West of this place, down in the neighbour bottom,

The rank of osiers, by the murmuring stream, Left on your right hand, brings you to the place: But at this hour the house doth keep itself, There's none within.

(1) Nature.

(2) Environs of a forest

Oli. If that an eye may profit by a tongue, Then I should know you by description; Such garments, and such years: The boy is fair, Of female favour, and bestows himself Like a ripe sister: but the woman low, And browner than her brother. Are not you The owner of the house I did inquire for?

Cel. It is no boast, being ask'd, to say, we are. Oli. Orlando doth commend him to you both; And to that youth, he calls his Rosalind, He sends this bloody napkin ;! Are you he?

Ros. I am: What must we understand by this? Oli. Some of my shame; if you will know of me What man I am, and how, and why, and where This handkerchief was stain'd.

Cel.

I pray you, tell it. Oli. When last the young Orlando parted from

you,

He left a promise to return again

Within an hour; and, pacing through the forest,
Chewing the food of sweet and bitter fancy,
Lo, what befel! he threw his eye aside,
And, mark, what object did present itself!
Under an oak, whose boughs were moss'd with age,
And high top bald with dry antiquity,

A wretched ragged man, o'ergrown with hair,
Lay sleeping on his back: about his neck
A green and gilded snake had wreath'd itself,
Who with her head, nimble in threats, approach'd
The opening of his mouth; but suddenly
Seeing Orlando, it unlink'd itself,

And with indented glides did slip away
Into a bush: under which bush's shade
A lioness, with udders all drawn dry,

Lay couching, head on ground, with cat-like watch,
When that the sleeping man should stir; for 'tis
The royal disposition of that beast,

To prey on nothing that doth seem as dead:

(1) Handkerchief.