A DIALOGUE. POPE. SIN IN CE my old friend is grown fo great, I'm told (but 'tis not true I hope) To grow the worse for growing greater; EPIGRAM. Engraved on the Collar of a Dog, which I gave to his Royal Highness. I Am his Highness' dog at Kew; Pray tell me, Sir, whose dog are you? IN EPIGRAM. Occafioned by an Invitation to Court. N the lines that you fent, are the Muses and Graces; You've the Nine in your wit, and the Three in your faces. A FRAG A FRAGMENT. WHAT are the falling rills, the pendant shades, The morning bowers, the evening colonnades, But foft receffes for th' uneafy mind To figh unheard in, to the paffing wind! So the ftruck deer, in fome fequefter'd part, VERSES left by Mr. POPE, on his lying in the same Bed which WILMOT the celebrated Earl of Rochester slept in, at Adderbury, then belonging to the Duke of Argyle, July 9th, 1739. ITH no poetic ardour fir'd WITH I prefs the bed where Wilmot lay; "That here he lov'd, or here expir'd, Begets no numbers grave, or gay. But in thy roof, Argyle, are bred Such thoughts as prompt the brave to lie Such flames as high in patriots burn, CON Pollio, WINDSOR-FOREST, WINTER, the fourth Pastoral, MESSIAH, a Sacred Eclogue in imitation of Virgil's Ode on St. Cecilia's Day, Two Chorufes to the Tragedy of Brutus, 40. 47 57 77 82 Prologue to Mr. Addison's Tragedy of Cato, Epilogue to Jane Shore, SAPPHO to PHAON, an Epiftle from Ovid, The TEMPLE of FAME, 160 162 164 183. 201 JANUARY 344 WALLER, of a Lady finging to ber Lute, 346 On a Fan, 347 COWLEY, the Garden, ib. WEEPING, 349 E. of ROCHESTER, on Silence, 350 E. of DORSET, ARTEMISIA, 352 PHRYNE, 353 SWIFT, the Happy Life of a Country Parson, 354 A Farewell to London, 355 A Dialogue, 357 Epigram engraved on the Collar of a Dog, ib. Occafioned by an Invitation to Court, ib. A Fragment, 358 END OF THE FIRST VOLUME. |