Theatrical Space in Ibsen, Chekhov, and Strindberg: Public Forms of Privacy |
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Page 24
... Gina , Hjalmar's wife and the mother of Hedvig , refuses to enter the attic just as she refuses to participate in the games of illusion that her husband and his father play . The millrace at Rosmersholm is not in view of the audi- ence ...
... Gina , Hjalmar's wife and the mother of Hedvig , refuses to enter the attic just as she refuses to participate in the games of illusion that her husband and his father play . The millrace at Rosmersholm is not in view of the audi- ence ...
Page 26
... Gina , the servant , who is later given to young Ekdal . Mr. Werle has survived these " battles " through boastful self - righteous- ness . In the Ekdal household , by contrast , private weaknesses , excesses and outright lies have been ...
... Gina , the servant , who is later given to young Ekdal . Mr. Werle has survived these " battles " through boastful self - righteous- ness . In the Ekdal household , by contrast , private weaknesses , excesses and outright lies have been ...
Contents
The Focus in the Past | 13 |
The Mixed Interior and Exterior | 29 |
The Camera and the Aesthetics of Repetition | 49 |
Copyright | |
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action actor actually anagnorisis analyzed Artaud artistic audience August Strindberg becomes Brecht camera catharsis chapter Chekhov Chekhov and Strindberg Chekhov's plays close death developed dialectic doors dramatic drawing room Dream Play Ekdal expressionistic theatre fantasy fictional character fictional world fictive Fingal's cave focal point Foulstrand fourth wall function Ghost Sonata gradually guilt Hedda Gabler Hedda's room Hedvig Ibsen's plays identification identity images important individual inner interpretation Jauss Jean kind kitchen live MAT production material object metaphor metonymy Miss Julie moral Moscow Moscow Art Theatre one-point perspective orphanage painting past perceived perception photograph point of view presented realistic theatre reality relationship repetition role scene scenographic second act seen Simov spectator spectator's speech acts sphere Sprinchorn stage directions Stanislavski static struggle suicide techniques theatrical event theatrical performance theatrical sign theatrical space Three Sisters understanding usually veranda visual Werle Wild Duck window