Marlowe, Tamburlaine, and Magic

A. D. Hope absolute Agrippa ambition argues aspiration Bajazeth Barabas beauty becomes believe body Bradbrook burlaine Campanella Cause celestial characters Christian Christopher Marlowe clear clearly consistent conventional cosmos cruelty death demonstrate destiny divine dramatic earth earthly Elizabethan emphasize existence expression eyes Faustus Ficino Florio flux Frances Yates Garin Giordano Bruno gods harmony heaven Hermetic Hermeticism hero Heroic Frenzies honor human hyperbolic ideal ideas identity infinite inner virtue inspiration intellectual John Dee Jove kind laine magic magician magus Marlowe's Marsilio Ficino mercy metaphor mind moon moral nature neo-Platonism outward Paracelsus perfect perhaps philosophical physical Pico della Mirandola play play's poetic principle qualities reflection religious Renaissance represents School of Night seems seen sense Shakespeare Soldan soul speech spiritual stars suggests symbol T. S. Eliot Tambur Tamburlaine Tamburlaine plays theatre Theridamas things thought tion trans ultimate unity universe vision worldly York Zenocrate Zenocrate's