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the blood till I could get assistance. But where was I, and where was the driver? Thank God,' I cried aloud, that I am at last rid of that madman!' I looked round to see what sort of a place the wretch had ensnared me into.

It was an unfinished suburban street, with raw brick skeletons of houses, stretching their frail dreary walls up into the misty morning air. Some were caged in with scaffoldpoles, others had great heaps of mortar still piled up in front of them; unfinished iron railings, doors daubed, like clowns' faces, with patches of red; windows with white circles in their panes; gateways with gaping pits where steps were to be, everywhere met my eye. In front of me on a dead wall, Alpha Terrace,' the name of this future paradise, was written in staring whitewash letters. The only sound I could hear, far or near, was the rest less twitter of the wakening sparrows. I touched the horse; he was dead, cold, and already stiffening. The coach lay on its side, rising like a wall before me, at the bottom of a new-dug foundation, some twelve feet from the roadway. It was wonderful how I had escaped.

But the wretched maniac who would have taken my life, was he lying crushed beneath the cab? I must rouse myself and see if I can find any trace of him, though doubtless he believed me dead. If unhurt, he had fled, howling and exulting, to meet with that certain detection he had not cunning enough to escape; if injured, he had crawled away to obtain help.

As these thoughts passed through my mind, I stepped painfully over the dead horse, and again exclaiming, 'Thank God he is gone!' walked round to the other side of the cab, which hitherto had been hidden from me.

Good heavens! what did I see? My enemy the madman, sitting down between the upturned wheels, with his back against the body of the carriage, quietly cutting a leather trace into two long flexible strips. On his face, which was smeared with mud and gore, there was a hideous smile of malice as his eyes met mine.

"Vy, hallo, Lushington?' he said -not appearing in the least alarmed or surprised, and continuing his task-this is a rum start of yours, isn't it? Vot are you a-going to give me for my fare? I'm not going away, Colney Hatch, vithout getting paid for your mad capers, so don't think it, Mr. Hanwell. So now then, Crazy Bill, stump up.'

'It is you who are mad,' I said, ' and I leave you to your keeper.'

'Ve'll see about that,' said the villain, slowly getting on his legs and advancing towards me with the two leather straps, that he had now knotted into one long cord, dangling behind his back. 'You must come off with me to Bedlam, my man; you ain't safe at large; a cold showerbath is what you want, old Billy Bedlam. Now easy,-hiss!-easy.'

'Lunatic,' I cried, 'beware of a desperate man.'

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There's two on us desperate, as fur as that goes,' said the wretch, leaping on me to bind my hands.

God forgive me for it, but as the fellow advanced, and ere he could seize my throat I drew a long broad knife quickly from my trousers pocket, and stabbed him under the left breast. He threw up his hands, screamed, 'The madman's done it!' and fell dead on his face.

I stood for a moment spellbound, but the sight of a red stream of blood winding towards my feet aroused me. ** I was a murderer; my brain was on fire; those drear gaunt houses seemed dancing round me; the earth seemed heaving into graves.

I erased the number of the cab, 1676, to escape detection, then threw down the knife, and fled I knew not where, with the speed of an escaped malefactor.

I shall never know where Iran. I passed through streets where shops were beginning to be opened in the bright morning sun; people called to me but I never stopped; I leaped over gates and chased through the rank grass of lonely meadows. There was a dead stillness at first in the air, and I thought I had escaped; but presently a sound, at first no louder than the bay of a watch-dog, seemed to gradually swell into the clamour and cry of a vast pursuing

mob. I could hear voices, and the tramp of feet: the wretches had dogs with them: they were tracking me. How strange that among them I seemed to specially distinguish the voices of Doctor Pledgett and his daughter Nelly! What had they to do there? I saw the mob breaking through a distant orchard, and thought I had beaten them off like so many wild curs; but suddenly in front of me, at a turning I cannot avoid, ran three men. They point to a dead, bleeding man lying on the ground. I dash at them. There are blows that fall crashing on my head, then there is a great darkness.

Oh,

When I awoke it was a soft spring morning, and I was in bed in a room I had never seen before. so neat and trim! A goldfinch was singing pleasantly at the window, and there were bouquets of violets on the white cloth of the dressingtable. A bright, rosy cloud rippled over the sky; a cheery fire sent quivering up the chimney its little yellow flames, and made a cozy, murmuring sound with its puffing jets of gas. I rose in bed by a great effort, for I was very weak, and looked at myself in the great toilet glass that faced the bed. I saw not myself, but a pale, hollow-faced, old man, whose shaven head was bound in wet bandages. It looked like Lazarus when he ascended those steps that led from the inner dark

ness.

Suddenly the door opened, and who should enter but my good friend, Dr. Pledgett? It was his house I was in. He smiled when he saw me once more conscious; but shook his finger when he observed that I was trying to speak.

The rest may be told in a few words. The long and the short of it was, that I had had a brain fever. The disease had broken out the night of the charity dinner, as my doctor had long expected. The severe mental labour of that case of Wormwood v. Widgett' had been too much for my brain. Pledgett had, indeed, as he sat opposite to me at dinner, that eventful night, seen premonitory symptoms of the disorder, and had tried to follow my cab. By my friends' wish I had been sent to his house, for the sake of greater attention.

