Memoirs of the Life of David Garrick, Esq: Interspersed with Characters and Anecdotes of His Theatrical Contemporaries. The Whole Forming a History of the Stage, which Includes a Period of Thirty-six Years, Volume 2The author, 1781 - Actors |
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Page 19
... action of our English Rofcius . He wrote letters in a paper called the Craftsman , figned X. Y. Z. In these he endeavoured to undeceive the publick in their opinion of their favourite actor , and to prove that he was a theatrical ...
... action of our English Rofcius . He wrote letters in a paper called the Craftsman , figned X. Y. Z. In these he endeavoured to undeceive the publick in their opinion of their favourite actor , and to prove that he was a theatrical ...
Page 39
... who , after having robbed the common treafury of Greece depofited at Delphi , confeffed , indeed , that the action was not juft , but very profitable . { could not rife to the idea of this great DAVID GARRICK , Efq . 39.
... who , after having robbed the common treafury of Greece depofited at Delphi , confeffed , indeed , that the action was not juft , but very profitable . { could not rife to the idea of this great DAVID GARRICK , Efq . 39.
Page 73
... action and deportment , in a great variety of parts ; in Philafter , Jaffier , Oreftes , Othello , Alexander the Great , Lear , Oroonoko , and many others of almost equal confequence and difficulty . * i Mr. Lacy took no fmall pleafure ...
... action and deportment , in a great variety of parts ; in Philafter , Jaffier , Oreftes , Othello , Alexander the Great , Lear , Oroonoko , and many others of almost equal confequence and difficulty . * i Mr. Lacy took no fmall pleafure ...
Page 82
... action and elo- quence of the French and English theatres ; and , at the request of this very brilliant cir- cle , La Clairon and Garrick confented to exhibit various fpecimens of their theatri- cal talents , which produced great enter ...
... action and elo- quence of the French and English theatres ; and , at the request of this very brilliant cir- cle , La Clairon and Garrick confented to exhibit various fpecimens of their theatri- cal talents , which produced great enter ...
Page 85
... action in a fimple fable ; one eminent character ge- nerally is the object of the poet , with a ftrict obfervation of the unities ; the mufick in the overture , the recitative and the airs , bear fome correfpondence to the G 3 ancient ...
... action in a fimple fable ; one eminent character ge- nerally is the object of the poet , with a ftrict obfervation of the unities ; the mufick in the overture , the recitative and the airs , bear fome correfpondence to the G 3 ancient ...
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Common terms and phrases
acted at Drury-lane actor actreſs admired againſt almoſt amongſt applauſe audience Barry beſt CHAP character Cibber Clive Colley Cibber comedy converfation Covent-garden David Garrick defire eaſe Engliſh entertainment eſteemed excellent expreffion faid fame faſhion fatire favour fcene feemed fenfibility feveral fhall fince firft firſt fituation fome fometimes foon fpirit friends friendſhip ftage fubject fuccefs fuch fuperior fupport fure Garrick genius gentleman greateſt himſelf honour houſe humour intereft juſt La Clairon Lady laft laſt leaſt lefs Lord Bolingbroke Lord Camden Mallet manager manner merit Mifs moft moſt muſt Notwithſtanding obferved occafion Oroonoko Othello paffions perfons play players pleafing pleaſe pleaſure prefent Pritchard profeffion publick publiſhed purpoſe Quin racter raiſed reafon refpectable reprefent repreſentation Richard Rigby Rofcius ſaid ſcene ſeveral Shakspeare ſhall ſhe ſhould ſkill ſome ſpeak ſtage ſuch taſte theatre themſelves theſe thofe thoſe tion tragedy whofe whoſe wife writer
Popular passages
Page 287 - Here Cumberland lies, having acted his parts, The Terence of England, the mender of hearts ; A flattering painter, who made it his care, To draw men as they ought to be, not as they are.
Page 402 - James, whose skill in physic will be long remembered ; and with David Garrick, whom I hoped to have gratified with this character of our common friend. But what are the hopes of man ? I am disappointed by that stroke of death which has eclipsed the gaiety of nations, and impoverished the public stock of harmless pleasure.
Page 162 - As an actor, confess'd without rival to shine; As a wit, if not first, in the very first line; Yet, with talents like these, and an excellent heart, The man had his failings — a dupe to his art.
Page 287 - Like a tragedy queen he has dizen'd her out, Or rather like tragedy giving a rout. His fools have their follies so lost in a crowd Of virtues and feelings that folly grows proud; And coxcombs, alike in their failings alone, Adopting his portraits, are pleased with their own.
Page 288 - Adopting his portraits, are pleased with their own. Say, where has our poet this malady caught? Or wherefore his characters thus without fault? Say, was it that, vainly directing his view To find out men's virtues, and finding them few, Quite sick of pursuing each troublesome elf, He grew lazy at last, and drew from himself?
Page 408 - Within the magic circle of the eye ; If feelings which few hearts, like his, can know, And which no face so well as his can show, Deserve the preference ; — Garrick ! take the chair, Nor quit it — till thou place an Equal there.
Page 408 - Shall mark his memory with a sad delight ! Still in your heart's dear record bear his name ; Cherish the keen regret that lifts his fame ; To you it is bequeath'd, assert the trust, And to his worth — 'tis all you can — be just.
Page 162 - Though secure of our hearts, yet confoundedly sick If they were not his own by finessing and trick: He cast off his friends as a huntsman his pack, For he knew when he pleased he could whistle them back.
Page 333 - Whatever may be the changes of my future life, the deepest impression of your kindness will always remain here " (putting his hand on his breast), " fixed and unalterable. I will very readily agree to my successors having more skill and ability for their...
Page 152 - ... and in this he was certainly justifiable. Mr. Garrick could reasonably expect no thanks for the acting a new play, which he would have rejected, if he had not been convinced it would have amply rewarded his pains and expense. I believe the manager was willing to accept the play, but he wished to be courted to it, and the Doctor was not disposed to purchase his friendship by the resignation of his sincerity.