An Essay on the Genius and Writings of Pope, Volume 1 |
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Page xii
... thought , fhould be difpofed . Such as PITT , SANDYS , FAIRFAX , BROOME , BUCK- INGHAM , LANSDOWN . This enumera- tion is not intended as a complete ca- talogue of writers , and in their proper order , but only to mark out briefly the ...
... thought , fhould be difpofed . Such as PITT , SANDYS , FAIRFAX , BROOME , BUCK- INGHAM , LANSDOWN . This enumera- tion is not intended as a complete ca- talogue of writers , and in their proper order , but only to mark out briefly the ...
Page 2
... thought , that it would be no unpleafing amufement , or uninftructive employment to examine at large , without blind panegyric , or petulant invective , the writings of this English Claffic , in the order in which they are arranged in ...
... thought , that it would be no unpleafing amufement , or uninftructive employment to examine at large , without blind panegyric , or petulant invective , the writings of this English Claffic , in the order in which they are arranged in ...
Page 8
... thought , I cannot forbear adding , that the riddle of the Royal Oak , in the first Pas- toral , invented in imitation of the Virgilian ænigmas in the third eclogue , favours of pun , and puerile conceit . Αιθε γενοίμαν A Η βομβευσα ...
... thought , I cannot forbear adding , that the riddle of the Royal Oak , in the first Pas- toral , invented in imitation of the Virgilian ænigmas in the third eclogue , favours of pun , and puerile conceit . Αιθε γενοίμαν A Η βομβευσα ...
Page 10
... thought capable : and in giving the first spe- cimen of that harmony in English verse , which is now become indifpenfibly necef- farys and which has fo forcibly and univer- fally influenced the public ear , as to have rendered every ...
... thought capable : and in giving the first spe- cimen of that harmony in English verse , which is now become indifpenfibly necef- farys and which has fo forcibly and univer- fally influenced the public ear , as to have rendered every ...
Page 18
... poefy pro- duce any thing that is fimilar , or second , to this ode * " Prælect . xiii . pag . 121 . It cannot be thought ftrange , that he who could Ir 18 ESSAY ON THE GENIUS are here accumulated together! We hear the ...
... poefy pro- duce any thing that is fimilar , or second , to this ode * " Prælect . xiii . pag . 121 . It cannot be thought ftrange , that he who could Ir 18 ESSAY ON THE GENIUS are here accumulated together! We hear the ...
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Abelard Addiſon addreffed alfo alſo ancient beautiful becauſe beſt Boileau Cant character circumftance cloſe compofition Corneille defcribed defign deſcription Domenichino Dryden Eclogue Effay elegance Eloifa epic poetry epiftle Euripides excellent expreffed expreffion exquifite faid fame fatire fays fecond feems fentiments fhall firft firſt folemn fome fpecies fpirit ftanza ftrokes fubject fublime fuch fufficient fylphs genius greateſt hiftory himſelf Homer Iliad images imagination inferted inftance itſelf Jane Shore juſt laft Loft Milton moft moſt mufic muſt numbers o'er obfervations occafion Ovid paffage paffion painted pathetic perfon Petrarch pieces Pindar pleaſed pleaſure poefy poem poet poetical poetry POPE praiſes prefent profe publiſhed quæ Quintilian Racine racter raiſed reafon refpect repreſent ſay ſcene ſeems ſeveral ſhall ſhe ſhould ſome Sophocles ſpeak ſpecies ſtory ſtrong ſtyle ſuch taſte thefe themſelves Theocritus theſe thofe thoſe tion tragedy tranflated uſed verfe verſes Virgil Voltaire whofe whoſe writing