When frosts lay lang, an' snaws were deep, An' threaten'd labour back to keep, I gied thy cog a wee-bit heap Aboon the timmer; I ken'd my Maggie wad na sleep For that, or simmer. In cart or car thou never reestit; But just thy step a wee thing hastit, My pleugh is now thy bairn-time a' That thou hast nurst: They drew me thretteen pund an' twa, Monie a sair daurk we twa hae wrought, We wad be beat! Yet here to crazy age we're brought, And think na, my auld, trusty servan', A heapit stimpart, I'll reserve ane We've worn to crazy years thegither; To some hain'd rig, Whare ye may nobly rax your leather, Wi' sma' fatigue TO A HAGGIS. [The vehement nationality of this poem is but a small part of its merit. The haggis of the north is the minced pie of the south; both are characteristic of the people: the in gredients which compose the former are all of Scottish growth, including the bag which contains them: the ingredients of the latter are gathered chiefly from the four quarters of the globe: the haggis is the triumph of poverty, the minced pie the triumph of wealth.| FAIR fa' your honest, sonsie face, Painch, tripe, or thairm: Weel are ye wordy o' a grace As lang's my arm. The groaning trencher there ye fill, Your pin wad help to mend a mill While thro' your pores the dews distil His knife see rustic-labour dight, An' cut you up wi' ready slight, Trenching your gushing entrails bright And then, O what a glorious sight, Warm-reckin, rich! Then horn for horn they stretch an' strive, Deil tak the hindmost, on they drive, Then auld Guidman, maist like to rive, Is there that o'er his French ragout, Or olio that wad staw a sow, Or fricassee wad mak her spew Wi' perfect sconner, Looks down wi' sneering, scornfu' view On sic a dinner? Poor devil! see him owre his trash, As feckless as a wither'd rash, His spindle shank a guid whip-lash, His nieve a nit; Thro' bloody flood or field to dash, But mark the rustic, haggis-fed, The trembling earth resounds his tread, Clap in his walie nieve a blade, He'll mak it whissle; An' legs, an' arms, an' heads will sned, Ye pow'rs wha mak mankind your care, But, if ye wish her gratefu' pray'r, A PRAYER, UNDER THE PRESSURE OF VIOLENT ANGUISH. ["There was a certain period of my life," says Burns, "that my spirit was broke by repeated losses and disasters, which threatened and indeed effected the ruin of my for tune. My body, too, was attacked by the most dreadful distemper, a hypochondria or confirmed melancholy. In this wretched state, the recollection of which makes me yet shudder, I hung my harp on the willow-trees, except in some lucid intervals, in one of which I composed the following."] O THOU Great Being! what Thou art Yet sure I am, that known to Thee Are all Thy works below. Thy creature here before Thee stands, All wretched and distrest; Yet sure those ills that wring my soul Sure Thou, Almighty, canst not act From cruelty or wrath! O, free my weary eyes from tears, But if I must afflicted be, Then, man my soul with firm resolves A PRAYER IN THE PROSPECT OF DEATH. [I have heard the third verse of this very moving Prayer quoted by scrupulous men as a proof that the poet imputed his errors to the Being who had endowed him with wild and unruly passions. The meaning is very different: Burns felt the torrent-strength of passion overpowering his resolution, and trusted that God would be merciful to the errors of one on whom he had bestowed such o'ermastering gifts.] O THOU unknown, Almighty Cause Of all my hope and fear! In whose dread presence, ere an hour If I have wander'd in those paths As something, loudly, in my breast, Thou know'st that Thou hast formed me Where human weakness has come short, Or frailty stept aside, Do Thou, All-Good! for such thou art, Where with intention I have err'd, No other plea I have, But, Thou art good; and goodness still Delighteth to forgive. STANZAS ON THE SAME OCCASION. [These verses the poet, in his common-place book, calls "Misgivings in the Hour of Despondency and Prospect of Death." He elsewhere says that they were composed when fainting-fits and other alarming symptoms of a pleurisy, or some other dangerous disorder Brst put nature on the alarm.] WHY am I loth to leave this earthly scene? Have I so found it full of pleasing charms? Some drops of joy with draughts of ill between: Or Death's unlovely, dreary, dark abode? Fain would I say, "Forgive my foul offence!" Again exalt the brute and sink the man; Who act so counter heavenly mercy's plan? O Thou, great Governor of all below! If I may dare a lifted eye to Thee, For all unfit I feel my pow'rs to be, To rule their torrent in th' allowed line; ["This poem," says my friend Thomas Carlyle, "is worth several homilies on mercy, for it is the voice of Mercy herself. Burns, indeed, lives in sympathy: his soul rushes forth into all the realms of being: nothing that has existence can be indifferent to him."] WHEN biting Boreas, fell and doure, |