Free Play: Improvisation in Life and Art"There is an old Sanskrit word, lîla, which means play. Richer than our word, it means divine play, the play of creation, destruction, and re-creation, the folding and unfolding of the cosmos. Lîla, free and deep, is both the delight and enjoyment of this moment, and the play of God. It also means love. Lîla may be the simplest thing there is--spontaneous, childish, disarming. But as we grow and experience the complexities of life, it may also be the most difficult and hard-won achievement imaginable, and its coming to fruition is a kind of homecoming to our true selves."--Introduction, page 1. |
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Page 51
... involved in work they love also can experience such mo- ments . It is possible to become what you are doing ; these times come when pouf ! -out you go , and there is only the work . The intensity of your focused concentration and ...
... involved in work they love also can experience such mo- ments . It is possible to become what you are doing ; these times come when pouf ! -out you go , and there is only the work . The intensity of your focused concentration and ...
Page 173
... involved in what he is doing , imaginatively involved , physically in- volved , but the real authenticity we recognize is when QUALITY 173.
... involved in what he is doing , imaginatively involved , physically in- volved , but the real authenticity we recognize is when QUALITY 173.
Page
... involved in the field of visual music , creating videos and computer software that integrate graphics and original music . His multimedia works have involved dance , theater , poetry , photography , painting , and film . He has taught ...
... involved in the field of visual music , creating videos and computer software that integrate graphics and original music . His multimedia works have involved dance , theater , poetry , photography , painting , and film . He has taught ...
Contents
A New Flute | 1 |
Inspiration and Times Flow | 17 |
The Vehicle | 25 |
Copyright | |
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activity addiction art forms artist artwork audience Bach beauty become Beethoven blocks Blue Cliff Record body breakthrough breath bricolage Carl Jung child comes composer consciousness create creation creative process dance deeper e. e. cummings energy everything experience expression fear feeling flow flute free improvisation free play Galumphing Gregory Bateson hand ideas Igor Stravinsky imagination improvisation inner inspiration instru instrument intuition invent judging spectre kind learning limits listen living look material matter means ment mind muse musician mysterious nature ourselves P. D. Q. Bach painting pattern performance person piece player poetry practice procrastination resonance rhythm rules samadhi sense Shobogenzo sound spiritual spontaneous Stéphane Grappelli string structure surprises surrender T. S. Eliot technique temenos theater thing thought tion totally tune unconscious violin voice whole William Blake writing