Theatrical Space in Ibsen, Chekhov, and Strindberg: Public Forms of Privacy |
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Page 1
... juror in a courtroom where a crime is reviewed . Christian Metz's argument that the enjoyment of the cinema is essentially voyeuristic can no doubt also be applied to our experience Stage, Fictional World and Theatrical Space.
... juror in a courtroom where a crime is reviewed . Christian Metz's argument that the enjoyment of the cinema is essentially voyeuristic can no doubt also be applied to our experience Stage, Fictional World and Theatrical Space.
Page 82
... Christian tradition and of its transference to the theatre is of course far too big a subject for this study , but it is worth recalling that the theatrical event has formerly been seen both as stemming historically from religious rites ...
... Christian tradition and of its transference to the theatre is of course far too big a subject for this study , but it is worth recalling that the theatrical event has formerly been seen both as stemming historically from religious rites ...
Page 103
... Christian , 1-2 , 91n6 , 93n17 Meyerhold , Vsevolod , 31 , 90n5 Mezlich , Ziva , 90n18 Miller , David , 93n4 mimesis and mimetic urge ( see also verisimilitude ) , 2 , 4 mirror construction : of To Damascus and A Dream Play , 59-61 ...
... Christian , 1-2 , 91n6 , 93n17 Meyerhold , Vsevolod , 31 , 90n5 Mezlich , Ziva , 90n18 Miller , David , 93n4 mimesis and mimetic urge ( see also verisimilitude ) , 2 , 4 mirror construction : of To Damascus and A Dream Play , 59-61 ...
Contents
The Focus in the Past | 13 |
The Mixed Interior and Exterior | 29 |
The Camera and the Aesthetics of Repetition | 49 |
Copyright | |
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Common terms and phrases
action actor actually anagnorisis analyzed Artaud artistic audience August Strindberg becomes Brecht camera catharsis chapter Chekhov Chekhov and Strindberg Chekhov's plays close death developed dialectic doors dramatic drawing room Dream Play Ekdal expressionistic theatre fantasy fictional character fictional world fictive Fingal's cave focal point Foulstrand fourth wall function Ghost Sonata gradually guilt Hedda Gabler Hedda's room Hedvig Ibsen's plays identification identity images important individual inner interpretation Jauss Jean kind kitchen live MAT production material object metaphor metonymy Miss Julie moral Moscow Moscow Art Theatre one-point perspective orphanage painting past perceived perception photograph point of view presented realistic theatre reality relationship repetition role scene scenographic second act seen Simov spectator spectator's speech acts sphere Sprinchorn stage directions Stanislavski static struggle suicide techniques theatrical event theatrical performance theatrical sign theatrical space Three Sisters understanding usually veranda visual Werle Wild Duck window