The Lives of the Most Eminent English Poets: With Critical Observations on Their Works, Volume 1G. Walker, J. Akerman, E. Edwards, 1821 - English poetry |
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... tion I have not seen . This was transcribed for the press from his own manuscript . As this undertaking was occasional and unforeseen , I must be supposed to have en- gaged in it with less provision of materials than might have been ...
... tion I have not seen . This was transcribed for the press from his own manuscript . As this undertaking was occasional and unforeseen , I must be supposed to have en- gaged in it with less provision of materials than might have been ...
Page 4
... tion to the ancient models ; for it is not loose verse , but mere prose . It was printed , with a dedication in verse to Dr. Comber , master of the college ; but having neither the facility of a popular , nor the accuracy of a learned ...
... tion to the ancient models ; for it is not loose verse , but mere prose . It was printed , with a dedication in verse to Dr. Comber , master of the college ; but having neither the facility of a popular , nor the accuracy of a learned ...
Page 6
... tion to tell his passion . This consideration cannot but abate in some measure the reader's esteem for the works and the author . To love excellence is natural ; it is natural likewise for the lover to solicit reciprocal regard by an ...
... tion to tell his passion . This consideration cannot but abate in some measure the reader's esteem for the works and the author . To love excellence is natural ; it is natural likewise for the lover to solicit reciprocal regard by an ...
Page 58
... tion are employed , with the skill of a man ac- quainted with the best models . The past is re- called by narration , and the future anticipated by vision : but he has been so lavish of his poetical art , that it is difficult to imagine ...
... tion are employed , with the skill of a man ac- quainted with the best models . The past is re- called by narration , and the future anticipated by vision : but he has been so lavish of his poetical art , that it is difficult to imagine ...
Page 101
... tion , or rather dissection , of himself . " Such is the controversial merriment of Milton ; his gloomy seriousness is yet more offensive . Such is his ma- lignity , that hell grows darker at his frown . His father , after Reading was ...
... tion , or rather dissection , of himself . " Such is the controversial merriment of Milton ; his gloomy seriousness is yet more offensive . Such is his ma- lignity , that hell grows darker at his frown . His father , after Reading was ...
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Absalom and Achitophel admired Æneid afterwards ancients appears beauties better blank verse called censure character Charles Charles Dryden Comus considered Cowley criticism death defend delight Denham diction dramatick Dryden Duke Earl elegance English epick excellence fancy favour friends genius Heaven heroick honour Hudibras images imagination imitation Jacob Tonson John Dryden judgement kind King knowledge known labour Lady language Latin learning lines Lord Lord Conway Lord Roscommon Marriage à-la-mode Milton mind musick nature never NIHIL numbers opinion Paradise Lost parliament passions perhaps Philips Pindar play pleasing pleasure poem poet poetical poetry pounds praise preface produced publick published racters reader reason relates remarks reputation rhyme satire says seems sentiments sometimes Sprat style supposed thee thing thou thought tion tragedy translation truth Tyrannick Love verses versification Virgil virtue Waller words write written wrote
Popular passages
Page 37 - To move, but doth if th' other do. And, though it in the centre sit, Yet, when the other far doth roam, It leans and hearkens after it, And grows erect as that comes home. Such wilt thou be to me, who must Like th
Page 97 - But the truth is, that the knowledge of external nature, and the sciences which that knowledge requires or includes, are not the great or the frequent business of the human mind. Whether we provide for action or conversation, whether we wish to be useful or pleasing, the first requisite is the religious and moral knowledge of right and wrong ; the next is an acquaintance with the history of mankind, and with those examples which may be said to embody truth, and prove by events the reasonableness...
Page 417 - To all the blest above; So when the last and dreadful hour This crumbling pageant shall devour, The trumpet shall be heard on high, The dead shall live, the living die, And Music shall untune the sky.
Page 128 - I have a particular reason," says he, " to remember ; for whereas I had the perusal of it from the very beginning, for some years, as I went from time to time to visit him, in parcels of ten, twenty, or thirty verses at a time (which, being written by whatever hand came next, might possibly want correction as to the orthography and pointing...
Page 167 - He seems to have been well acquainted with his own genius, and to know what it was that nature had bestowed upon him more bountifully than upon others...
Page 153 - We drove a-field, and both together heard What time the gray-fly winds her sultry horn, Battening our flocks with the fresh dews of night, Oft till the star that rose at evening bright Toward heaven's descent had sloped his westering wheel.
Page 418 - She gave but glimpses of her glorious mind : And multitudes of virtues pass'd along; Each pressing foremost in the mighty throng, Ambitious to be seen, and then make room For greater multitudes that were to come. Yet unemploy'd no minute slipp'd away; Moments were precious in so short a stay.
Page 171 - Lost, for faults and defects every work of man must have, it is the business of impartial criticism to discover. As in displaying the excellence of Milton I have not made long quotations, because of selecting beauties there had been no end, I shall in the same general manner mention that which seems to deserve censure; for what Englishman can take delight in transcribing passages which, if they lessen the reputation of Milton, diminish in some degree the honour of our country...
Page 175 - To exalt causes into agents, to invest abstract ideas with form and animate them with activity has always been the right of poetry. But such airy beings are for the most part suffered only to do their natural office and retire. Thus Fame tells a tale, and Victory hovers over a general or perches on a standard, but Fame and Victory can do no more. To give them any real employment or ascribe to them any material agency is to make them allegorical no longer but to shock the mind by ascribing effects...
Page 20 - Their thoughts are often new, but seldom natural ; they are not obvious, but neither are they just ; and the reader, far from wondering that he missed them, wonders more frequently by what perverseness of industry they were ever found.