Of my crazy doings that night, the less said the better. They ended, however, I may mention, in my upsetting the cab myself (for I had insisted on driving), in a dangerous place, and then stabbing the cabman, whom I had mistaken for an escaped madman. Luckily the wound, though it bled severely, had not proved dangerous. As for myself, I had then escaped from the cabman, who had tried to take me safely home seeing I was delirious, and being found in a field near Chiswick, was driven to a hospital, from whence Dr. Pledgett, hearing of my detention there, took me to his own house.

I soon recovered, thanks to my kind doctor, but, alas! having before lost my senses, I now lost my heart. I spent my long days of convalescence in wandering in the garden with Nelly, in practising duets, and reading Tennyson. I soon found it impossible to be happy without her.

To-morrow week, Nelly Pledgett, I am proud and happy to say, becomes Mrs. Osbert Wilkinson, thanks to my imaginary MAD CABMAN and the yellow cab No. 1676. W. T.

*

ANSWERS TO MR. HERVEY'S CHARADES IN No. 2.

1. HUNTING-GROUND.

II. SNOW-DROP.

London Societies.

No. I.-SOCIETY FOR THE PRACTICE OF CHORAL

SINGING.

OPRANO, contralto, tenor, and bass. Any one who has the honour to belong to a 'Musical Society,' can, I flatter myself, easily distinguish the part nature has allotted the four principal figures of the sketch in the quartett they are performing with such evident satisfaction; but for the sake of any individual not blessed with such advantages, it may be as well to point out which is which,' and 'who is who.' First, then, the gentleman at the piano is " our conductor, manager, and director,' and very proud of him we are, and a horrible life we lead him, especially on Friday evenings from eight to ten, P.M. For my own part, I should scarcely think life worth having under the con

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dition of 'conducting an Amateur Choral Society' to glory (which means the concert at the close of the season). The most delicate tact, the most inexhaustible patience, the most profound art, are among the simplest qualifications for that arduous post, especially as, being non-professionals, we naturally feel entitled to give ourselves airs, and take little pains to conceal our disgust when publicly accused of a false note. I am proud to enrol my name among the Bassi, and am represented by the 'party' next to the piano, with his mouth well opened. On my left stands our first tenor;' and here, perhaps, I should mention that between the gentlemen tenors,' and the bass,' there is war. No bass with a proper sense of esprit de corps will ever acknowledge any tenor can sing a solo without murdering it, or that the tenors, as a mass, are anything but a pitiable failure. To balance this, there exists, I believe, no tenor capable of a more noble sentiment than malignant satisfaction, on the rare occasion of a bass coming to grief. This being the case, I avoid the subject of the gentleman on my left, and pass on to the contralto-who is-no, I won't say fat, but plump and good-looking; next to a bass, give me a contralto. How soft, how delicious, how true is such a voice; how gracious, how lovely, how sweettempered, is a contralto's face. All are fine women, but some-oh! I need now scarcely say that the tall blonde in the foreground is our first

VOL. I.-NO. III.

P

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soprano!' She is not an ill-looking girl, and evidently thinks nothing of the upper C; but whilst I acknowledge her astounding ability, the force of her style, and her dazzling execution, I feel thankful, sincerely thankful to the tenor and alto, and both ladies' crinoline, for the space they interpose between us. Soprani actually swarm at our réunions- their name is Legion, and their principal characteristics are grey eyes, pink and white complexions, slender necks (capable of a good deal of muscular action under excitement), and light or auburn hair. I have seen these ladies singing at each other in a full chorus; and I remember my impression at the time has always been, that one or other of the fair creatures must drop dead off her perch. It is in vain our honoured conductor waves his hand and cries beseechingly, Piano, pianissimo, ladies!' He-mighty master as he is can only stand aside, like the rest of us on these occasions, and 'Praise Allah' when the battle comes to an end. Not but that we are all personally very good friends; it is only as a tenor I object to that feeblelooking young gentleman on my left, and I hope it is only as a bass he regards me with, perhaps, merited contempt. As for the ladies, any one passing the door (so kindly left ajar) of their room at the conclusion of our practice, may behold such a scene of kissing and embracing as shall prove their ardent affection for each other to every one except a cynical old bass.

ODE TO THE SWELL.

[The Bard reciteth his Anthem to the Noble Swell who inspired them.]

HE Swell-the Swell-I sing the Swell!

THE

Come, Sisters of the tuneful shell,
With me your rapturous voices raise

To celebrate his solemn praise.

If e'er you spied at Noon and Eve

(For Morn his couch ne'er saw him leave)-
That listless form-that faultless suit,
The spotless hat-the speckless boot,
The drooping lid—the rising nose,
That snuffs at Nature's meaner shows,
The curling lip-the whisker trim,
The dainty glove-th' umbrella slim,
The self-wrapt, world-despising face,
The lounging figure's studied grace?-
If e'er you heard in Park or Ball
The long haw-haw'-the languid drawl-
The softened R, whose roughness rude
To gentle double u's subdued?

If these you heard-if those you saw-
(Swell interposing with beseeching accents)
'I-say!-aw!-this-is-gett'ng-' baw!'

T. HOOD.

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